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Pitbull (whose given name is Armando Christian Pérez) launched his own Polo Grounds Music/J Records imprint (Mr. 305 Records), introduced his specialty vodka Voli, partnered with Sheets, the dissolvable energy strip, inked major sponsorship deals with blue-chip brands Kodak, Dr. Pepper, Bud Light and capitalized on his enormous popularity in the community by releasing his first Spanish-language album, Armando, which features the Top 5 Latin Billboard pop single “Bon Bon.”
To top it all off, the Miami native was awarded his hometown’s Key to the City as a thank-you for the positive PR he has brought Florida’s nightlife capitol. So when Pitbull explains that he’s titled his new album Planet Pit because he feels as if the world is his right now, he’s not just blowing smoke. “I’m not suggesting I run the world, I just feel like I’ve built my own planet,” he says. “I’m catching a lot of people’s ears, whether it’s with my music or appearing on someone else’s track.
When ‘I Know You Want Me [Calle Ocho]’ took off, I started traveling the world, and I saw the impact that a global hit can have — the way it brings people together. So now I’ve set my goals even higher. Going in to make Planet Pit, I said, ‘Okay, Pitbull was cool, Mr. 305 was great — now it’s time for Mr. Worldwide.You need to generate a lot of heat if you want to be Mr. Worldwide, but if there’s one thing Pitbull has — besides a way with rapid-fire rhymes, billion-dollar beats, and globally infectious hooks — it’s charm by the boatload. Always impeccably dressed in a sharp suit and shades, Pit enters a room trailed by his pals happily bantering away in Spanish, a gorgeous girl, and members of his management team.
Even while juggling a constant stream of incoming texts and emails on his two smartphones, Pit has the ability to make everyone he meets feel at home, addressing them as “Mama” or “Papo,” and asking if they need anything.
He’s the consummate professional: confident and charismatic — a true star.Pit’s magnetic personality electrifies Planet Pit — a spicy, stylish stew of raps, beats, and hooks influenced by the music Pit has absorbed growing up and living in Miami, which claims a wide range of dance-driven sounds thanks to the Cuban, Dominican, Colombian, and Caribbean people who make it their home.
“I grew up with salsa, merengue, bachata, booty-shaking music, freestyle music, then came hip hop for me. So you throw all that in a pot, which we call a paella in Spanish — that’s what I’m trying to do with this album,” says Pit, who performed in such far-flung locales as France, Indonesia, South Africa, Brazil, and Singapore, among others, while promoting Rebelution. “It embodies a bit of everywhere I’ve been. For example, ‘Shake Señora’ has got T-Pain, who’s from Tallahassee and Sean Paul who brings the Jamaican feel. I’m trying to be the ambassador; the bridge builder who brings elements from all over the world and puts it all together so it sounds like nothing you’ve ever heard before.” Read more…..mtv.com
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Jeri Ryan was born in Munich, the daughter of an Army officer then stationed in West Germany. A self-admitted “Army brat,” Ryan grew up on bases all over the U.S. until the family finally put down roots in Paducah, Kentucky. After graduating from high school in Kentucky, Ryan, a National Merit Scholar, traveled to Chicago to attend Northwestern University, ultimately obtaining a BS in theater. While in Illinois, she entered and won several beauty pageants to help pay her way through school; she placed fourth as “Miss Illinois” in 1990’s Miss America pageant. From Illinois, Ryan moved to Los Angeles, where she quickly began finding work in television.
Her first TV appearance was in an episode of Who’s the Boss? in 1991; she would appear on five other series that same year, setting the hectic pace for the next five years. After appearing in several TV movies and doing guest shots on shows like Matlock, Murder, She Wrote, Melrose Place, and Diagnosis Murder, Ryan was cast as a regular in the science fiction series Dark Skies. That series came to a close just as Ryan was invited to join the cast of Star Trek: Voyager as the extremely memorable Seven of Nine.
By the time that series ended, Ryan was much in demand. Producer David E. Kelley tapped her to play a lawyer-turned-high-school-teacher in his show Boston Public. A few years later, after taking on recurring roles in Two and a Half Men, The O.C., and Boston Legal, Ryan was once again a lawyer, as L.A. district attorney in the James Woods starrer Shark. This past year she juggled recurring roles on two different series: a con artist in Leverage and yet another attorney in Law and Order: Special Victims Unit. In Ryan’s upcoming series Body of Proof, the actress will have the opportunity to practice medicine rather than law. She’ll co-star with Dana Delany when the show debuts Fall, 2010. When Ryan isn’t appearing onscreen, you’ll likely find her at Ortolan, the Los Angeles restaurant she co-owns with her husband, renowned French chef Christophe Eme.
