Nouvelle Vague – Teenage Kicks

New Wave, New Wave Bossa Nova: three words in their respective languages ​​mean exactly the same thing.Three passions that Marc Collin and Olivier Libaux endeavor since 2004, married together in the collective Nouvelle Vague, or, swaying elegance of Bossa Nova, writing melancholy of the New Wave and distanced view movies New Wave.

The group’s approach is as follows: transpose standard directory punk / new wave and (re) discover obscure titles more or less 80 years, offering an original rereading rooted in modernity.

The cover art is tricky … but 3 albums (“New Wave” – 2004, “Bande à Part” – 2006, “3” – 2009), reinterpretations of Nouvelle Vague toured the world.
700,000 albums sold hundreds of complete concerts around the globe, the respect of many original artists (Martin Gore, Terry Hall, Ian McCulloch … also on the album “3”).

The female performers contribute significantly to the success of Nouvelle Vague, the originality of Camille, the elegance of Mélanie Pain, the sensuality of Phoebe Killdeer, madness scenic Nadeah Miranda had flipped the international public. A chic aesthetic extended by Helena Noguerra or Mareva Galanter, who accompanied the band on stage today.

If the three previous games clung directory new wave and post punk Anglo-Saxon “Colors of Paris’ 4th album but the first group on the Barclay label, revisits this” New Wave “that swept the French late 70 and extended over most of the next decade.
This spontaneous generation – the Current magazine named “Young people modern”-extended the Anglo-Saxon heritage in France. More than current musical set (new wave, post punk, pop, cold wave, Novo …), this scene – which was the heyday of the Palace – is illustrated by a line of thought rejecting the values ​​and sixty-eighters aesthetics, which in taming synths and drum machines, overthrew the 80s.

Kas Product / Marc Seberg or Lio / Indochina? Black and white or colorful? Rage punk dandy aesthetic? Or underground hit singles?
many differences but a movement with complex ramifications and incestuous.

To celebrate the new wave “made in France” , it is no longer only the New Wave singers are invited. Each title is revisited by an artist of the contemporary French scene, which grew out of the ashes of this movement and assumes inheritance.

Source:  http://www.nouvellesvagues.com/ABOUT_texte.html

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Nouvelle Vague – Ever Fallen In Love

New Wave, New Wave Bossa Nova: three words in their respective languages ​​mean exactly the same thing.Three passions that Marc Collin and Olivier Libaux endeavor since 2004, married together in the collective Nouvelle Vague, or, swaying elegance of Bossa Nova, writing melancholy of the New Wave and distanced view movies New Wave.

The group’s approach is as follows: transpose standard directory punk / new wave and (re) discover obscure titles more or less 80 years, offering an original rereading rooted in modernity.

The cover art is tricky … but 3 albums (“New Wave” – 2004, “Bande à Part” – 2006, “3” – 2009), reinterpretations of Nouvelle Vague toured the world.
700,000 albums sold hundreds of complete concerts around the globe, the respect of many original artists (Martin Gore, Terry Hall, Ian McCulloch … also on the album “3”).

The female performers contribute significantly to the success of Nouvelle Vague, the originality of Camille, the elegance of Mélanie Pain, the sensuality of Phoebe Killdeer, madness scenic Nadeah Miranda had flipped the international public. A chic aesthetic extended by Helena Noguerra or Mareva Galanter, who accompanied the band on stage today.

If the three previous games clung directory new wave and post punk Anglo-Saxon “Colors of Paris’ 4th album but the first group on the Barclay label, revisits this” New Wave “that swept the French late 70 and extended over most of the next decade.
This spontaneous generation – the Current magazine named “Young people modern”-extended the Anglo-Saxon heritage in France. More than current musical set (new wave, post punk, pop, cold wave, Novo …), this scene – which was the heyday of the Palace – is illustrated by a line of thought rejecting the values ​​and sixty-eighters aesthetics, which in taming synths and drum machines, overthrew the 80s.

Kas Product / Marc Seberg or Lio / Indochina? Black and white or colorful? Rage punk dandy aesthetic? Or underground hit singles?
many differences but a movement with complex ramifications and incestuous.

To celebrate the new wave “made in France” , it is no longer only the New Wave singers are invited. Each title is revisited by an artist of the contemporary French scene, which grew out of the ashes of this movement and assumes inheritance.

