1 1/2 pounds ground beef (I used 80/20)
1 medium onion, chopped
3 cloves garlic, chopped
1 can (15.25oz) whole kernel corn, drained
1 can condensed cream of mushroom soup
2 cups cheddar cheese, shredded
1/2 cup milk
4 tablespoons sour cream
1 bag (30 oz) frozen tater tots (I used Ore-Ida Crispy Crowns)
Before I got ready to make this casserole, I let the Crispy Crowns sit on the counter to defrost for an hour or so. The original recipe used still frozen tater tots, but I felt they wouldn’t cook as well if they were still frozen solid.
In a large skillet cook the onion until tender and translucent. Add the chopped garlic and cook for 1 minute more. Add the beef and cook over medium heat until no longer pink. Drain the mixture and place into a large bowl and set aside.
In a small bowl combine the soup, milk and sour cream. Whisk until smooth. Add to hamburger mixture and stir to combine. Add corn and 1 cup of cheddar cheese. Gently mix to combine.
Grease a 9×13 inch baking dish. Layer half of the Crispy Crowns on the bottom, pour the hamburger mixture over the top and then layer with the other half of the Crispy Crowns. Sprinkle with remaining 1/2 cup cheese and bake at 350 for 25 – 30 minutes, or until golden brown and crunchy.
*Note – The second time I made this I prepared it the night before and stuck it in the fridge overnight. I took it out about an hour before I wanted to bake it, just so it could come to room temperature a bit. I think it was even better than the first one!
Christmas is for the whole family and why should your beloved pet be an exception?
Your pet is sure to enjoy the holiday cheer as much as you with these delightful Christmas presents. Check out the treats just perfect for stockings, festive toys and more to help make a Christmas you’ll both love and remember.
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Max just turned 7. He is a Mini Foxie Jack Russell Cross.
His favorite sports are chasing birds, playing one dog soccer and swinging from his rope.
He does not like storms or loud noises but he does love to pop balloons, and if we run out he will chase and pop the occasional blown up rubber glove.
His favorite passtime is sleep, sleep and more sleep. The hardest decision he has to make is where he wants to sleep.
He does not like to swim or take a bath but will drink the salt water in the swimming pool. He is the best friend a human could ask for.
Macklemore and Ryan Lewis Can’t Hold Us ft Ray Dalton
Macklemore and Ryan Lewis, a duo from Seattle, Washington, have emerged as a premier national hip-hop group known for their electrifying live shows, expertly crafted music, and innovative music videos and media.
After years of building momentum with impassioned support from their devoted fan base, 2012 has been a banner year for the group, kicked off by Macklemore’s feature in XXL’s Freshman Class. Most recently, they have broken new ground by independently releasing their debut full-length album, The Heist, which shot into the #1 spot on iTunes and debuted at #2 on the Billboard charts without the support of a traditional record label.
Their single “Thrift Shop” has top 40 on the Billboard Top 100 chart and is still climbing, with a wildly popular music video (20 million+ views on YouTube) on heavy rotation on BET and MTV2. “Same Love,” a song and video in support of marriage equality, galvanized young fans and voters and led to a live studio performance on The Ellen DeGeneres Show.
While on their 70-city, completely sold-out world tour supporting The Heist, they have garnered attention in Rolling Stone, Billboard, NPR, TIME and GQ, with live performances on VH1 and an upcoming feature on Late Night with Jimmy Fallon.
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Beware of spots on store bananas, world’s deadliest spiders.
Spiders in bananas bought in supermarkets might not look like the world’s deadliest and most toxic spiders at first but only look like a tiny spot on the banana as a British woman shockingly discovered when she bit into the fruit. When 29-year-old Consi Taylor first noticed “a strange white spot” on one of the bananas that she had bought at a local supermarket, she thought it was mold or maybe some bruising on the banana, reported Sky News on Nov. 4, 2013.
To her shock, when Consi Taylor bit into her banana, the spots fell on the carpet and scurried off across the carpet as the world’s most deadliest spiders.
“I had a closer look and was horrified to see they were spiders. They were hatching out on the table, scurrying around on my carpet.”