Swedish House Mafia – Don’t You Worry Child ft John Martin
Swedish House Mafia is a house music supergroup comprised of DJ/producers Axwell, Steve Angello, and Sebastian Ingrosso, each of whom is an accomplished DJ/producer and label owner in his own right. The members of the Swedish group initially teamed up in the mid-2000s, when they toured together as DJs and collaborated from time to time on one another’s productions. Eric Prydz was also a member of the group for a while. Axwell, Angello, and Ingrosso’s breakout performance as Swedish House Mafia came on August 12, 2008, when they played the Main Room at Cream Amnesia in Ibiza, Spain, as part of Radio 1’s Essential Mix Ibiza.
A couple years later the trio signed a major-label recording contract with EMI and made their commercial production debut with the summer 2010 anthem “One,” also known as “One (Your Name),” the latter version featuring Pharrell Williams of the Neptunes on vocals. The song was a Top Ten hit in the United Kingdom, Sweden, the Netherlands, and Belgium, and landed on the group’s debut album, 2010’s Until One. Two years later the group members announced they were breaking up and returning to their solo careers, although only after a farewell tour and the release of their second album, 2012’s Until Now. ~ Jason Birchmeier, Rovi
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A musical parodist in the broad, juvenile yet clever tradition of Mad magazine, “Weird Al” Yankovic is known for adding his own gently satirical lyrics to current hit songs. His shaggy, hangdog appearance, affection for slapstick, and amiable willingness to do seemingly anything for a laugh made him a natural for videos. His burlesques of the form and its artistes — especially of Michael Jackson in “Eat It” (from “Beat It”) (#12, 1983) and “Fat” (from “Bad”) (#99, 1988) — became MTV staples. His medleys of rock tunes given the polka treatment inspired rumors —untrue — that Yankovic was a member of the singing Yankovic family, who made polka and Western swing records in the 1940s. Regardless of his heritage, Yankovic is undoubtedly the most successful comedy recording artist, with more than 11 million albums sold.
Yankovic, a high school valedictorian and architecture student, got his start I 1979, when he sent his “My Bologna” — a parody of the Knack’s “My Sharona” — to Dr. Demento, a syndicated radio host specializing in novelty songs and curiosities. Recorded in a bathroom across the hall from his college radio station with only his accordion and vocal, the song was popular enough with Demento’s audience for Capitol (the Knack’s label) to release it as a single. His next parody, “Another One Rides the Bus” (based on Queen’s “Another One Bites the Dust”), became the most requested song in the first decade of the Dr. Demento show.
Yankovic signed with Rock ‘n’ Roll Records (a CBS subsidiary), which not only gave him access to better recording facilities and the production expertise of Rick Derringer but the financial backing for the video of “Ricky” (#63, 1983). A combination parody of Toni Basil’s hit single and video “Mickey” and homage to TV’s I Love Lucy, “Ricky” was the first of a string of videos that skewered the music, its creators, and its audience, not to mention pop culture in general. While often hilariously hamfisted, Yankovic’s takeoffs — such as “I Lost on Jeopardy” (#81, 1984) from “Weird Al” Yankovic in 3-D (#81, 1984), which rewrote Greg Kihn’s “Jeopardy”; “Like a Surgeon” (#47, 1985), which tackled Madonna’s “Like a Virgin,” from Dare to Be Stupid (#50, 1985) — made their creator and star as much a rock celebrity as his targets. In fact, the longevity of Yankovic’s career has surpassed several of the artists’ whose songs he has parodied. Nearly half the songs on any of his albums were comedic originals, although only his biggest fans seemed to be aware of “Weird Al” the songwriter. But his lyric rewriting earned him eight Grammy nominations, including two wins.
In 1985 Yankovic released a video collection of his parodies, The Compleat Al. That same year MTV produced an occasional series starring Yankovic as the host of Al TV, wherein he spoofed current videos. In 1989 he wrote and starred in the movie UHF; costarring a pre-Seinfeld Michael Richards, UHF did poorly in the theater but later found new life as a cultish video hit.