Source:  http://www.nouvellesvagues.com/ABOUT_texte.html

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Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
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Tonight Alive -Starlight

It’s an unlikely tale. Rising from the fevered hotbed of Sydney, Australia’s underground hardcore scene, boy meets girl. Or rather, two boys meet girl to make kick-ass rock music.

Try to keep up – the story goes something like this…

Guitarist Whakaio Taahi and his compadre bass player, Cameron Adler, needed a frontman for a rock project. Scrap that. Frontwoman. Enter ingenue-with-attitude, Jenna McDougall – as soon as the sixteen-year-old songstress’ soaring contralto and sweet strains took the mic to their songs, something clicked. Already onboard, rhythm axeman Jake Hardy and new recruit, drummer Matt Best – a childhood buddy of Whakaio’s. One jam later, the writing was on the wall. Tonight Alive were up and running, pedal to the metal.

The band stepped up, and fast. Songs honed, stagecraft already a dead cert, they entered Sydney’s subterranean circuit of metalcore and heavy bands, playing their own brand of catchy-as-all-hell pop-punk… and promptly took the scene by storm, developing a rabid young fanbase in thrall to the band’s ebullient, fist-pumping anthemery, arena-sized hooks and high-voltage live performances. Right from word-go, it was clear Tonight Alive were going somewhere.

A year on, courted by labels and management secured, with two stellar EPs (‘All Shapes & Disguises’ and ‘Consider This’) under their belts, a demo of Tonight Alive’s new material landed on producer-extraordinaire Mark Trombino’s (Blink 182, Jimmy Eat World, The Starting Line) desk. He rang the band immediately, wanting in.

“For him to contact us, and say he was interested, was a big deal,” says Jenna, now 19. “We couldn’t believe he’d put himself out like that. He’s amazing. Mark created the albums we all grew up listening to – the albums that launched the careers of all these great bands.

Whakaio weighs in. “Yeah, it felt right that he do our first album, that he be the one to kick-start us off. As soon as we got over there, we found Mark felt the same.”

Recorded at LA’s infamous NRG Studios over two months, Trombino’s personal interest in the project played out in other fortuitous ways. “Nothing was left to editing or over Pro-Tooling,” notes Whakaio. “Jenna sang every line until it was right. I played every guitar part. The drum sound is natural and not heavily sampled. There was no copy-pasting. That was really important to us, as well as Mark. That it sound real. Natural.”

Read more:  http://www.tonightaliveofficial.com/bio/home.do

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Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
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Nouvelle Vague – Guns of Brixton

New Wave, New Wave Bossa Nova: three words in their respective languages ​​mean exactly the same thing.Three passions that Marc Collin and Olivier Libaux endeavor since 2004, married together in the collective Nouvelle Vague, or, swaying elegance of Bossa Nova, writing melancholy of the New Wave and distanced view movies New Wave.

The group’s approach is as follows: transpose standard directory punk / new wave and (re) discover obscure titles more or less 80 years, offering an original rereading rooted in modernity.

The cover art is tricky … but 3 albums (“New Wave” – 2004, “Bande à Part” – 2006, “3” – 2009), reinterpretations of Nouvelle Vague toured the world.
700,000 albums sold hundreds of complete concerts around the globe, the respect of many original artists (Martin Gore, Terry Hall, Ian McCulloch … also on the album “3”).

The female performers contribute significantly to the success of Nouvelle Vague, the originality of Camille, the elegance of Mélanie Pain, the sensuality of Phoebe Killdeer, madness scenic Nadeah Miranda had flipped the international public. A chic aesthetic extended by Helena Noguerra or Mareva Galanter, who accompanied the band on stage today.

If the three previous games clung directory new wave and post punk Anglo-Saxon “Colors of Paris’ 4th album but the first group on the Barclay label, revisits this” New Wave “that swept the French late 70 and extended over most of the next decade.
This spontaneous generation – the Current magazine named “Young people modern”-extended the Anglo-Saxon heritage in France. More than current musical set (new wave, post punk, pop, cold wave, Novo …), this scene – which was the heyday of the Palace – is illustrated by a line of thought rejecting the values ​​and sixty-eighters aesthetics, which in taming synths and drum machines, overthrew the 80s.

