Dragon – Are You Old Enough

Dragon – Are You Old Enough

Dragon - Are You Old Enough

Dragon formed in Auckland, New Zealand, in 1972, with a line-up that featured Todd Hunter, guitarist Ray Goodwin, drummer Neil Reynolds and singer Graeme Collins; by 1974 several personnel changes had occurred including the introduction of Todd’s brother Marc Hunter on vocals and Neil Storey on drums.

The band recorded two progressive rock albums in New Zealand, Universal Radio and Scented Gardens for the Blind, the second with an added guitar element from Robert Taylor. Paul Hewson also joined the band on keyboards and from this point Dragon’s music took on a pop-flavoured AOR feel.

Dragon eventually landed a contract in Australia with CBS Records and relocated to Sydney in 1975.

Always a lightning rod for controversy, the band was rocked by the heroin overdose death of drummer Neil Storey only weeks after arriving in Australia and their original manager was also deported back to New Zealand on drugs charges. By then, founding member Ray Goodwin had left the group.

Storey was replaced by Kerry Jacobson and, between 1975 and 1979, Dragon scored a string of major hits on the Australasian pop charts with songs including “April Sun in Cuba,” “Are You Old Enough” and “Still in Love With You” and with the albums Sunshine and O Zambezi, making them one of the region’s most popular rock acts.

Marc Hunter left Dragon in 1979 due to health problems which were, by then, seriously affecting his performances. New singer Richard Lee was recruited and the group recorded the Powerplay LP before breaking up in 1979.

Dragon was forced to reform in 1982 to pay off outstanding debts, but they stayed together and decided to have another shot at success. The band’s second comeback single “Rain” proved to be a massive hit, but Kerry Jacobson left the band for health reasons and was replaced by British drummer Terry Chambers, formerly from the band XTC. American keyboard player and producer Alan Mansfield also joined the band at this point.

The group’s 1984 album Body and the Beat became one of the biggest-selling albums in Australia and New Zealand and the band was restored to something close to its late 70s glory. Their public profile was further raised at this time by the Marc Hunter solo album Communication. Its title track became a moderate hit in Australia.

Paul Hewson left Dragon and tragically died of a drug overdose in New Zealand in January 1985, with Terry Chambers and Robert Taylor leaving Dragon some time after. American drummer Doanne Perry replaced Chambers, and Taylor was eventually succeeded by local Sydney guitar ace Tommy Emmanuel.

This line-up recorded the Todd Rundgren-produced Dreams of Ordinary Men album and toured Europe under the name Hunter in 1987, where they were somewhat misrepresented as a heavy metal band in some markets.

Dragon again split up in 1988 although a year later Todd and Marc Hunter and Alan Mansfield reconvened once again with guitarist Randall Waller and drummer Barton Price (ex-Models and The Choirboys) for the 1989 Bondi Road album, which actually featured Tommy Emmanuel’s guitar playing.

Dragon continued to record and tour with varying line-ups centered around the Hunter brothers and Mansfield until 1997, although Todd Hunter had largely retired from the band to do soundtrack work.

In 1998, Marc Hunter was diagnosed with severe throat cancer and died later that year. The compilation CD Forever Young, released on Raven Records, captures many of the highlight tracks of his tumultuous career.

Bio source…..www.last.fm

Picture source…..www.thestarfish.com.au

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UB40 – Kingston Town

UB40 – Kingston Town

UB40 - Kingston Town

UB40 are a British reggae/pop band formed in 1978 in Birmingham, England. The band has placed more than 50 singles in the UK Singles Chart, and has also achieved considerable international success. The band has been nominated for the Grammy Award for Best Reggae Album four times, and in 1984, they were nominated for the Brit Award for Best British Group. One of the world’s best-selling music artists, UB40 have sold over 70 million records. Their hit singles include their debut “Food for Thought” and two U.S. Billboard Hot 100 number ones with “Red Red Wine” and “Can’t Help Falling in Love”. Both of these also topped the UK Singles Chart, as did the band’s version of “I Got You Babe”.