Polka Party! (#177, 1986), which relied more on music than on videos, stiffed. Even Worse (#27, 1988) marked Al’s return to rock video, and Michael Jackson. For “Fat,” a grossly, literally overinflated Yankovic donned a leather outfit that copied Jackson’s on the cover and video of Bad down to the last buckle. Jackson not only gave his approval for Yankovic’s versions, he lent the subway set used in “Bad” for the “Fat” video.
In 1988 Yankovic collaborated with avant-garde synthesizer artist Wendy Carlos on recorded versions of the classical pieces Peter and the Wolf and Carnival of the Animals Part II. In 1992 Yankovic turned his eye to another musical trend, grunge, specifically Nirvana. “Smells Like Nirvana” (#35, 1992) took on the Seattle band’s image and garbled lyrics, with the accompanying video again using the original set, this time adding cows and Dick Van Patten, wile the cover of Off the Deep End (#17, 1992) had Yankovic replacing the swimming baby picture on Nevermind, his gaze focused not on a dollar bill but a donut. He also mocked the traveling summer tour Lollapalooza with his 1993 album, Alapalooza (#46), which featured “Bedrock Anthem,” a combination takeoff of the Red Hot Chili Peppers’ “Under the Bridge” and “Give it Away” as well as the classical cartoon series The Flintstones. In 1996 he wrote the theme song for the movie satire Spy Hard, as well as designed the opening credits and appeared as himself in the film.
The same year, Yankovic released Bad Hair Day, which rose to #14 thanks to the success of its first single and video, “Amish Paradise,” a takeoff on rapper Coolio’s Gangsta’s Paradise” (itself a rewrite of Stevie Wonder’s “Pastime Paradise”). The album cover even mimicked the rapper’s hairstyle. While Yankovic always prided himself on getting permission to parody, this time there was a miscommunication between the artists’ record companies’ Yankovic was told Coolio was fine with the idea, but when the album was released, Coolio claimed he never consented. Yankovic sent a letter of apology and vowed not to accept agreement from anyone but the artists themselves.
After being the subject of the Disney Channel mockumentary special “Weird Al” Yankovic: There’s No Going Home in 1996, the entertainer hosted the Pee-wee’s Playhouse-esque Weird Al Show on CBS’ Saturday-morning lineup in 1997 and 1998. He was frustrated by the network’s lack of support for his tongue-in-cheek humor, and the show was canceled after one season. Yankovic seemingly disappeared for a time in 1998; when he re-emerged without his trademark mustache and glasses — besides shaving, he’d gotten laser eye surgery — he was unrecognizable. His 1999 release, Running with Scissors, peaked at #16, due to the well-timed single “The Saga Begins,” a rundown of the current Star Wars movie The Phantom Menace sung to the tune of Don McLean’s “American Pie.” Even the official Star Wars Web site plugged Yankovic’s album, whose release was also timed to the premiere of his Behind the Music episode on VH1. In 2000 Yankovic contributed the original “Polkamon” to the soundtrack of the kids’ flick Pokémon 2000: The Movie.
While Yankovic and his band (bassist Steve Jay, drummer Jon “Bermuda” Schwartz, guitarist Jim West, and keyboardist Ruben Valtierra) are often not taken seriously, they are able to play the original songs they parody note-for-note, both in the studio and on tour, making them a great cover band, Yankovic has also tried his hand at directing music videos, both his own and for other artists, including country comedian Jeff Foxworthy, the Jon Spencer Blues Explosion, Hanson, and the Black Crowes.
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Ed Sheeran (born Edward Christopher Sheeran in Halifax, England on February 17, 1991) is a British singer-songwriter. After performing relentlessly around England in his teen years, Ed moved to Los Angeles with no money and no contacts, where he was discovered at The Foxxhole by Jamie Foxx. Foxx was so impressed, he let Ed use his studio to record his songs. In 2011, Ed independently released his first EP, No. 5 Collaborations Project, which led him to be signed by Asylum Records, an affiliate of Atlantic Records. Behind the hit singles “The A Team” and “Lego House,” his official debut album, +, has gone quintuple platinum in the United Kingdom in 2011 and won him several awards in England – Best British Male Solo Artist and British Breakthrough of the Year.
His single, “The A Team,” which reached #16 on the Billboard Hot 100. Ed has also written songs for One Direction, including the hit song “Little Things.”
Since collaborating with One Direction, Ed has become close friends with the members of the band, as well as Harry Styles’ ex, Taylor Swift. He has also been romantically linked with fellow British folk singer, Nina Nesbitt. In April 2014, Ed released a song that was about how Ellie Goulding cheated on him with One Direction singer Niall Horan.