Consi Taylor’s family was so terrified that they fled their home. Pest experts identified the creepy crawlies as lethal Brazilian Wandering Spiders — and ordered Consi Taylor, her husband Richard and their two young children, three-year-old Benjamin and four-month-old Annabel, to abandon their three-bedroom house in Hampton in south-west London until the home could be fumigated.
Brazilian Wandering Spiders, also known as “banana spiders,” are the deadliest and most toxic spiders and are usually found in tropical South America. The banana spiders can grow to have a leg span of 13 to 15 cm (5.1 to 5.9 in) and a body length of 17 to 48 mm (0.67 to 1.9 in).
The name “banana spiders” or Brazilian Wandering Spiders comes from the spiders’ habit of wandering the jungle floor at night (instead of building a web) and hiding wherever they can, including banana bunches or banana plants.
In densely populated areas in South America, the “banana spiders” search for cover in dark places during the daytime including houses, clothes, cars, boots, boxes and log piles. When disturbed, they will bite and their venomous bite can lead to death within hours. Since “banana spiders” are well-known, an effective antivenom is available and few fatalities occur.
The Brazilian Wandering Spider tends to “wander” into other countries as a stowaway in shipments of bananas and thus appear in banana crates sent to grocery stores and bulk food centers around the world. If kept in the cool during transportation or in the store, they will most likely wait to hatch until it is nice and warm — in someone’s home.
In 2005, 23-year-old Matthew Stevens was attacked by the Brazilian Wandering Spider which was hidden in a box of bananas delivered to the Quantock Gateway pub in Bridgwater. Due to his quick thinking and sending a picture to experts, he received the antivenom and after a week of treatment, he fully recovered from the bite.
Luckily for Consi Taylor, neither she, her husband, or her two young children were bitten by the banana spiders. However, from now on, she is leaving the banana shopping up to her husband and before touching any banana, she takes a very – very—very close look at them.
Havana Brown always planned on being a singer – it’s just becoming a world-famous DJ kind of got in the way.
The Melbourne glamour has just released her sizzling debut single ‘We Run The Night’, but she first started singing at the modest age of six. Admittedly though, her ‘performances’ back then were a little different…
“I’d put together shows at family dinners and drag along my poor cousins, who didn’t know how to dance or sing. I don’t know how entertained everyone was,” Brown recalls with a laugh. “I was really into R&B, like Janet Jackson’s Rhythm Nation and Bobby Brown.”
After countless years of singing lessons, performing in dance troupes and cheerleading for her hometown Aussie Rules and basketball teams, Brown got serious about making her own music right after leaving high school.
She started working with Panos Liassi, a Melbourne-based London DJ/producer and one half of R&B/reggae partystarters, Supafly Inc. Such was their musical connection, she ended up following him to the UK to form a Fugees-style group called Fishbowl with two other members. They got signed to the Polydor UK label almost instantly, but sadly, in-fighting saw the act split before they even got to release a single.
“When I look back, it was a pretty dark time,” says Brown. “Getting signed is a big deal for a new artist. You think, woah, this is it! But it wasn’t…”
Like anyone suffering a break up, Brown threw herself into the party scene and one night, she had a dancefloor epiphany of her own: the DJ had the best job in the room and she wanted in.
After learning the basics from Panos, she scraped together enough money from her four-quid-an-hour job to buy her first pair of decks and started hitting up bars with her demo.
Her persistence finally paid off when she scored her first residency at London’s exclusive Kabaret nightclub. “I told the promoters I’d play my first gig for free and they could throw me off after the first song. I don’t think they even thought I’d turn up the next night. When I did, they were like ‘oh, you were serious?’ I ended up playing for an hour and they loved it.”
Arriving back in Australia at the end of 2006, Brown – in her own words – “worked her little tush off” to keep her DJ dream alive. After working the club circuit, she became the first female DJ in Australia to sign a major label record deal with Universal Music in 2008, released her first mix CD, Crave, and topped the year off opening for the Pussycat Dolls on their promo tour.
The Dolls’ management were so impressed with her DJ-with-dancers show, they asked her back for their full tour in 2009. And as word spread, Brown found herself supporting the cream of the pop crop, including Rihanna, Chris Brown, Lady Gaga and Britney Spears, with the latter inviting her on her European tour a year later.
