Ingredients
4 cups low sodium chicken broth
3 cups water
1 box Long Grain & Wild Rice (w/ flavor packet, we used Roundy’s brand of Near East)
2 stalks celery, diced
¼ cup red onion, thinly sliced
½ cup carrots, diced
2 cloves garlic, minced
1 teaspoon dried majoram
3 tablespoons olive oil
3 tablespoons all-purpose flour
¾ cup heavy cream
¼ cup milk
salt and pepper, to taste
2 cups cooked chicken
Directions
In a large saucepan or dutch oven, drizzle olive oil on the bottom and add carrots, celery, garlic, onion, marjoram and seasoning flavor packet. Saute for 5 minutes over medium heat.
Stir rice in; then mix in the flour. Add chicken broth and water and bring to a boil. Simmer for 15 minutes.
While soup is simmering, heat the heavy cream and milk in a small saucepan, just until hot. Add milk and heavy cream to the soup mixture along with the cooked chicken. Simmer for another 30 minutes, or until the rice is cooked through. Season with salt and pepper.
You could also become a person an official baseball fan club or team so that exist discounts on soccer jerseys worn by the team. All the members of typically the fan club dons the same tops of their professionals that the man utd represents. It is a wonderful important item to be able to wear the exactly the same jerseys as your sports idols engage in.
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9 August 1940, Houston, Texas, USA. The story of Nash’s association with Bob Marley has been well documented. His background is similar to that of many Jamaican performers in that he first started singing in a church choir. By his early teens he performed cover versions of popular R&B hits of the 50s on a television show called Matinee. He enjoyed his first US chart entry in 1957 with a cover version of Doris Day’s ‘A Very Special Love’. ABC Records decided to market the young singer as another Johnny Mathis, which did little to enhance his career. Disillusioned with the label, he concentrated on a career in films. In 1958 he starred in Take A Giant Step, and in 1960 he appeared alongside Dennis Hopper in Key Witness, which was critically acclaimed in Europe. Returning to the recording studio he persevered with middle-of-the-road material but was unable to generate a hit. A number of label and style changes did not improve his chart potential. By 1965 he finally achieved a Top 5 hit in the R&B chart with the ballad ‘Lets Move And Groove Together’.
Nash was unable to maintain the winning formula, but in 1967 his R&B hit was enjoying chart success in Jamaica. The good fortunes in Jamaica led Nash to the island to promote his hit. It was here that he was exposed to ska and arranged a return visit to the island to record at Federal Studios. Accompanied by Byron Lee And The Dragonaires, the sessions resulted in ‘Cupid’, ‘Hold Me Tight’ and ‘You Got Soul’. When he released ‘Hold Me Tight’, the song became an international hit, achieving Top 5 success in the UK as well as a return to the Jamaican chart. He formed a partnership with Danny Simms, and a label, JAD (Johnny and Danny), releasing recordings by Bob Marley, Byron Lee, Lloyd Price and Kim Weston as well as his own material until the label folded in the early 70s. He returned to recording in Jamaica at Harry J.’s studio where he met Marley, who wrote ‘Stir It Up’, which revived Nash’s career by peaking at number 13 on the UK chart in June 1972.
Nash continued to enjoy popularity with ‘I Can See Clearly Now’, a UK Top 5 hit that was later successfully covered by Jimmy Cliff in 1994 for the film Cool Runnings. Other hits followed, including ‘Ooh What A Feeling’ and ‘There Are More Questions Than Answers’, but the further he drifted from reggae, the less successful the single. He covered other Bob Marley compositions, including ‘Nice Time’ and ‘Guava Jelly’, but they were not picked up for single release, although the latter was on the b-side to ‘There Are More Questions Than Answers’. His career subsequently took another downward turn but was revived yet again when he returned to Jamaica to record an Ernie Smith composition, ‘Tears On My Pillow’, which reached number 1 in the UK Top 10 in June 1975. He also reached the UK chart with ‘Let’s Be Friends’ and ‘(What) A Wonderful World’ before choosing to devote more energy to films and his West Indian recording complex.