Ed Sheeran Quotes:
“There’s no key to success, but the key to failure is trying to please everyone.”
“I think it’s good to remember that everything has been done before. The public has heard the stereotypical love songs a million times and they’ve heard the stereotypical life-or-death songs millions of times. It’s good to mix it up a little bit.”
“I don’t really do that whole single life thing. I’m kind of heads down and get things done.”
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One of only a few bands to achieve consistent commercial and critical success across three decades, U2 has charted success on its own terms on both the artistic and business sides of the music industry. From the band’s earliest days in Dublin, Ireland, to the present, U2 has broken free from the traditional limitations of what a rock band — and rock music — could and couldn’t do. By combining an original sound with honest lyrics and a challenging social message, U2 has earned the respect of their peers and critics, and an almost fanatical following of fans around the world. This is their story.
U2 formed in Dublin in the fall of 1976 after 14-year-old Larry Mullen, Jr. posted a note on the bulletin board at his high school seeking musicians for a new band. From the group of hopefuls that showed up at Mullen’s home that first day, a five-piece known originally as “Feedback” formed with Mullen (born October 31, 1961) on drums, Adam Clayton (born March 13, 1960) on bass, Paul Hewson (later nicknamed “Bono Vox” and eventually just “Bono”, born May 10, 1960) on vocals, and Dave Evans (later nicknamed “The Edge”, born August 8, 1961) on guitar. Dave’s brother, Dick, also played guitar for a while, but left Feedback very early on to join another Dublin band, the Virgin Prunes.
Feedback quickly changed their name to “The Hype,” and began rehearsing on weekends and after school as often as possible, forming genuine friendships and developing an undeniable chemistry in the process. After nearly 18 months of rehearsing, the band’s big break came at a talent show in Limerick, Ireland, in March, 1978. With CBS Records’ Jackie Hayden judging, U2 (they had just changed their name again) won the contest, earning a £500 prize and studio time to record their first demo.
A musical parodist in the broad, juvenile yet clever tradition of Mad magazine, “Weird Al” Yankovic is known for adding his own gently satirical lyrics to current hit songs. His shaggy, hangdog appearance, affection for slapstick, and amiable willingness to do seemingly anything for a laugh made him a natural for videos. His burlesques of the form and its artistes — especially of Michael Jackson in “Eat It” (from “Beat It”) (#12, 1983) and “Fat” (from “Bad”) (#99, 1988) — became MTV staples. His medleys of rock tunes given the polka treatment inspired rumors —untrue — that Yankovic was a member of the singing Yankovic family, who made polka and Western swing records in the 1940s. Regardless of his heritage, Yankovic is undoubtedly the most successful comedy recording artist, with more than 11 million albums sold.
Yankovic, a high school valedictorian and architecture student, got his start I 1979, when he sent his “My Bologna” — a parody of the Knack’s “My Sharona” — to Dr. Demento, a syndicated radio host specializing in novelty songs and curiosities. Recorded in a bathroom across the hall from his college radio station with only his accordion and vocal, the song was popular enough with Demento’s audience for Capitol (the Knack’s label) to release it as a single. His next parody, “Another One Rides the Bus” (based on Queen’s “Another One Bites the Dust”), became the most requested song in the first decade of the Dr. Demento show.
Yankovic signed with Rock ‘n’ Roll Records (a CBS subsidiary), which not only gave him access to better recording facilities and the production expertise of Rick Derringer but the financial backing for the video of “Ricky” (#63, 1983). A combination parody of Toni Basil’s hit single and video “Mickey” and homage to TV’s I Love Lucy, “Ricky” was the first of a string of videos that skewered the music, its creators, and its audience, not to mention pop culture in general. While often hilariously hamfisted, Yankovic’s takeoffs — such as “I Lost on Jeopardy” (#81, 1984) from “Weird Al” Yankovic in 3-D (#81, 1984), which rewrote Greg Kihn’s “Jeopardy”; “Like a Surgeon” (#47, 1985), which tackled Madonna’s “Like a Virgin,” from Dare to Be Stupid (#50, 1985) — made their creator and star as much a rock celebrity as his targets. In fact, the longevity of Yankovic’s career has surpassed several of the artists’ whose songs he has parodied. Nearly half the songs on any of his albums were comedic originals, although only his biggest fans seemed to be aware of “Weird Al” the songwriter. But his lyric rewriting earned him eight Grammy nominations, including two wins.