Since then, Brown’s star has only gotten brighter. These days, she boasts weekly radio mixup shows in Australia and abroad (on the popular Radio FG France dance network), has sold over 150,000 copies of her Crave series (now up to Volume 5) and played events as dazzling and diverse as the official Grammy’s After Party and the Singapore F1 Grand Prix alongside Beyonce and the Black Eyed Peas. Along the way, she’s also clocked up more than 100,000 loyal Facebook fans.
Now, twenty years since that first giddy singing lesson, she’s ready to retake the mic and launch that long-overdue singing career. And she’s not afraid to say she’s a little bit nervous…
“It’s exciting, nerve-wracking and intimidating all at the same time,” she says. “I’ve been working on this for a while and I didn’t want to release anything until I was completely satisfied with it. I can’t wait for people to hear this song.”
Written and produced by dance duo More Mega, first single ‘We Run The Night’ is the perfect introduction to the talents and tastes of Havana Brown. A certified dancefloor detonator, the song’s as epic as it is euphoric with an insanely infectious breakdown that’s guaranteed to throw the crowd into overdrive.
“It’s created for both the clubs and the radio,” she reveals. “That was really important for me and it was very difficult to pull off. As for the track, it’s about how music makes me feel.”
Brown says her vast experience as a DJ playing other people’s tunes has also had a huge impact on how she approaches her own.
“In the past, I wasn’t quite sure what type of artist I want to be. But now, after DJing and Fishbowl falling apart, which has been a blessing in disguise, now I’m very confident about what I want.”
At the same time, she realises that some people can be just as dismissive of female pop singers as they are of female DJs. But that, she says, only motivates her more.
“It actually drives me more when people say bad things,” she confesses. “It doesn’t make me angry, it’s more ‘I’m just going to annoy you even more by going out there even harder.’”
“I know I’m putting myself out there in a different way,” she adds. “Originally I was behind the console playing other people’s music but now I’m up front performing my own. I’m revealing myself – it’s like being naked.”
So far, Havana’s career as a jet-setting DJ has been nothing short of dazzling, but now she’s ready to shine in a whole new light. Ladies and gentlemen, introducing Havana Brown the artist.
Got a request?
Want a song dedicated to you?
PleaseContact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.
Havana Brown always planned on being a singer – it’s just becoming a world-famous DJ kind of got in the way.
The Melbourne glamour has just released her sizzling debut single ‘We Run The Night’, but she first started singing at the modest age of six. Admittedly though, her ‘performances’ back then were a little different…
“I’d put together shows at family dinners and drag along my poor cousins, who didn’t know how to dance or sing. I don’t know how entertained everyone was,” Brown recalls with a laugh. “I was really into R&B, like Janet Jackson’s Rhythm Nation and Bobby Brown.”
After countless years of singing lessons, performing in dance troupes and cheerleading for her hometown Aussie Rules and basketball teams, Brown got serious about making her own music right after leaving high school.
She started working with Panos Liassi, a Melbourne-based London DJ/producer and one half of R&B/reggae partystarters, Supafly Inc. Such was their musical connection, she ended up following him to the UK to form a Fugees-style group called Fishbowl with two other members. They got signed to the Polydor UK label almost instantly, but sadly, in-fighting saw the act split before they even got to release a single.
“When I look back, it was a pretty dark time,” says Brown. “Getting signed is a big deal for a new artist. You think, woah, this is it! But it wasn’t…”
Like anyone suffering a break up, Brown threw herself into the party scene and one night, she had a dancefloor epiphany of her own: the DJ had the best job in the room and she wanted in.
After learning the basics from Panos, she scraped together enough money from her four-quid-an-hour job to buy her first pair of decks and started hitting up bars with her demo.
Her persistence finally paid off when she scored her first residency at London’s exclusive Kabaret nightclub. “I told the promoters I’d play my first gig for free and they could throw me off after the first song. I don’t think they even thought I’d turn up the next night. When I did, they were like ‘oh, you were serious?’ I ended up playing for an hour and they loved it.”
Arriving back in Australia at the end of 2006, Brown – in her own words – “worked her little tush off” to keep her DJ dream alive. After working the club circuit, she became the first female DJ in Australia to sign a major label record deal with Universal Music in 2008, released her first mix CD, Crave, and topped the year off opening for the Pussycat Dolls on their promo tour.