The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a “jazz-dub-reggae” band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned secondhand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

Read More…..www.ub40.co.uk

Picture Source…..samcoley.com

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Lets Rock – the soulchip tom novy Vs eniac mix

Lets Rock – the soulchip tom novy Vs eniac mix

You just can’t be mad at him: champagne, nipple slips and frenzy belong to every music event. Still, Tom Novy seems to attract them in a very special way. No wonder, after all he is one of the few exceptionally gifted artists in the music scene. Worldwide chart successes and appearances in the best clubs of the world have been part of his career as well as his activities as VJ or radio host.

Tom Novy was born on the 10th of March 1970. He released his first record “I House You” in 1995 and directly entered the top 10 of the Germand Dance Charts. Only one year later he gained international reputation with his single “Superstar”, which climbed on position 15 in the Media-Control Charts in Germany and onto top positions in 18 other countries. 1998 was the year of “I Rock”, which became not only a chartbreaker but a real House anthem.

“I Rock” stayed over 10 weeks in the Media-Control Charts and even 20 weeks in the Airplay-Top-100. His Single “Pumpin” reached #19 of the UK Charts in June 2000. In the same year, Tom Novy became the first ever German artist to mix the “Ministry of Sound Annual” Compilation. His 2001 released debut album “My Definition” (Top 30 – Media Control) and featured the opener track “Welcome to the Race” (official Mercedes-Benz formula 1 Nurburgring Track) with singer Lima Ben-Jannett. His single “Lovin U” in 2004 became a worldwide success, also in South Africa, where Tom took the top 10 by storm.

Back in Germany, “Take It” featuring Lima became the most aired Dance tune in German radio and made it into the top 20. “Your Body” featuring singer Mike Marshall entered top 10 of the UK sales charts in December 2005 and went top 15 in 20 other countries. Tom’s excellent music taste is also appreciated by many other bands and musicians. By now Tom has remixed and produced for 10CC, Backstreet Boys, DJ Thomilla, Eric Morillo, Jimmy Sommerville, Joachim Deutschland, Sander Kleinenberg, Snap, Stefan Remmler (Trio), Ludacris, Marianne Rosenberg, Mousse T., Moonbootica and Sonique, to name but a few.

Furthermore, Tom Novy hosted several tv-shows, among them “Dance Floor Charts”, “Streetlife”, “Battle of DJ’s” and “Nightlife” on MTV, as well as the “Mac Chart-Show” (2004) on Pro 7. Moreover, Tom continues to mix a weekly radio show on FFN and has already been hosting a show for Radio Energy Munich since 1999. Additionally, he will put his hands on the popular Energy Mastermix – broadcasted on all Energy frequencies.

Bio source…..beatport.com

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UB40 – Here I am Baby

UB40 – Here I am Baby

UB40 - Here I am Baby

UB40 are a British reggae/pop band formed in 1978 in Birmingham, England. The band has placed more than 50 singles in the UK Singles Chart, and has also achieved considerable international success. The band has been nominated for the Grammy Award for Best Reggae Album four times, and in 1984, they were nominated for the Brit Award for Best British Group. One of the world’s best-selling music artists, UB40 have sold over 70 million records. Their hit singles include their debut “Food for Thought” and two U.S. Billboard Hot 100 number ones with “Red Red Wine” and “Can’t Help Falling in Love”. Both of these also topped the UK Singles Chart, as did the band’s version of “I Got You Babe”.

The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a “jazz-dub-reggae” band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned secondhand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

Read More…..www.ub40.co.uk

Picture Source…..samcoley.com

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Lana Del Rey – Young and Beautiful

Lana Del Rey – Young and Beautiful

Summertime Sadness - Lana Del Rey

Lana Del Ray was born by the name Elizabeth Woolridge Grant on June 21, 1986 in New York City but grew up in Lake Placid, New York. She would hit bars in Lake Placid to showcase her talent in singing but always felt that she had to go bigger. So she moved back to NYC and got signed by an indie label at the age of 19. Unfortunately, the recording house went out of business.

