UB40 – Red Red Wine

UB40 – Red Red Wine

UB40 - Red Red Wine

UB40 are a British reggae/pop band formed in 1978 in Birmingham, England. The band has placed more than 50 singles in the UK Singles Chart, and has also achieved considerable international success. The band has been nominated for the Grammy Award for Best Reggae Album four times, and in 1984, they were nominated for the Brit Award for Best British Group. One of the world’s best-selling music artists, UB40 have sold over 70 million records. Their hit singles include their debut “Food for Thought” and two U.S. Billboard Hot 100 number ones with “Red Red Wine” and “Can’t Help Falling in Love”. Both of these also topped the UK Singles Chart, as did the band’s version of “I Got You Babe”.
The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a “jazz-dub-reggae” band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned secondhand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

Read More…..www.ub40.co.uk

Picture Source…..samcoley.com

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.

Little Red Riding Hood – Sam the Sham and the Pharaohs

Little Red Riding Hood – Sam the Sham and the Pharaohs

Little Red Riding Hood - Sam the Sham and the Pharaohs

Sam the Sham and The Pharaohs were a 60s Tex-Mex rock ‘n’ roll band. The group was formed by lead singer Domingo “Sam” Samudio in 1961 in Dallas, Texas, USA. The other original members were Carl Medke, Russell Fowler, Omar “Big Man” Lopez, and Vincent Lopez. The original line-up only recorded one record which failed to sell. They broke up in late 1962. Samudio went on to become an organist for the rock group Andy and the Knight riders.

Samudio resurrected The Pharaohs in 1963. The new line-up was Samudio (vocals/organ), Dave Martin (bass), Ray Stinnet (guitar), Jerry Patterson (drums), and Butch Gibson (saxophone). They made their debut with the novelty number “Haunted House” and signed up with the MGM music label. The follow-up songs “Ju Ju Hand” and “Ring Dang Do” were minor chart successes. The band scored their greatest smash hit with the wonderfully raucous “Wooly Bully,” which sold over three million copies and stayed on the Billboard Top 40 charts for 18 weeks (the song peaked at #2 on the pop charts). “Wooly Bully” was named Record of the Year for 1965 by “Billboard” magazine. The bubbly “Li’l Red Riding Hood” likewise did very well; it peaked at #2 on the Billboard pop charts for two weeks straight. The group went on to record more enjoyably frothy novelty singles, but none of them were as successful as either “Wooly Bully” or “Li’l Red Riding Hood.” The band appear as themselves in the musical When the Boys Meet the Girls (1965). Sam the Sham and The Pharaohs disbanded in 1967.

A true rock ‘n’ roll classic, “Wooly Bully” was featured on the soundtracks to the films Wild Country (2005), Mistah (1994), Full Metal Jacket(1987), Baby It’s You (1983), and More American Graffiti (1979). Domingo Samudio went on to contribute two self-penned songs for the soundtrack to The Border (1982), starring Jack Nicholson. Samudio is now a motivational speaker who still makes occasional live concert appearances as well as continues to write both songs and poetry.

Bio source…..www.imdb.com

Picture source…..3.bp.blogspot.com

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.

 

 

Red Hot Chili Peppers – Can’t Stop

Red Hot Chili Peppers – Can’t Stop

Red Hot Chili Peppers - Can't Stop

Formed in the wake of the L.A. punk scene, the Red Hot Chili Peppers combined funk and punk with macho, sexed-up lyrics. (One early track was called “Party on Your Pussy”). The result was a high-octane sound that made the quintet alt-rock favorites in the Eighties, then superstars in the Nineties. But as the Chili Peppers aged, their songs became more laid-back and lyrical, and the band went from flesh-baring firecrackers (a 1992 Rolling Stone cover featured them naked) to respected veterans.

After meeting at L.A.’s Fairfax High School, singer Anthony Kiedis, bassist Flea, guitarist Hillel Slovak, and drummer Jack Irons formed Tony Flow and the Miraculously Majestic Masters of Mayhem before changing their name to the Red Hot Chili Peppers. They became a popular attraction up and down the L.A. strip, though the early lineup was short-lived as Irons and the Israeli-born Slovak departed to form What Is This? Kiedis and Flea recruited guitarist Jack Sherman and drummer Cliff Martinez prior to releasing their eponymous debut in 1984. The album stiffed; Slovak returned, and the band took to the road, sometimes appearing onstage wearing only strategically placed tube socks.

The funk-heavy Freaky Styley (1985), the last album featuring Martinez on drums, was produced by P-Funk’s George Clinton and featured appearances by funk horn players Maceo Parker and Fred Wesley. The record went largely unnoticed at the time. Irons returned to the band in time for the more rock-oriented The Uplift Mofo Party Plan (Number 148, 1987), which sold better than its predecessor. Any optimism was shattered by the 1988 death of Slovak from a heroin overdose. Disturbed by Slovak’s death and Kiedis’ own heroin problem, Irons quit the band a second time. An interim band with P-Funk guitarist Blackbyrd McKnight and Dead Kennedys drummer D.H. Peligro did not take hold. Kiedis recruited a Chili Peppers fan, guitarist John Frusciante, and auditions brought drummer Chad Smith. This version of the band recorded Mother’s Milk (Number 52, 1989). With videos for “Knock Me Down” and a cover of Stevie Wonder’s “Higher Ground” on MTV, it looked like the Peppers were about to break through.

Read more: http://www.rollingstone.com/music/artists/red-hot-chili-peppers/biography#ixzz2KXvzZyYM

Picture Source:    http://www.picgifs.com/celebrities/red-hot-chili-peppers/

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.