The Dolls’ management were so impressed with her DJ-with-dancers show, they asked her back for their full tour in 2009. And as word spread, Brown found herself supporting the cream of the pop crop, including Rihanna, Chris Brown, Lady Gaga and Britney Spears, with the latter inviting her on her European tour a year later.
Since then, Brown’s star has only gotten brighter. These days, she boasts weekly radio mixup shows in Australia and abroad (on the popular Radio FG France dance network), has sold over 150,000 copies of her Crave series (now up to Volume 5) and played events as dazzling and diverse as the official Grammy’s After Party and the Singapore F1 Grand Prix alongside Beyonce and the Black Eyed Peas. Along the way, she’s also clocked up more than 100,000 loyal Facebook fans.
Now, twenty years since that first giddy singing lesson, she’s ready to retake the mic and launch that long-overdue singing career. And she’s not afraid to say she’s a little bit nervous…
“It’s exciting, nerve-wracking and intimidating all at the same time,” she says. “I’ve been working on this for a while and I didn’t want to release anything until I was completely satisfied with it. I can’t wait for people to hear this song.”
Written and produced by dance duo More Mega, first single ‘We Run The Night’ is the perfect introduction to the talents and tastes of Havana Brown. A certified dancefloor detonator, the song’s as epic as it is euphoric with an insanely infectious breakdown that’s guaranteed to throw the crowd into overdrive.
“It’s created for both the clubs and the radio,” she reveals. “That was really important for me and it was very difficult to pull off. As for the track, it’s about how music makes me feel.”
Brown says her vast experience as a DJ playing other people’s tunes has also had a huge impact on how she approaches her own.
“In the past, I wasn’t quite sure what type of artist I want to be. But now, after DJing and Fishbowl falling apart, which has been a blessing in disguise, now I’m very confident about what I want.”
At the same time, she realises that some people can be just as dismissive of female pop singers as they are of female DJs. But that, she says, only motivates her more.
“It actually drives me more when people say bad things,” she confesses. “It doesn’t make me angry, it’s more ‘I’m just going to annoy you even more by going out there even harder.’”
“I know I’m putting myself out there in a different way,” she adds. “Originally I was behind the console playing other people’s music but now I’m up front performing my own. I’m revealing myself – it’s like being naked.”
So far, Havana’s career as a jet-setting DJ has been nothing short of dazzling, but now she’s ready to shine in a whole new light. Ladies and gentlemen, introducing Havana Brown the artist.
Got a request?
Want a song dedicated to you?
PleaseContact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.
Havana Brown always planned on being a singer – it’s just becoming a world-famous DJ kind of got in the way.
The Melbourne glamour has just released her sizzling debut single ‘We Run The Night’, but she first started singing at the modest age of six. Admittedly though, her ‘performances’ back then were a little different…
“I’d put together shows at family dinners and drag along my poor cousins, who didn’t know how to dance or sing. I don’t know how entertained everyone was,” Brown recalls with a laugh. “I was really into R&B, like Janet Jackson’s Rhythm Nation and Bobby Brown.”
After countless years of singing lessons, performing in dance troupes and cheerleading for her hometown Aussie Rules and basketball teams, Brown got serious about making her own music right after leaving high school.
She started working with Panos Liassi, a Melbourne-based London DJ/producer and one half of R&B/reggae partystarters, Supafly Inc. Such was their musical connection, she ended up following him to the UK to form a Fugees-style group called Fishbowl with two other members. They got signed to the Polydor UK label almost instantly, but sadly, in-fighting saw the act split before they even got to release a single.
“When I look back, it was a pretty dark time,” says Brown. “Getting signed is a big deal for a new artist. You think, woah, this is it! But it wasn’t…”
Like anyone suffering a break up, Brown threw herself into the party scene and one night, she had a dancefloor epiphany of her own: the DJ had the best job in the room and she wanted in.
After learning the basics from Panos, she scraped together enough money from her four-quid-an-hour job to buy her first pair of decks and started hitting up bars with her demo.
Her persistence finally paid off when she scored her first residency at London’s exclusive Kabaret nightclub. “I told the promoters I’d play my first gig for free and they could throw me off after the first song. I don’t think they even thought I’d turn up the next night. When I did, they were like ‘oh, you were serious?’ I ended up playing for an hour and they loved it.”