If you or the family aren’t too keen on seafood, just substitute chicken in this tasty recipe instead. Serves 4
Preparation time: 10 minutes
Cooking time: 30 minutes
Ingredients
2 tbs Flora pro-activ Original/Buttery*
2 onions, sliced
1 cup Arborio rice
2 cups (500ml) reduced salt chicken stock
200g can no added salt diced tomatoes
1 tbs smoked paprika
2 cups frozen peas*
500g seafood marinara mix
1/4 cup finely chopped parsley
2 limes or lemon wedges, to serve
*Products available with the Heart Foundation Tick. Remember all fresh fruit and vegetables automatically qualify for the Tick.
1. Heat 1 tablespoon Flora pro-activ in a large saucepan over a medium heat. Add the onion and rice and cook, stirring for 2 minutes. Stir in the stock, tomatoes, and paprika and bring to the boil. Reduce the heat to low and cover the saucepan. Cook for 20 minutes, stirring the risotto every 5 minutes. Stir in the peas for the last 5 minutes of the cooking time.
2. Heat the remaining Flora pro-activ in a large non-stick frying pan over a medium heat. Place the larger pieces of seafood in the pan first and cook until golden, turning while cooking. Add the smaller pieces and stir until cooked.
3. Gently stir the cooked seafood and half the parsley through the risotto.
4. To make the salad, toss together the lettuce, carrot and dressing.
5. Serve the risotto with the salad, lime or lemon wedges and the extra parsley on the side for sprinkling on the risotto.
Tip Make a chicken risotto by substituting the marina mix and parsley with skinless diced chicken (trimmed of all visible fat) and coriander.
Recipe and image provided courtesy of Flora pro-activ spread.
Great Ideas To Help You Be A Success At Cool Email Signatures
The email is one of the greatest inventions of the internet age.
By using a simple message, anyone can communicate with anyone else in a matter of seconds. This near instant communication makes it a great marketing tool. Here is a bit of advice that will show you how to harness the power of emails for marketing purposes.
Don’t send emails to people who have not given their express consent. Spam emails will diminish your credibility within your customer base. You could lose customers and get reported for sending unwanted emails.
Strategically plan when your emails will go out. People do not like getting emails at inconvenient times, especially if it’s something that they have to act on quickly. Be considerate by making your offers convenient and easy for people to take advantage of, and you will have more sales than you otherwise would.
Proofread everything you send out through email. Every single email and newsletter must be perfect. Send yourself a test email before dispatching your messages to customers to ensure that the layout and formatting is correct. Also, if you place links in your email, test them to make sure they work.
Provide your customers with useful tips or information in each marketing newsletter. Think of the newsletter as an opportunity to demonstrate your expertise in your field. Your customers will trust you more when they see how much you know and will be more likely to buy products or services from you.
Email is a great marketing tool, but it is not an arena where the hard sell is appreciated. Never pressure your subscribers into buying. Put sales pitches at the tail end of your emails, especially if your readers signed up with expectations of informative content. Consider email as a tool to cultivate interest, not instant sales.
The odds that your email subscribers will be reading your messages on a mobile device, such as a smartphone, are going up every day. Since the resolution is lower on these devices, you won’t have as much space. Find out how your messages look on these devices, and make any changes necessary to make them easy to read on small phone screens.
Tailor your emails and landing pages for mobile users as well as those using desktops. Keep in mind that smartphones have tiny screens that may not be compatible with the way you have your emails formatted. Trim the width so that your emails can be read by users without them having to re-size them.
For your email signature Creator campaigns to be truly effective, every message needs a clear call to action. For example, if you are promoting a new product then you should encourage customers to go directly to that product’s page. On the other hand, if you are promoting a new sale then you should clearly explain how customers can take advantage of that sale.