“The way I experienced New York, for a long time after I moved, was alone and at night, walking the streets. I mean, there are thousands of streets in New York and I know them all. I’d go down to the tip of Manhattan, or even down to Coney Island, then travel all the way back up. Because I come from a place that, geographically, isn’t that stimulating. But New York’s architecture alone is enough to inspire a whole album. In fact, that’s what happened at first – my early stuff was mostly just interpretations of landscapes,” she said in an interview how the big city inspired her.

Del Rey was so determined that she went to record labels in London to show them a piece of her music but none of them were interested in her style. She released an EP called “Kill Kill” in 2008 under the name Lizzy Grant and then a full-length studio album in January 2010 as Lana Del Ray a.k.a. Lizzy Grant. It was with her father Robert Grant’s help that the album reached the market.
Del Rey wrote “Video Games” with a composer called Justin Parker and uploaded her performance of the song on YouTube in July 2011. “To be honest, it wasn’t going to be the single but people have really responded to it. I get very sad when I play that song. I still cry sometimes when I sing it,” she said.

The response was indeed amazing and she signed a deal with Interscope in October 2011 to release the song for wider market. “Video Games” won a Q Award that month and was featured in a TV series called “Ringer“. She began the promotional period with appearances and performances in several TV shows. She also started mulling over the idea of making another full-length album, which would be her first wide release.

Born to Die” was released in January 2012 although a few days before that, she was scrutinized for her first live performance on television. Del Rey was the musical guest on “Saturday Night Live” and she was criticized for being amateur. In her defense, Del Rey said, “I’m a good musician …I have been singing for a long time, and I think that Lorne Michaels knows that …it’s not a fluke decision.”

With the newfound fame, Del Rey bought the rights to her 2010 album and planned to re-release it in summer 2012 under Interscope Records and Polydor.

Bio and picture source….. www.aceshowbiz.com

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Michael Jackson – Ben

Michael Jackson – Ben

Michael Jackson - Ben

First taking to the stage at the age of just 11 as part of his family’s gig The Jackson 5, Michael Jackson grew quickly into the superstardom which would both reward and plague his life. An apparently unstoppable creative and financial force through the highs of his career, ‘The King of Pop’ struggled with a confused and turbulent private life that was often made appalling public. In the wake of his shock death though, it is for his artistry – and not his controversies – that he will be remembered and sadly missed.

Jackson was born 29 August 1958, in Gary, Indiana, to an African-American working-class family. His father, Joseph Jackson, had been a guitarist but had put aside his musical aspirations to provide for his family as a crane operator. Believing his sons had talent, he molded them into a musical group in the early 1960s. At first, the Jackson Family performers consisted of Michael’s older brothers Tito, Jermaine, and Jackie. Michael joined his siblings when he was five, and emerged as the group’s lead vocalist. He showed remarkable range and depth for such a young performer, impressing audiences with his ability to convey complex emotions. Older brother Marlonalso became a member of the group, which evolved into the The Jackson 5.

Behind the scenes, Joseph Jackson pushed his sons to succeed. He was also reportedly known to become violent with them. Michael and his brothers spent endless hours rehearsing and polishing up their act. At first, the Jackson 5 played local gigs and built a strong following. They recorded one single on their own, ‘Big Boy’ with the b-side ‘You’ve Changed’, but it failed to generate much interest.

The Jackson 5 moved on to working an opening act for such R&B artists as Gladys Knight and the Pips, James Brown, and Sam and Dave. Many of these performers were signed to the legendary Motown record label, and it has been reported that Gladys Knight may have been the one to tell Motown founder Berry Gordy about the Jackson 5. Impressed by the group, Gordy signed them to his label in 1968.