Arriving back in Australia at the end of 2006, Brown – in her own words – “worked her little tush off” to keep her DJ dream alive. After working the club circuit, she became the first female DJ in Australia to sign a major label record deal with Universal Music in 2008, released her first mix CD, Crave, and topped the year off opening for the Pussycat Dolls on their promo tour.
The Dolls’ management were so impressed with her DJ-with-dancers show, they asked her back for their full tour in 2009. And as word spread, Brown found herself supporting the cream of the pop crop, including Rihanna, Chris Brown, Lady Gaga and Britney Spears, with the latter inviting her on her European tour a year later.
Since then, Brown’s star has only gotten brighter. These days, she boasts weekly radio mixup shows in Australia and abroad (on the popular Radio FG France dance network), has sold over 150,000 copies of her Crave series (now up to Volume 5) and played events as dazzling and diverse as the official Grammy’s After Party and the Singapore F1 Grand Prix alongside Beyonce and the Black Eyed Peas. Along the way, she’s also clocked up more than 100,000 loyal Facebook fans.
Now, twenty years since that first giddy singing lesson, she’s ready to retake the mic and launch that long-overdue singing career. And she’s not afraid to say she’s a little bit nervous…
“It’s exciting, nerve-wracking and intimidating all at the same time,” she says. “I’ve been working on this for a while and I didn’t want to release anything until I was completely satisfied with it. I can’t wait for people to hear this song.”
Written and produced by dance duo More Mega, first single ‘We Run The Night’ is the perfect introduction to the talents and tastes of Havana Brown. A certified dancefloor detonator, the song’s as epic as it is euphoric with an insanely infectious breakdown that’s guaranteed to throw the crowd into overdrive.
“It’s created for both the clubs and the radio,” she reveals. “That was really important for me and it was very difficult to pull off. As for the track, it’s about how music makes me feel.”
Brown says her vast experience as a DJ playing other people’s tunes has also had a huge impact on how she approaches her own.
“In the past, I wasn’t quite sure what type of artist I want to be. But now, after DJing and Fishbowl falling apart, which has been a blessing in disguise, now I’m very confident about what I want.”
At the same time, she realises that some people can be just as dismissive of female pop singers as they are of female DJs. But that, she says, only motivates her more.
“It actually drives me more when people say bad things,” she confesses. “It doesn’t make me angry, it’s more ‘I’m just going to annoy you even more by going out there even harder.’”
“I know I’m putting myself out there in a different way,” she adds. “Originally I was behind the console playing other people’s music but now I’m up front performing my own. I’m revealing myself – it’s like being naked.”
So far, Havana’s career as a jet-setting DJ has been nothing short of dazzling, but now she’s ready to shine in a whole new light. Ladies and gentlemen, introducing Havana Brown the artist.
Got a request? Want a song dedicated to you? PleaseContact Us with the song and artist you like, the name you want published and we will do our best to find it. Nicknames are fine but nothing rude, please.
France’s David Guetta belongs to the sparkling wave of DJs who combine Daft Punk’s sleek house music with a pinch of electroclash’s punch. Guetta had been DJ’ing around France playing popular tunes, but his brain was particularly rewired in 1987 when he heard a Farley Jackmaster Funk track on French radio. He taped the track, brought a copy to a gig, and promptly cleared the floor with it during one of his own sets. Things loosened up a year later when acid house came to France and Guetta successfully promoted his own club nights. It was during one of those nights in 1992 that he met Robert Owens, a Chicago-based house legend who was touring across Europe at the time. Guetta played Owens some of his own tracks, and Owens picked one he liked enough to sing over. The result was “Up and Away,” a minor hit that lurked in garage DJ crates for the next four years.
Guetta’s carefree attitude — that he only produces good music while he’s having casual fun — kept the DJ from releasing anything until 2001’s “Just a Little More Love.” The track featured American gospel singer Chris Willis, who met Guetta while on vacation in France. Another slow burner, “Just a Little More Love,” kept popping up in sets for the next two years, first in an electro version and later in a pumped-up Wally Lopez remix. During this time, Guetta snuck out a bootleg remix of David Bowie’s “Heroes,” retitled “Just for One Day.” Bowie gave the go-ahead to release the track officially, and Guetta soon had a massive hit on his hands. Guetta featured the liberated boot on his first mix CD, Fuck Me I’m Famous, named after Guetta’s successful Ibiza-based party.