You might want to consider following up to your clients with some type of surprise bonus that you are providing them. Include a link on your email that tells them to click on it. The concluding postscript could inform them that they can get all the details on this by clicking on the provided link.
If you are following up with clients through an email, try following up with a press release concerning your company. Include a statement on your message that tells your clients to register on the below link. The concluding P.S. could tell them to view all the examples on the link that was provided in the email.
Try using A/B testing for your email signature Creator campaign. This basically entails creating two very different versions of the same email (A and B) and sending “A” to half of a small test group and “B” to the other half. Whichever half receives the most positive response is the one that you should be using for your campaign.
Before sending any promotional emails to customers or potential customers, be sure to get their permission for contact. Email is a powerful tool, and consumers hate when it is misused. Any email contact that isn’t initiated by the consumer feels to them like spam. Your customers must agree to receive additional emails from you, even if they have made purchases in the past.
The emails you send out as part of your marketing campaign should start out with a welcoming, personalized tone. Include the name of the recipient in the subject line and the opening of the message. This will make your customers feel more receptive to your message and be more likely to patronize your business.
When creating text for your email signature Creator campaign, make sure you use fonts that reflect the tone of what your email is trying to convey to the customer. This is important in providing the right emphasis, and it conveys the message clearly to the customer. This will work wonders in keeping the reader intrigued.
As you are utilizing engaging emails and targeting the right customers, make sure you are also soliciting feedback from them. Getting feedback from targeted customers is key to knowing what you can do to make your marketing strategies even better. This will help you be able to make your email signature Creator plan even more effective.
A big part of every good email signature Creator campaign is respect for your subscribers. One way you can demonstrate that respect is by making it as easy as possible for them to unsubscribe. You should, ideally, include an “unsubscribe” link with every message you send out. Losing a subscriber is a shame, but annoying one before they leave is downright dangerous!
You might want to consider following up to your clients by sending a follow-up email that includes a bad link correction. Attach a request on your email that says to read this. The ending postscript could inform them that they can get a sneak peak by clicking on the provided link.
Interacting with your customers and clients is the best way to get them to buy your products or services. A good email signature Creator plan can help you with that. Follow the tips in this article, and you will be able to convey information while building a relationship with your target market.
Rolling Stones – Shes A Rainbow – Song for Richard
This song is dedicated to Richard B. Hope all is well. Take care.
The Rolling Stones began calling themselves the “World’s Greatest Rock & Roll Band” in the Sixties, and few argued with them — even then. More than 40 years later, the band’s music continues to sound vital. With literally scores of genre-setting hits under the group’s belt — and fronted by two of rock’s biggest archetypes — the Rolling Stones have done more to define the look, attitude and sound of rock & roll than any other band in the genre’s history.
In the 1964 British Invasion the Stones were promoted as bad boys, a gimmick that stuck as an indelible image (partly because it was true). Their music started as a gruffer, faster version of Chicago blues, but eventually the Stones pioneered British rock’s tone of ironic detachment and wrote about offhand brutality, sex as power, and other taboos. Jagger was the most self-consciously assured appropriator of black performers’ up-front sexuality; Keith Richards’ Chuck Berry–derived riffing defined rock rhythm guitar (not to mention rock guitar rhythm); and the stalwart rhythm section of Bill Wyman and Charlie Watts held everything together, making sure teenagers could dance to whatever Mick and Keith dreamt up. After the Seventies, the Stones lost their dangerous aura, but it didn’t hurt their popularity: They’ve become icons of an elegantly debauched, world-weary decadence, elder statesmen who filled arenas well into the 2000s.
Jagger and Richards first met at Dartford Maypole County Primary School. When they ran into each other 10 years later in 1960, they were both avid fans of blues and American R&B, and they found they had a mutual friend in guitarist Dick Taylor, a fellow student of Richards’ at Sidcup Art School. Jagger was attending the London School of Economics and playing in Little Boy Blue and the Blue Boys with Taylor. Richards joined the band as second guitarist; soon afterward, he was expelled from Dartford Technical College for truancy.