In 1985 Yankovic released a video collection of his parodies, The Compleat Al. That same year MTV produced an occasional series starring Yankovic as the host of Al TV, wherein he spoofed current videos. In 1989 he wrote and starred in the movie UHF; costarring a pre-Seinfeld Michael Richards, UHF did poorly in the theater but later found new life as a cultish video hit.
Polka Party! (#177, 1986), which relied more on music than on videos, stiffed. Even Worse (#27, 1988) marked Al’s return to rock video, and Michael Jackson. For “Fat,” a grossly, literally overinflated Yankovic donned a leather outfit that copied Jackson’s on the cover and video of Bad down to the last buckle. Jackson not only gave his approval for Yankovic’s versions, he lent the subway set used in “Bad” for the “Fat” video.
In 1988 Yankovic collaborated with avant-garde synthesizer artist Wendy Carlos on recorded versions of the classical pieces Peter and the Wolf and Carnival of the Animals Part II. In 1992 Yankovic turned his eye to another musical trend, grunge, specifically Nirvana. “Smells Like Nirvana” (#35, 1992) took on the Seattle band’s image and garbled lyrics, with the accompanying video again using the original set, this time adding cows and Dick Van Patten, wile the cover of Off the Deep End (#17, 1992) had Yankovic replacing the swimming baby picture on Nevermind, his gaze focused not on a dollar bill but a donut. He also mocked the traveling summer tour Lollapalooza with his 1993 album, Alapalooza (#46), which featured “Bedrock Anthem,” a combination takeoff of the Red Hot Chili Peppers’ “Under the Bridge” and “Give it Away” as well as the classical cartoon series The Flintstones. In 1996 he wrote the theme song for the movie satire Spy Hard, as well as designed the opening credits and appeared as himself in the film.
The same year, Yankovic released Bad Hair Day, which rose to #14 thanks to the success of its first single and video, “Amish Paradise,” a takeoff on rapper Coolio’s Gangsta’s Paradise” (itself a rewrite of Stevie Wonder’s “Pastime Paradise”). The album cover even mimicked the rapper’s hairstyle. While Yankovic always prided himself on getting permission to parody, this time there was a miscommunication between the artists’ record companies’ Yankovic was told Coolio was fine with the idea, but when the album was released, Coolio claimed he never consented. Yankovic sent a letter of apology and vowed not to accept agreement from anyone but the artists themselves.
After being the subject of the Disney Channel mockumentary special “Weird Al” Yankovic: There’s No Going Home in 1996, the entertainer hosted the Pee-wee’s Playhouse-esque Weird Al Show on CBS’ Saturday-morning lineup in 1997 and 1998. He was frustrated by the network’s lack of support for his tongue-in-cheek humor, and the show was canceled after one season. Yankovic seemingly disappeared for a time in 1998; when he re-emerged without his trademark mustache and glasses — besides shaving, he’d gotten laser eye surgery — he was unrecognizable. His 1999 release, Running with Scissors, peaked at #16, due to the well-timed single “The Saga Begins,” a rundown of the current Star Wars movie The Phantom Menace sung to the tune of Don McLean’s “American Pie.” Even the official Star Wars Web site plugged Yankovic’s album, whose release was also timed to the premiere of his Behind the Music episode on VH1. In 2000 Yankovic contributed the original “Polkamon” to the soundtrack of the kids’ flick Pokémon 2000: The Movie.
While Yankovic and his band (bassist Steve Jay, drummer Jon “Bermuda” Schwartz, guitarist Jim West, and keyboardist Ruben Valtierra) are often not taken seriously, they are able to play the original songs they parody note-for-note, both in the studio and on tour, making them a great cover band, Yankovic has also tried his hand at directing music videos, both his own and for other artists, including country comedian Jeff Foxworthy, the Jon Spencer Blues Explosion, Hanson, and the Black Crowes.
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Born on September 2, 1951, in Burbank, California, actor Thomas Mark Harmon faced some challenges growing up. His father, Tom Harmon, worked as a sports broadcaster. This meant that he often traveled, leaving his wife Elyse Knox, a former actress, to look after the couple’s three children. Mark deeply felt his father’s absence. Even when his father was home, their relationship was not easy. “He raised me hard, and when I say hard, I mean hard. I was taught to fight for everything,” Harmon told People magazine.