Relocating to Los Angeles, Michael and his brothers started work on their music and dancing with their father as their manager. They lived with Gordy and also with Supremes singer Diana Ross when they first arrived there. In August 1969, the Jackson 5 was introduced to the music industry at a special event, and later served as the opening act for the Supremes. Their first album, ‘Diana Ross Presents the Jackson 5’, hit the charts in December of that year. It’s first single, ‘I Want You Back’, hit No. 1 on the Billboard Hot 100 chart in January 1970. Read more…..www.thebiographychannel.co.uk

Picture source…..www.michaeljackson-7.com

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Johnny Nash – Tears on my pillow

Johnny Nash – Tears on my pillow

Johnny Nash - Tears on my pillow

9 August 1940, Houston, Texas, USA. The story of Nash’s association with Bob Marley has been well documented. His background is similar to that of many Jamaican performers in that he first started singing in a church choir. By his early teens he performed cover versions of popular R&B hits of the 50s on a television show called Matinee. He enjoyed his first US chart entry in 1957 with a cover version of Doris Day’s ‘A Very Special Love’. ABC Records decided to market the young singer as another Johnny Mathis, which did little to enhance his career. Disillusioned with the label, he concentrated on a career in films. In 1958 he starred in Take A Giant Step, and in 1960 he appeared alongside Dennis Hopper in Key Witness, which was critically acclaimed in Europe. Returning to the recording studio he persevered with middle-of-the-road material but was unable to generate a hit. A number of label and style changes did not improve his chart potential. By 1965 he finally achieved a Top 5 hit in the R&B chart with the ballad ‘Lets Move And Groove Together’.

Nash was unable to maintain the winning formula, but in 1967 his R&B hit was enjoying chart success in Jamaica. The good fortunes in Jamaica led Nash to the island to promote his hit. It was here that he was exposed to ska and arranged a return visit to the island to record at Federal Studios. Accompanied by Byron Lee And The Dragonaires, the sessions resulted in ‘Cupid’, ‘Hold Me Tight’ and ‘You Got Soul’. When he released ‘Hold Me Tight’, the song became an international hit, achieving Top 5 success in the UK as well as a return to the Jamaican chart. He formed a partnership with Danny Simms, and a label, JAD (Johnny and Danny), releasing recordings by Bob Marley, Byron Lee, Lloyd Price and Kim Weston as well as his own material until the label folded in the early 70s. He returned to recording in Jamaica at Harry J.’s studio where he met Marley, who wrote ‘Stir It Up’, which revived Nash’s career by peaking at number 13 on the UK chart in June 1972.

Nash continued to enjoy popularity with ‘I Can See Clearly Now’, a UK Top 5 hit that was later successfully covered by Jimmy Cliff in 1994 for the film Cool Runnings. Other hits followed, including ‘Ooh What A Feeling’ and ‘There Are More Questions Than Answers’, but the further he drifted from reggae, the less successful the single. He covered other Bob Marley compositions, including ‘Nice Time’ and ‘Guava Jelly’, but they were not picked up for single release, although the latter was on the b-side to ‘There Are More Questions Than Answers’. His career subsequently took another downward turn but was revived yet again when he returned to Jamaica to record an Ernie Smith composition, ‘Tears On My Pillow’, which reached number 1 in the UK Top 10 in June 1975. He also reached the UK chart with ‘Let’s Be Friends’ and ‘(What) A Wonderful World’ before choosing to devote more energy to films and his West Indian recording complex.

Bio source…..www.oldies.com

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Michael Jackson – You Are Not Alone

Michael Jackson – You Are Not Alone

Michael Jackson - You Are Not Alone

First taking to the stage at the age of just 11 as part of his family’s gig The Jackson 5, Michael Jackson grew quickly into the superstardom which would both reward and plague his life. An apparently unstoppable creative and financial force through the highs of his career, ‘The King of Pop’ struggled with a confused and turbulent private life that was often made appalling public. In the wake of his shock death though, it is for his artistry – and not his controversies – that he will be remembered and sadly missed.