The fun-loving slacker DJ finally got around to releasing a collection of his own productions in 2004, Just a Little More Love on Astralwerks. Guetta Blaster arrived that same year, followed by Poplife in 2007. Chris Willis sang lead vocals on the latter album, which spun off multiple dance singles in multiple countries. Fuck Me I’m Famous: International, Vol. 2 was then released in July 2008, giving listeners a taste of the stylish sounds that orchestrated Guetta’s summer club events in Ibiza. A year later he released One Love, a platinum-selling album featuring the singles “When Love Takes Over” with Kelly Rowland, “Sexy Bitch” with Akon, and “Gettin’ Over” with Chris Willis.
In 2010 Guetta received five nominations at the 52nd Grammy Awards, two of them related to the One Love album and the other three for his work on the Black Eyed Peas’ massive worldwide hit “I Gotta Feeling.” That same year, One Love was reissued as One More Love, featuring a bonus disc of remixes and new tracks. A superstar guest list — featuring Akon, Lil Wayne, Flo Rida, Usher, Chris Brown, and others — would figure into his 2011 release Nothing But the Beat, but this time the DJ’s songwriting was inspired by dramatic rock bands like Coldplay. ~ David Jeffries, Rovi.
Got a request?
Want a song dedicated to you?
PleaseContact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.
France’s David Guetta belongs to the sparkling wave of DJs who combine Daft Punk’s sleek house music with a pinch of electroclash’s punch. Guetta had been DJ’ing around France playing popular tunes, but his brain was particularly rewired in 1987 when he heard a Farley Jackmaster Funk track on French radio. He taped the track, brought a copy to a gig, and promptly cleared the floor with it during one of his own sets. Things loosened up a year later when acid house came to France and Guetta successfully promoted his own club nights. It was during one of those nights in 1992 that he met Robert Owens, a Chicago-based house legend who was touring across Europe at the time. Guetta played Owens some of his own tracks, and Owens picked one he liked enough to sing over. The result was “Up and Away,” a minor hit that lurked in garage DJ crates for the next four years.
Guetta’s carefree attitude — that he only produces good music while he’s having casual fun — kept the DJ from releasing anything until 2001’s “Just a Little More Love.” The track featured American gospel singer Chris Willis, who met Guetta while on vacation in France. Another slow burner, “Just a Little More Love,” kept popping up in sets for the next two years, first in an electro version and later in a pumped-up Wally Lopez remix. During this time, Guetta snuck out a bootleg remix of David Bowie’s “Heroes,” retitled “Just for One Day.” Bowie gave the go-ahead to release the track officially, and Guetta soon had a massive hit on his hands. Guetta featured the liberated boot on his first mix CD, Fuck Me I’m Famous, named after Guetta’s successful Ibiza-based party.
The fun-loving slacker DJ finally got around to releasing a collection of his own productions in 2004, Just a Little More Love on Astralwerks. Guetta Blaster arrived that same year, followed by Poplife in 2007. Chris Willis sang lead vocals on the latter album, which spun off multiple dance singles in multiple countries. Fuck Me I’m Famous: International, Vol. 2 was then released in July 2008, giving listeners a taste of the stylish sounds that orchestrated Guetta’s summer club events in Ibiza. A year later he released One Love, a platinum-selling album featuring the singles “When Love Takes Over” with Kelly Rowland, “Sexy Bitch” with Akon, and “Gettin’ Over” with Chris Willis.
In 2010 Guetta received five nominations at the 52nd Grammy Awards, two of them related to the One Love album and the other three for his work on the Black Eyed Peas’ massive worldwide hit “I Gotta Feeling.” That same year, One Love was reissued as One More Love, featuring a bonus disc of remixes and new tracks. A superstar guest list — featuring Akon, Lil Wayne, Flo Rida, Usher, Chris Brown, and others — would figure into his 2011 release Nothing But the Beat, but this time the DJ’s songwriting was inspired by dramatic rock bands like Coldplay. ~ David Jeffries, Rovi.
Got a request?
Want a song dedicated to you?
PleaseContact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.