Meanwhile, Brian Jones had begun skipping school in Cheltenham to practice bebop alto sax and clarinet. By the time he was 16, he had fathered two illegitimate children and run off briefly to Scandinavia, where he began playing guitar. Back in Cheltenham he joined the Ramrods, then drifted to London with his girlfriend and one of his children. He began playing with Alexis Korner’s Blues, Inc., then decided to start his own band; a want ad attracted pianist Ian Stewart (b. 1938; d. December 12, 1985).
As Elmo Lewis, Jones began working at the Ealing Blues Club, where he ran into a later, loosely knit version of Blues, Inc., which at the time included drummer Charlie Watts. Jagger and Richards began jamming with Blues, Inc., and while Jagger, Richards, and Jones began to practice on their own, Jagger became the featured singer with Blues, Inc.
Jones, Jagger, and Richards shared a tiny, cheap London apartment, and with drummer Tony Chapman they cut a demo tape, which was rejected by EMI. Taylor left to attend the Royal College of Art; he eventually formed the Pretty Things. Ian Stewart’s job with a chemical company kept the rest of the group from starving. By the time Taylor left, they began to call themselves the Rolling Stones, after a Muddy Waters song.
On July 12, 1962, the Rolling Stones — Jagger, Richards, Jones, a returned Dick Taylor on bass, and Mick Avory, later of the Kinks, on drums — played their first show at the Marquee. Avory and Taylor were replaced by Tony Chapman and Bill Wyman, from the Cliftons. Chapman didn’t work out, and the band spent months recruiting a cautious Charlie Watts, who worked for an advertising agency and had left Blues, Inc. when its schedule got too busy. In January 1963 Watts completed the band.
Local entrepreneur Giorgio Gomelsky booked the Stones at his Crawdaddy Club for an eight-month, highly successful residency. He was also their unofficial manager until Andrew Loog Oldham, with financing from Eric Easton, signed them as clients. By then the Beatles were a British sensation, and Oldham decided to promote the Stones as their nasty opposites. He eased out the mild-mannered Stewart, who subsequently became a Stones roadie and frequent session and tour pianist.
In June 1963 the Stones released their first single, Chuck Berry’s “Come On.” After the band played on the British TV rock show Thank Your Lucky Stars, its producer reportedly told Oldham to get rid of “that vile-looking singer with the tire-tread lips.” The single reached Number 21 on the British chart. The Stones also appeared at the first annual National Jazz and Blues Festival in London’s borough of Richmond and in September were part of a package tour with the Everly Brothers, Bo Diddley, and Little Richard. In December 1963 the Stones’ second single, “I Wanna Be Your Man” (written by John Lennon and Paul McCartney), made the British Top 15. In January 1964 the Stones did their first headlining British tour, with the Ronettes, and released a version of Buddy Holly’s “Not Fade Away,” which made Number Three.
“Not Fade Away” also made the U.S. singles chart (Number 48). By this time the band had become a sensation in Britain, with the press gleefully reporting that band members had been seen urinating in public. In April 1964 their first album was released in the U.K., and two months later they made their first American tour. Their cover of the Bobby Womack/Valentinos song “It’s All Over Now” was a British Number One, their first. Their June American tour was a smashing success; in Chicago, where they’d stopped off to record the Five by Five EP at the Chess Records studio, riots broke out when the band tried to give a press conference. The Stones’ version of the blues standard “Little Red Rooster,” which had become another U.K. Number One, was banned in the U.S. because of its “objectionable” lyrics.