Graduating with a degree in communications in 1974, Harmon turned down offers of up to $40,000 to train as a pro in order to try law school. He then left the law to work for an advertising agency. This also dissatisfied Harmon, who then took a job selling shoes to athletes. Feeling unfulfilled, Harmon decided to try his hand at more acting roles.
TV producer Don Bellisario saw Harmon’s work on The West Wing and thought he would be a great fit for his next project. He needed to cast the lead investigator, Leroy Jethro Gibbs, in the military crime procedural NCIS. “What I saw was a very controlled presence, a quiet strength. That’s what I was looking for. Leroy is Mark’s kind of guy. Mark has that jock mentality—you tough it out no matter how tough it is,” Bellisario told Entertainment Weekly.
Originally called Navy NCIS: Naval Criminal Investigative Service, NCISdebuted in 2003 and soon built up a strong following. It was developed as a spin-off from the popular Navy legal series JAG starring David James Elliott and Catherine Bell. In addition to Harmon’s Special Agent Gibbs, the NCISteam includes Agent Tony Dinozzo (Michael Weatherly), Agent Timothy McGee (Sean Murray), Dr. Donald “Ducky” Mallard (David McCallum) and Abby Sciuto (Pauley Perrette).
On the series, Harmon has been able to display his abilities as an actor, ranging from light comedy to serious drama. Harmon says the character “can be really good at his job … but so much of his life is really tormented and dark, and I don’t know if he’ll ever recover from it. I think he would be an uncomfortable guy to have dinner with.”
In 2007, Harmon and Bellisario had a dispute about how the show was being run. There was some issues over the actors getting their scripts late and Harmon complained to the network. Bellisario was replaced and a new show-runner was brought in. “This is a hard enough thing to do when everything is going right. We’ve made changes, and we’re better organized now,” Harmon explained to USA Today.
Three years later, audiences remain enthralled with Harmon’s character, and with the show. NCIS averages more than 20 million viewers each week, making it one of TV’s most popular programs.
Off-screen, Harmon seems to be an easy-going, down-to-earth person. He is known by his colleagues for his dedication, sense of humor, and lack of pretension. “He’s one of those guys who makes you say, ‘They don’t make them like that anymore,'” his wife Pam explained to In Style magazine.
The past few years have been exceptionally busy for singer-songwriter Jamie Lawson. Lawson’s music career took a major turn in 2010 when Irish DJ Ian Dempsey played his tear jerker of a song “Wasn’t Expecting That” on his radio show, Today FM. Seemingly overnight the song went viral, garnering over 150,000 YouTube hits within a week. Since then, it’s been non-stop for the talented young singer. He’s had a #1 single and album in Ireland, over half a million views on Youtube and a schedule chock-full of promotional appearances and gigs throughout the UK and Ireland. In April 2013, Jamie released a brand new 4-track EP, Between Each Breath. Its current single, The Quiet Man, is a beautifully haunting song that will resonate with listeners long after its finished.
Born and raised in Plymouth in what was he says a resolutely non-musical household; Jamie began playing the guitar at 8-years-old. Experimenting with covers band while at school, it was only when Jamie was 17 that he started to discover his own voice – and that voice proved to be something very special indeed. No-one who has heard him sing live would disagree. Even-keeled, even undemonstrative offstage, he comes alive in front of an audience and in the service of his songs.
Before settling in Cornwall (where he currently resides), Jamie spent two years working and playing in the clubs of Ireland, fully immersing himself in the music scene and performing alongside the likes of Mundy, The Four of Us, Glen Hansard of The Swell Season, Tom Baxter and Gemma Hayes. Three tracks on his latest album, Wasn’t Expecting That, were written during this inspirational time in Ireland, with love being the common themes on ‘This is Love,’ ‘Real Thing’ and ‘Love You All The Same.’ Influenced by the likes of Crowded House, R.E.M & Leonard Cohen, alongside the books of John Irving and the poetry of Ian Hamilton, Wasn’t Expecting That features 12 remarkable songs that ruminate on the subjects of hope, love and hopeless despair.
Jamie Lawson is not just a singer but an exceptionally blessed and affecting one, whether with his regular band or in a solo and acoustic setting. His voice and songs have proven to work equally beautifully, whether in a tiny indoor venue like London’s 12 Bar Club or outdoors before 10,000 people. “And the simple fact is that I love to sing,” he says. “I love the intimacy of live performance. I love drawing people into my mood. I love bringing them to where I am.”
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