Dragon – Are You Old Enough

Dragon – Are You Old Enough

Dragon - Are You Old Enough

Dragon formed in Auckland, New Zealand, in 1972, with a line-up that featured Todd Hunter, guitarist Ray Goodwin, drummer Neil Reynolds and singer Graeme Collins; by 1974 several personnel changes had occurred including the introduction of Todd’s brother Marc Hunter on vocals and Neil Storey on drums.

The band recorded two progressive rock albums in New Zealand, Universal Radio and Scented Gardens for the Blind, the second with an added guitar element from Robert Taylor. Paul Hewson also joined the band on keyboards and from this point Dragon’s music took on a pop-flavoured AOR feel.

Dragon eventually landed a contract in Australia with CBS Records and relocated to Sydney in 1975.

Always a lightning rod for controversy, the band was rocked by the heroin overdose death of drummer Neil Storey only weeks after arriving in Australia and their original manager was also deported back to New Zealand on drugs charges. By then, founding member Ray Goodwin had left the group.

Storey was replaced by Kerry Jacobson and, between 1975 and 1979, Dragon scored a string of major hits on the Australasian pop charts with songs including “April Sun in Cuba,” “Are You Old Enough” and “Still in Love With You” and with the albums Sunshine and O Zambezi, making them one of the region’s most popular rock acts.

Marc Hunter left Dragon in 1979 due to health problems which were, by then, seriously affecting his performances. New singer Richard Lee was recruited and the group recorded the Powerplay LP before breaking up in 1979.

Dragon was forced to reform in 1982 to pay off outstanding debts, but they stayed together and decided to have another shot at success. The band’s second comeback single “Rain” proved to be a massive hit, but Kerry Jacobson left the band for health reasons and was replaced by British drummer Terry Chambers, formerly from the band XTC. American keyboard player and producer Alan Mansfield also joined the band at this point.

The group’s 1984 album Body and the Beat became one of the biggest-selling albums in Australia and New Zealand and the band was restored to something close to its late 70s glory. Their public profile was further raised at this time by the Marc Hunter solo album Communication. Its title track became a moderate hit in Australia.

Paul Hewson left Dragon and tragically died of a drug overdose in New Zealand in January 1985, with Terry Chambers and Robert Taylor leaving Dragon some time after. American drummer Doanne Perry replaced Chambers, and Taylor was eventually succeeded by local Sydney guitar ace Tommy Emmanuel.

This line-up recorded the Todd Rundgren-produced Dreams of Ordinary Men album and toured Europe under the name Hunter in 1987, where they were somewhat misrepresented as a heavy metal band in some markets.

Dragon again split up in 1988 although a year later Todd and Marc Hunter and Alan Mansfield reconvened once again with guitarist Randall Waller and drummer Barton Price (ex-Models and The Choirboys) for the 1989 Bondi Road album, which actually featured Tommy Emmanuel’s guitar playing.

Dragon continued to record and tour with varying line-ups centered around the Hunter brothers and Mansfield until 1997, although Todd Hunter had largely retired from the band to do soundtrack work.

In 1998, Marc Hunter was diagnosed with severe throat cancer and died later that year. The compilation CD Forever Young, released on Raven Records, captures many of the highlight tracks of his tumultuous career.

Bio source…..www.last.fm

Picture source…..www.thestarfish.com.au

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Michael Jackson – You Are Not Alone

Michael Jackson – You Are Not Alone

Michael Jackson - You Are Not Alone

First taking to the stage at the age of just 11 as part of his family’s gig The Jackson 5, Michael Jackson grew quickly into the superstardom which would both reward and plague his life. An apparently unstoppable creative and financial force through the highs of his career, ‘The King of Pop’ struggled with a confused and turbulent private life that was often made appalling public. In the wake of his shock death though, it is for his artistry – and not his controversies – that he will be remembered and sadly missed.

Jackson was born 29 August 1958, in Gary, Indiana, to an African-American working-class family. His father, Joseph Jackson, had been a guitarist but had put aside his musical aspirations to provide for his family as a crane operator. Believing his sons had talent, he molded them into a musical group in the early 1960s. At first, the Jackson Family performers consisted of Michael’s older brothers Tito, Jermaine, and Jackie. Michael joined his siblings when he was five, and emerged as the group’s lead vocalist. He showed remarkable range and depth for such a young performer, impressing audiences with his ability to convey complex emotions. Older brother Marlonalso became a member of the group, which evolved into the The Jackson 5.

Behind the scenes, Joseph Jackson pushed his sons to succeed. He was also reportedly known to become violent with them. Michael and his brothers spent endless hours rehearsing and polishing up their act. At first, the Jackson 5 played local gigs and built a strong following. They recorded one single on their own, ‘Big Boy’ with the b-side ‘You’ve Changed’, but it failed to generate much interest.

The Jackson 5 moved on to working an opening act for such R&B artists as Gladys Knight and the Pips, James Brown, and Sam and Dave. Many of these performers were signed to the legendary Motown record label, and it has been reported that Gladys Knight may have been the one to tell Motown founder Berry Gordy about the Jackson 5. Impressed by the group, Gordy signed them to his label in 1968.