Jackson was born 29 August 1958, in Gary, Indiana, to an African-American working-class family. His father, Joseph Jackson, had been a guitarist but had put aside his musical aspirations to provide for his family as a crane operator. Believing his sons had talent, he molded them into a musical group in the early 1960s. At first, the Jackson Family performers consisted of Michael’s older brothers Tito, Jermaine, and Jackie. Michael joined his siblings when he was five, and emerged as the group’s lead vocalist. He showed remarkable range and depth for such a young performer, impressing audiences with his ability to convey complex emotions. Older brother Marlonalso became a member of the group, which evolved into the The Jackson 5.

Behind the scenes, Joseph Jackson pushed his sons to succeed. He was also reportedly known to become violent with them. Michael and his brothers spent endless hours rehearsing and polishing up their act. At first, the Jackson 5 played local gigs and built a strong following. They recorded one single on their own, ‘Big Boy’ with the b-side ‘You’ve Changed’, but it failed to generate much interest.

The Jackson 5 moved on to working an opening act for such R&B artists as Gladys Knight and the Pips, James Brown, and Sam and Dave. Many of these performers were signed to the legendary Motown record label, and it has been reported that Gladys Knight may have been the one to tell Motown founder Berry Gordy about the Jackson 5. Impressed by the group, Gordy signed them to his label in 1968.

Relocating to Los Angeles, Michael and his brothers started work on their music and dancing with their father as their manager. They lived with Gordy and also with Supremes singer Diana Ross when they first arrived there. In August 1969, the Jackson 5 was introduced to the music industry at a special event, and later served as the opening act for the Supremes. Their first album, ‘Diana Ross Presents the Jackson 5’, hit the charts in December of that year. It’s first single, ‘I Want You Back’, hit No. 1 on the Billboard Hot 100 chart in January 1970. Read more…..www.thebiographychannel.co.uk

Picture source…..www.michaeljackson-7.com

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Bob Marley and The Wailers – One Love

Bob Marley and The Wailers – One Love

Bob Marley and The Wailers - One Love

As a poet, prophet and purveyor of Jamaican culture, he shattered musical boundaries around the world.

Bob Marley was born in a small village called Nine Miles in Jamaica. The son of British Naval Officer and Jamaican woman called Cedella, Marley rarely saw his father due to his mother’s family and their disapproval of his parents relationship.

By the time he had turned 16, Marley had recorded his first single ‘Judge Not’, and in 1963, he formed The Wailers with Peter Tosh, Bunny Livingstone, Junior Braithwaite, and Beverly Kelso. The band then scored their first number one in Jamaica with ‘Simmer Down’ on the Coxsone label.

When Braithwaite and Kelso left the group around 1965, the Wailers continued as a trio, Marley, Tosh, and Livingstone trading leads. In spite of the popularity of singles like ‘Rude Boy’, the artists received few or no royalties, and in 1966 they disbanded.

After marrying his girlfriend Rita Anderson, Marley spent most of the following year working in a factory in Newark in the United States, where his mother had moved in 1963. Upon his return to Jamaica, the Wailers reunited and recorded for Coxsone with little success. During this period, the Wailers devoted themselves to the religious sect of Rastafari.

In 1969, they began a three-year association with Lee “Scratch” Perry, who directed them to play their own instruments and expanded their line-up to include Aston and Carlton Barrett, formerly the rhythm section of Perry’s studio band, the Upsetters. Some of the records they made with Perry – like ‘Trenchtown Rock’ – were locally very popular, but so precarious was the Jamaican record industry that the group seemed no closer than before to establishing steady careers. It formed an independent record company, Tuff Gong, in 1971, but the venture foundered when Livingstone was jailed and Marley got caught in a contract commitment to American pop singer Johnny Nash, who took him to Sweden to write a film score.