Kas Product / Marc Seberg or Lio / Indochina? Black and white or colorful? Rage punk dandy aesthetic? Or underground hit singles?
many differences but a movement with complex ramifications and incestuous.

To celebrate the new wave “made in France” , it is no longer only the New Wave singers are invited. Each title is revisited by an artist of the contemporary French scene, which grew out of the ashes of this movement and assumes inheritance.

Source:  http://www.nouvellesvagues.com/ABOUT_texte.html

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
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Gipsy Kings – Bamboleo

HISTORY and BIOGRAPHY

The Gipsy Kings consist of two bands of brothers: the Reyes (Nicolas, Canut, Paul, Patchai, Andre) and the Baliardos (Tonino, Paco, Diego). The Reyes and Baliardo boys were the offspring of Spanish gypsy families that had fled into France to escape Spain’s Civil War. They grew up roaming the south of France, working harvests and making music.

Jose Reyes father of the GK Reyes sang alongside guitarist Manitas de Plata and did much to popularise flamenco internationally: John Steinbeck, Charlie Chaplin, Pablo Picasso, Miles Davis and Salvador Dali were amongst the duos admirers Jose split from Manitas in the 1970s and formed Los Reyes with his teenage sons. His death devastated the Reyes yet lead to their fortuitous encounter with the Baliardos at the St. Marie de la Mer Gitan pilgrimage. On that warm night, as they passed the guitar, shared songs and wine, history was shaped.
Initially, the Reyes and Baliardos busked on the streets of Cannes, played weddings and parties, young men flavouring flamenco with Western pop and Latin rhythms. When an American admirer told the band their name Los Reyes meant “The Kings” in English they realised they were born to be Gipsy Kings. In 1987 The Gipsy Kings self-titled debut album introduced the world to rumba Gitano the sound of South America rumba rhythm married to flamenco guitars  and with Bamboleo the Gipsy Kings scored a huge international hit. Since then the Kings have never stopped singing to the world.
Today the Gipsy Kings still live with their families in the south of France. Life may have changed for them  they no longer busk on streets or pick crops when times are hard or travel in caravans  but still, at heart, they remain Gypsies, the proud descendants of an ancient people who seduced the world with music and dance. On Pasajero, the Gipsy Kings continue their epic musical journey.

Source: http://www.gipsykings.com/history.html

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Gipsy Kings – Ami Wa Wa

Picture Source…..2.bp.blogspot.com

HISTORY and BIOGRAPHY

The Gipsy Kings consist of two bands of brothers: the Reyes (Nicolas, Canut, Paul, Patchai, Andre) and the Baliardos (Tonino, Paco, Diego). The Reyes and Baliardo boys were the offspring of Spanish gypsy families that had fled into France to escape Spain’s Civil War. They grew up roaming the south of France, working harvests and making music.

Jose Reyes father of the GK Reyes sang alongside guitarist Manitas de Plata and did much to popularise flamenco internationally: John Steinbeck, Charlie Chaplin, Pablo Picasso, Miles Davis and Salvador Dali were amongst the duos admirers Jose split from Manitas in the 1970s and formed Los Reyes with his teenage sons. His death devastated the Reyes yet lead to their fortuitous encounter with the Baliardos at the St. Marie de la Mer Gitan pilgrimage. On that warm night, as they passed the guitar, shared songs and wine, history was shaped.
Initially, the Reyes and Baliardos busked on the streets of Cannes, played weddings and parties, young men flavouring flamenco with Western pop and Latin rhythms. When an American admirer told the band their name Los Reyes meant “The Kings” in English they realised they were born to be Gipsy Kings. In 1987 The Gipsy Kings self-titled debut album introduced the world to rumba Gitano the sound of South America rumba rhythm married to flamenco guitars  and with Bamboleo the Gipsy Kings scored a huge international hit. Since then the Kings have never stopped singing to the world.
Today the Gipsy Kings still live with their families in the south of France. Life may have changed for them  they no longer busk on streets or pick crops when times are hard or travel in caravans  but still, at heart, they remain Gypsies, the proud descendants of an ancient people who seduced the world with music and dance. On Pasajero, the Gipsy Kings continue their epic musical journey.

Source: http://www.gipsykings.com/history.html

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.