Relocating to Los Angeles, Michael and his brothers started work on their music and dancing with their father as their manager. They lived with Gordy and also with Supremes singer Diana Ross when they first arrived there. In August 1969, the Jackson 5 was introduced to the music industry at a special event, and later served as the opening act for the Supremes. Their first album, ‘Diana Ross Presents the Jackson 5’, hit the charts in December of that year. It’s first single, ‘I Want You Back’, hit No. 1 on the Billboard Hot 100 chart in January 1970. Read more…..www.thebiographychannel.co.uk

Picture source…..www.michaeljackson-7.com

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Without You – David Guetta ft. Usher

Without You – David Guetta ft. Usher

Without You - David Guetta ft. Usher

France’s David Guetta belongs to the sparkling wave of DJs who combine Daft Punk’s sleek house music with a pinch of electroclash’s punch. Guetta had been DJ’ing around France playing popular tunes, but his brain was particularly rewired in 1987 when he heard a Farley Jackmaster Funk track on French radio. He taped the track, brought a copy to a gig, and promptly cleared the floor with it during one of his own sets. Things loosened up a year later when acid house came to France and Guetta successfully promoted his own club nights. It was during one of those nights in 1992 that he met Robert Owens, a Chicago-based house legend who was touring across Europe at the time. Guetta played Owens some of his own tracks, and Owens picked one he liked enough to sing over. The result was “Up and Away,” a minor hit that lurked in garage DJ crates for the next four years.

Guetta’s carefree attitude — that he only produces good music while he’s having casual fun — kept the DJ from releasing anything until 2001’s “Just a Little More Love.” The track featured American gospel singer Chris Willis, who met Guetta while on vacation in France. Another slow burner, “Just a Little More Love,” kept popping up in sets for the next two years, first in an electro version and later in a pumped-up Wally Lopez remix. During this time, Guetta snuck out a bootleg remix of David Bowie’s “Heroes,” retitled “Just for One Day.” Bowie gave the go-ahead to release the track officially, and Guetta soon had a massive hit on his hands. Guetta featured the liberated boot on his first mix CD, Fuck Me I’m Famous, named after Guetta’s successful Ibiza-based party.

The fun-loving slacker DJ finally got around to releasing a collection of his own productions in 2004, Just a Little More Love on Astralwerks. Guetta Blaster arrived that same year, followed by Poplife in 2007. Chris Willis sang lead vocals on the latter album, which spun off multiple dance singles in multiple countries. Fuck Me I’m Famous: International, Vol. 2 was then released in July 2008, giving listeners a taste of the stylish sounds that orchestrated Guetta’s summer club events in Ibiza. A year later he released One Love, a platinum-selling album featuring the singles “When Love Takes Over” with Kelly Rowland, “Sexy Bitch” with Akon, and “Gettin’ Over” with Chris Willis.

In 2010 Guetta received five nominations at the 52nd Grammy Awards, two of them related to the One Love album and the other three for his work on the Black Eyed Peas’ massive worldwide hit “I Gotta Feeling.” That same year, One Love was reissued as One More Love, featuring a bonus disc of remixes and new tracks. A superstar guest list — featuring Akon, Lil Wayne, Flo Rida, Usher, Chris Brown, and others — would figure into his 2011 release Nothing But the Beat, but this time the DJ’s songwriting was inspired by dramatic rock bands like Coldplay. ~ David Jeffries, Rovi.

Bio and picture source…..www.mtv.com

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You sexy thing – Hot Chocolate

You sexy thing – Hot Chocolate

You sexy thing - Hot Chocolate

Hot Chocolate formed in Brixton, London, England in 1968. Members of the group included Errol Brown, Tony Connor, Larry Ferguson, Harvey Hinsley, Patrick Olive and Tony Wilson.
In 1969 the band started working on a reggae version of the John Lennon song “Give Peace A Chance”. Errol Brown had changed the lyrics for their version but was informed that he could not do this without John Lennon’s permission, so a copy of the demo was sent to the Beatles Apple record label to see what they thought of it. Fortunately, John loved the version and it was released on the Apple label.
The group was given the named ‘The Hot Chocolate Band’ by a secretary at the company, Mavis Smith, the band later changed it to just ‘Hot Chocolate’.
Towards the end of 1969 Mickie Most signed Errol and the cofounder of the group Tony Wilson as writers and recorded their songs with Mary Hopkins, Julie Felix and Herman’s Hermits before encouraging them to come up with a song for themselves. In 1970 Hot Chocolate, with Errol Brown as lead singer, released their first record entitled “Love Is Life” which reached number 6 in the charts. This was the start of a fifteen year career for the group who amassed a total of over 30 hits and also became the only group in the UK to have a hit for fifteen consecutive years.
In 1981 Hot Chocolate had the honour of being invited by Prince Charles and Lady Diana at their pre-wedding reception at Buckingham Palace which was attended by heads of Government and many members of European Royalty.
In 1986 Errol left the band and took time out to spend more time with his wife and then young children. The rest of the members of Hot Chocolate also took some time off to consider their future and in 1992 Patrick Olive, Harvey Hinsley and Tony Connor joined up with agent Richard Martin and decided to start touring again.
The band found a new singer Greg Bannis and keyboard players Andy Smith & Steve Ansell. Since 1992, the band has enjoyed years of continued success touring all around the world performing to many thousands of fans who love the music of Hot Chocolate. In 1997 the classic single “You Sexy Thing” reached number one in the charts after it was featured in the movie ‘The Full Monty’ and a new Hot Chocolate ‘Greatest Hits’ compilation released in October 1997 reached number 10 in the album charts.
In 2010 singer Kennie Simon replaced Greg Bannis on vocals creating what many are saying is the best sound ever.