Their breakthrough came in 1972 when Chris Blackwell – who had released ‘Judge Not’ in England in 1963 – signed the Wailers to Island Records and advanced them the money to record themselves in Jamaica. The first result of this new contract was 1973’s ‘Catch A Fire’, the breakthrough album that saw the band reach an international audience for the first time. It was followed a year later by Burnin’, which included the songs “Get Up, Stand Up” and “I Shot The Sheriff”.

The band toured heavily during this period, and Marley expanded the instrumental section of the group and bringing in a female vocal trio, the I-Threes, which included his wife, Rita. Now called Bob Marley and the Wailers, they toured Europe, Africa, and the Americas, building especially strong followings in the U.K., Scandinavia, and Africa. They had U.K. Top 40 hits with ‘No Woman No Cry’ (1975), ‘Exodus’ (1977), ‘Waiting in Vain’ (1977), and ‘Satisfy My Soul’ (1978).

In 1976, Marley was shot by gunmen during the Jamaican election campaign, but survived and continued to soar in popularity until his 1981 death due to brain, lung and stomach cancer. In 1987, both Peter Tosh and longtime Marley drummer Carlton Barrett were murdered in Jamaica during separate incidents. Rita Marley continues to tour, record, and run the Tuff Gong studios and record company.

Picture source…..foreverb.rxmedicalweb.netdna-cdn.com

Bio source……www.thebiographychannel.co.uk

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Weird Al Yankovic – Polka Face

Weird Al Yankovic – Polka Face

Weird Al Yankovic - Polka Face

A musical parodist in the broad, juvenile yet clever tradition of Mad magazine, “Weird Al” Yankovic is known for adding his own gently satirical lyrics to current hit songs. His shaggy, hangdog appearance, affection for slapstick, and amiable willingness to do seemingly anything for a laugh made him a natural for videos. His burlesques of the form and its artistes — especially of Michael Jackson in “Eat It” (from “Beat It”) (#12, 1983) and “Fat” (from “Bad”) (#99, 1988) — became MTV staples. His medleys of rock tunes given the polka treatment inspired rumors —untrue — that Yankovic was a member of the singing Yankovic family, who made polka and Western swing records in the 1940s. Regardless of his heritage, Yankovic is undoubtedly the most successful comedy recording artist, with more than 11 million albums sold.

Yankovic, a high school valedictorian and architecture student, got his start I 1979, when he sent his “My Bologna” — a parody of the Knack’s “My Sharona” — to Dr. Demento, a syndicated radio host specializing in novelty songs and curiosities. Recorded in a bathroom across the hall from his college radio station with only his accordion and vocal, the song was popular enough with Demento’s audience for Capitol (the Knack’s label) to release it as a single. His next parody, “Another One Rides the Bus” (based on Queen’s “Another One Bites the Dust”), became the most requested song in the first decade of the Dr. Demento show.

Yankovic signed with Rock ‘n’ Roll Records (a CBS subsidiary), which not only gave him access to better recording facilities and the production expertise of Rick Derringer but the financial backing for the video of “Ricky” (#63, 1983). A combination parody of Toni Basil’s hit single and video “Mickey” and homage to TV’s I Love Lucy, “Ricky” was the first of a string of videos that skewered the music, its creators, and its audience, not to mention pop culture in general. While often hilariously hamfisted, Yankovic’s takeoffs — such as “I Lost on Jeopardy” (#81, 1984) from “Weird Al” Yankovic in 3-D (#81, 1984), which rewrote Greg Kihn’s “Jeopardy”; “Like a Surgeon” (#47, 1985), which tackled Madonna’s “Like a Virgin,” from Dare to Be Stupid (#50, 1985) — made their creator and star as much a rock celebrity as his targets. In fact, the longevity of Yankovic’s career has surpassed several of the artists’ whose songs he has parodied. Nearly half the songs on any of his albums were comedic originals, although only his biggest fans seemed to be aware of “Weird Al” the songwriter. But his lyric rewriting earned him eight Grammy nominations, including two wins.