Jagger and Richards had now begun composing their own tunes (at first using the “Nanker Phelge” pseudonym for group compositions). Their “Tell Me (You’re Coming Back to Me)” was the group’s first U.S. Top 40 hit, in August. The followup, a nonoriginal, “Time Is on My Side,” made Number Six in November. From that point on, all but a handful of Stones hits were Jagger-Richards compositions. Read more…..www.rollingstone.com
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Olive oil spray
1 small brown onion, finely chopped
2 garlic cloves, crushed
1 tbs grated fresh ginger
400g lean pork mince*
100g button mushrooms, thinly sliced
4 green shallots, finely chopped
1 large carrot, peeled and grated
1 cup shredded green cabbage or Chinese cabbage
2 tbs kecap manis (see Tip)
40ml (2 tbs) fresh lime juice
50g bean sprouts
8 large iceberg lettuce leaves, edges trimmed
1/2 cup chopped coriander leaves
2 tbs plain, unsalted peanuts, chopped to serve*
*Products available with the Heart Foundation Tick. Remember all fresh fruit and vegetables automatically qualify for the Tick.
1. Heat a wok over a medium-high heat until hot. Spray the wok lightly with oil. Add the onion, garlic and ginger, and stir-fry for 1 minute. Increase the heat to high and add the mince. Cook, breaking up the mince, for 4 minutes or until it changes colour and most of the moisture has evaporated.
2. Add the mushrooms, green shallots, carrot and cabbage, and stir-fry for 3-4 minutes until the vegetables have softened. Add the kecap manis, lime juice and bean sprouts, and stir-fry until well combined.
3. Remove from heat. Spoon mixture into the lettuce leaves, top with the coriander and peanuts. Serve immediately.
Tip Kecap manis is a thick, sweet Indonesian-style soy sauce. You can find it in the Asian section of the supermarket. If you can’t find kecap manis, reduce 2 tablespoons of reduced salt soy sauce in a small pan.
Our review crew was not satisfied with tinkering on the system and singing our hearts out with it throughout the get together since there was an excessive amount of competition. So we begged and begged and begged our good friend to let us borrow it so that we can test it out in our little workplace. How can our good friend refuse? We used our BBE Sonic Maximizer 422A to wash and brighten up the sound. And our outdated AIWA receiver gave it depth and readability too. The richness of sound finally gave it that top quality performance that we have been all on the lookout for in a karaoke system.
Your house deserves to have an awesome karaoke machine able to maintaining individuals entertained and singing along. If you need to enjoy great moments worth sharing with pals and even household, then it is best to consider taking Memorex 02671 karaoke machine. This portable machine comes with a CD, CD+RW, CD+G drive and likewise a programmable CD memory. You’ll take pleasure in a superb prime quality stereo audio experience which soothes anybody listening. It comes with a built-in deal with that permits you to concert and sing virtually anywhere you want. Moreover the machine consists of audio/video outputs which allow you to attach it to your TELEVISION.
The machine itself is capable of the karaoke half but needs a monitor to show track lyrics. And in some cases additionally they require speakers for the audio. The expertise in residence karaoke machines has advanced to the diploma that you may now discover many nice features to help you sound like a star! Not so long ago, you might only discover these options in professional techniques. Now you will discover dwelling karaoke systems that allow you to alter the echo, the pitch, the key, the tempo, and more for any music to raised match your individual voice.
The Group mode is the one one that uses the 2 screens the way in which you’d expect. It is a head-to-head problem where two groups compete in a handful of karaoke events. Each match lasts 4, eight or twelve rounds, and at the end the scores for each spherical are totaled up to find a winner. There are three predominant events throughout the Team mode, including a highlight solo the place one member sings a tune alone, a choir mode where the entire group sings collectively and a relay occasion the place you move the mic from singer to singer after each couple of traces.
Karaoke machines can present hours of enjoyable for singers of all ages, and they offer function sets starting from the easy to the deluxe. How a lot you spend on a machine should rely on how a lot you plan to use it. If your own home is celebration central, you’ll want to spend a bit of further for a extra everlasting setup with freestanding speakers and a monitor for displaying lyrics. Younger singers will likely be pleased with a simple and inexpensive transportable machine. In between these, we found a horny all-in-one system that relies on an MP3 player or iPod as its main music supply.
