Take Me To Church – Hozier

Take Me To Church – Hozier

Take Me To Church - Hozier

A unique and intelligent singer, songwriter, and multi-instrumentalist who cites James Joyce’s Portrait of an Artist as a Young Man, Leonard Cohen, John Lee Hooker, and community choral singing among his influences, Hozier (his stage and performing name) was born Andrew Hozier-Byrne on March 17, 1990 (which just so happened to be St. Patrick’s Day) in Bray, County Wicklow, Ireland. The son of a local blues musician, he literally grew up with the blues being played all around him.

He joined his first band when he was 15, gravitating toward R&B, soul, gospel, and, of course, blues. Hozier started studying for a degree in music at Trinity College Dublin, where he was involved with the Trinity Orchestra, but dropped out in his first year to record demos for Universal Music.

From 2009 to 2012, he sang with Anúna, an Irish choral group, and toured internationally. He released a solo EP, Take Me to Church, in 2013, and when a video for the powerful title track, which directly addresses gay discrimination in Russia, went viral on YouTube and Reddit, Hozier found himself with an international audience. A second EP, From Eden, appeared in the spring of 2014 and in September of that year, Columbia released his eponymous debut album.

Bio source…..www.billboard.com

Take Me To Church – Lyrics

My lover’s got humour
She’s the giggle at a funeral
Knows everybody’s disapproval
I should’ve worshipped her sooner If the heavens ever did speak

She’s the last true mouthpiece
Every Sunday’s getting more bleak
A fresh poison each week’

We were born sick, ‘ you heard them say it

My Church offers no absolutes
She tells me, ‘Worship in the bedroom.’
The only heaven I’ll be sent to
Is when I’m alone with you—I was born sick,
But I love it
Command me to be well
Amen. Amen. Amen. Amen.

[Chorus 2x:]
Take me to church
I’ll worship like a dog at the shrine of your lies
I’ll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good God, let me give you my life If I’m a pagan of the good times

My lover’s the sunlight
To keep the Goddess on my side
She demands a sacrifice Drain the whole sea
Get something shiny
Something meaty for the main course
That’s a fine looking high horse
What you got in the stable?
We’ve a lot of starving faithful

That looks tasty
That looks plenty
This is hungry work

[Chorus 2x:]
Take me to church
I’ll worship like a dog at the shrine of your lies
I’ll tell you my sins so you can sharpen your knife
Offer me my deathless death
Good God, let me give you my life

No Masters or Kings
When the Ritual begins
There is no sweeter innocence than our gentle sin

In the madness and soil of that sad earthly scene
Only then I am Human
Only then I am Clean
Amen. Amen. Amen. Amen.

[Chorus 2x:]
Take me to church
I’ll worship like a dog at the shrine of your lies
I’ll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good God, let me give you my life

Lyric source…..www.azlyrics.com

Picture source…..vulturehound.co.uk

Got a request?
Want a song dedicated to you?
Please Contact Us at Pasgroup with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.

Culture Club – Church Of The Poison Mind

Culture Club – Church Of The Poison Mind

Culture Club - Church Of The Poison Mind
Born George Alan O’Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O’Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the “pink sheep” of the family.

To stand out in the male-dominated household, George created his own image on which he became dependent. “It didn’t bother me to walk down the street and to be stared at. I loved it,” he later reminisced.

George didn’t exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn’t long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.

Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.

Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.

The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn’t long before George was giving interviews based purely on his appearance.

Read More…..www.biography.com

Picture Source….. scrapetv.com

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.