In 1985 Yankovic released a video collection of his parodies, The Compleat Al. That same year MTV produced an occasional series starring Yankovic as the host of Al TV, wherein he spoofed current videos. In 1989 he wrote and starred in the movie UHF; costarring a pre-Seinfeld Michael Richards, UHF did poorly in the theater but later found new life as a cultish video hit.

Polka Party! (#177, 1986), which relied more on music than on videos, stiffed. Even Worse (#27, 1988) marked Al’s return to rock video, and Michael Jackson. For “Fat,” a grossly, literally overinflated Yankovic donned a leather outfit that copied Jackson’s on the cover and video of Bad down to the last buckle. Jackson not only gave his approval for Yankovic’s versions, he lent the subway set used in “Bad” for the “Fat” video.

In 1988 Yankovic collaborated with avant-garde synthesizer artist Wendy Carlos on recorded versions of the classical pieces Peter and the Wolf and Carnival of the Animals Part II. In 1992 Yankovic turned his eye to another musical trend, grunge, specifically Nirvana. “Smells Like Nirvana” (#35, 1992) took on the Seattle band’s image and garbled lyrics, with the accompanying video again using the original set, this time adding cows and Dick Van Patten, wile the cover of Off the Deep End (#17, 1992) had Yankovic replacing the swimming baby picture on Nevermind, his gaze focused not on a dollar bill but a donut. He also mocked the traveling summer tour Lollapalooza with his 1993 album, Alapalooza (#46), which featured “Bedrock Anthem,” a combination takeoff of the Red Hot Chili Peppers’ “Under the Bridge” and “Give it Away” as well as the classical cartoon series The Flintstones. In 1996 he wrote the theme song for the movie satire Spy Hard, as well as designed the opening credits and appeared as himself in the film.

The same year, Yankovic released Bad Hair Day, which rose to #14 thanks to the success of its first single and video, “Amish Paradise,” a takeoff on rapper Coolio’s Gangsta’s Paradise” (itself a rewrite of Stevie Wonder’s “Pastime Paradise”). The album cover even mimicked the rapper’s hairstyle. While Yankovic always prided himself on getting permission to parody, this time there was a miscommunication between the artists’ record companies’ Yankovic was told Coolio was fine with the idea, but when the album was released, Coolio claimed he never consented. Yankovic sent a letter of apology and vowed not to accept agreement from anyone but the artists themselves.

After being the subject of the Disney Channel mockumentary special “Weird Al” Yankovic: There’s No Going Home in 1996, the entertainer hosted the Pee-wee’s Playhouse-esque Weird Al Show on CBS’ Saturday-morning lineup in 1997 and 1998. He was frustrated by the network’s lack of support for his tongue-in-cheek humor, and the show was canceled after one season. Yankovic seemingly disappeared for a time in 1998; when he re-emerged without his trademark mustache and glasses — besides shaving, he’d gotten laser eye surgery — he was unrecognizable. His 1999 release, Running with Scissors, peaked at #16, due to the well-timed single “The Saga Begins,” a rundown of the current Star Wars movie The Phantom Menace sung to the tune of Don McLean’s “American Pie.” Even the official Star Wars Web site plugged Yankovic’s album, whose release was also timed to the premiere of his Behind the Music episode on VH1. In 2000 Yankovic contributed the original “Polkamon” to the soundtrack of the kids’ flick Pokémon 2000: The Movie.

While Yankovic and his band (bassist Steve Jay, drummer Jon “Bermuda” Schwartz, guitarist Jim West, and keyboardist Ruben Valtierra) are often not taken seriously, they are able to play the original songs they parody note-for-note, both in the studio and on tour, making them a great cover band, Yankovic has also tried his hand at directing music videos, both his own and for other artists, including country comedian Jeff Foxworthy, the Jon Spencer Blues Explosion, Hanson, and the Black Crowes.

Bio source…..www.rollingstone.com

Picture source…..mikesbloggityblog.com

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