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Australian musicians Terry Dean and Rod De Clerk met in Tasmania in 1965. They then met Laurie Arthur, a member of The Strangers, and the three decided to form a band together after a jam session. They quickly signed to EMI that same year and released three singles. They went through several line-up changes over the following few years, then signed to CBS Records in 1969. A few further singles followed before transferring to Fable Records in 1970.
The Mixtures recorded a cover of Mungo Jerry’s “In the Summertime” and—as a result of the 1970 radio ban, during which many Australian radio stations refused to play Australian and British music released by major labels—received much more airplay than had initially been expected for a group on a small record label. The single went to #1 in Australia for six weeks. They followed up with “The Pushbike Song” (produced by David Mackay), which went to #1 in Australia for two weeks, hit #2 in the UK Singles Chart, and went to #44 on the Billboard Hot 100 in the U.S. after being released on Sire Records.
The next single, “Henry Ford”, peaked at #43 in Australia. Further line-up changes ensued before “Captain Zero” went to #6 in Australia in 1971, their last big hit. The group underwent some more line-up changes including Brenton Fosdike (Guitar, vocals), John Petcovich (Drums, Vocals) and the last member to join was Keyboard Player Rob Scott. In 1978 the band travelled to Perth to do some recording and put together a new show. During this time Bass Player Chris Spooner died in a fishing accident at Trigg Beach. The band only carried on for a further three months as a four piece before breaking up in early 1979. The remaining four members, Brenton, John, Rob and Peter Williams, then formed a new band with two other Australians, (Dennis Broad and Paul Reynolds) and the band was named BRIX.
Picture source…..i.ytimg.com
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Ihaia Kaikoura’s original signature on the Treaty of Waitangi.
Rangitane have resided in the northern South Island since the migration from the Wairarapa in the sixteenth century under the Chiefs Te Huataki, Te Whakamana and Tukanae. The Iwi gradually occupied a territory stretching from the Waiau-toa (Clarence) River in the south to the Wairau (Marlborough), including the Nelson Lakes, and north to Kaituna and the Marlborough Sounds and west into the Whakatu (Nelson) area. Rangitane customary rights often overlapped and intersected with other Iwi, especially in the Waiau-toa, Nelson Lakes, Marlborough Sounds and Whakatu districts. Non-exclusive and shared occupation and use rights in these areas were governed by whakapapa connections and customary protocols between the Iwi. Between 1827 and the mid-1830’s an alliance of musket-armed North Island Iwi invaded the northern South Island. Rangitane (and the other northern South Island Iwi) were defeated in a series of battles. However Rangitane continued to live on the land, and maintained ancestral connections with the whenua.
The Treaty of Waitangi
The Rangatira Ihaia Kaikoura signed the Treaty of Waitangi on Horahora-Kakahu Island (Port Underwood), on June 17, 1840. He is frequently referred to as the leader of the Wairau community and he was invariably consulted by Crown officials on land and other important matters. In 1856 the Crown Purchase agent Donald McLean concluded two deeds or sales with Rangitane, one at the Wairau Bar and the other at Havelock. Rangitane were to have received an extensive reserve on the northern side of the Wairau River, but this was never delivered.
The Rangitane Claim (WAI 44)
Rangitane filed a claim with the Waitangi Tribunal in 1987 alleging that the Crown committed a number of breaches of the Treaty of Waitangi. That claim was finally heard in 2003, and the Tribunal Report was released in 2008. The recommendations of the report can be found on the Waitangi Tribunal website www.waitangitribunal.govt.nz
By using a simple message, anyone can communicate with anyone else in a matter of seconds. This near instant communication makes it a great marketing tool. Here is a bit of advice that will show you how to harness the power of emails for marketing purposes.