Bio source…..www.hot-chocolate.co.uk

Picture source…..i.ytimg.com

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UB40 – I Got You Babe ft. Chrissie Hynde

UB40 – I Got You Babe ft. Chrissie Hynde

UB40 - I Got You Babe ft. Chrissie Hynde

UB40 are a British reggae/pop band formed in 1978 in Birmingham, England. The band has placed more than 50 singles in the UK Singles Chart, and has also achieved considerable international success. The band has been nominated for the Grammy Award for Best Reggae Album four times, and in 1984, they were nominated for the Brit Award for Best British Group. One of the world’s best-selling music artists, UB40 have sold over 70 million records. Their hit singles include their debut “Food for Thought” and two U.S. Billboard Hot 100 number ones with “Red Red Wine” and “Can’t Help Falling in Love”. Both of these also topped the UK Singles Chart, as did the band’s version of “I Got You Babe”.

The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a “jazz-dub-reggae” band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned secondhand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

Read More…..www.ub40.co.uk

Picture Source…..images1.fanpop.com

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Great Ideas To Help You Be A Success At Cool Email Signatures

Great Ideas To Help You Be A Success At Cool Email Signatures

The email is one of the greatest inventions of the internet age.

http://www.thearticleson.com/search.php?q=tips%20for%20building%20a%20better%20email%20signature%... By using a simple message, anyone can communicate with anyone else in a matter of seconds. This near instant communication makes it a great marketing tool. Here is a bit of advice that will show you how to harness the power of emails for marketing purposes.

Don’t send emails to people who have not given their express consent. Spam emails will diminish your credibility within your customer base. You could lose customers and get reported for sending unwanted emails.

Strategically plan when your emails will go out. People do not like getting emails at inconvenient times, especially if it’s something that they have to act on quickly. Be considerate by making your offers convenient and easy for people to take advantage of, and you will have more sales than you otherwise would.

Proofread everything you send out through email. Every single email and newsletter must be perfect. Send yourself a test email before dispatching your messages to customers to ensure that the layout and formatting is correct. Also, if you place links in your email, test them to make sure they work.

Provide your customers with useful tips or information in each marketing newsletter. Think of the newsletter as an opportunity to demonstrate your expertise in your field. Your customers will trust you more when they see how much you know and will be more likely to buy products or services from you.

Email is a great marketing tool, but it is not an arena where the hard sell is appreciated. Never pressure your subscribers into buying. Put sales pitches at the tail end of your emails, especially if your readers signed up with expectations of informative content. Consider email as a tool to cultivate interest, not instant sales.

The odds that your email subscribers will be reading your messages on a mobile device, such as a smartphone, are going up every day. Since the resolution is lower on these devices, you won’t have as much space. Find out how your messages look on these devices, and make any changes necessary to make them easy to read on small phone screens.

Tailor your emails and landing pages for mobile users as well as those using desktops. Keep in mind that smartphones have tiny screens that may not be compatible with the way you have your emails formatted. Trim the width so that your emails can be read by users without them having to re-size them.

For your email signature Creator campaigns to be truly effective, every message needs a clear call to action. For example, if you are promoting a new product then you should encourage customers to go directly to that product’s page. On the other hand, if you are promoting a new sale then you should clearly explain how customers can take advantage of that sale.

You might want to consider following up to your clients with some type of surprise bonus that you are providing them. Include a link on your email that tells them to click on it. The concluding postscript could inform them that they can get all the details on this by clicking on the provided link.

If you are following up with clients through an email, try following up with a press release concerning your company. Include a statement on your message that tells your clients to register on the below link. The concluding P.S. could tell them to view all the examples on the link that was provided in the email.

Try using A/B testing for your email signature Creator campaign. This basically entails creating two very different versions of the same email (A and B) and sending “A” to half of a small test group and “B” to the other half. Whichever half receives the most positive response is the one that you should be using for your campaign.

Before sending any promotional emails to customers or potential customers, be sure to get their permission for contact. Email is a powerful tool, and consumers hate when it is misused. Any email contact that isn’t initiated by the consumer feels to them like spam. Your customers must agree to receive additional emails from you, even if they have made purchases in the past.

The emails you send out as part of your marketing campaign should start out with a welcoming, personalized tone. Include the name of the recipient in the subject line and the opening of the message. This will make your customers feel more receptive to your message and be more likely to patronize your business.

When creating text for your email signature Creator campaign, make sure you use fonts that reflect the tone of what your email is trying to convey to the customer. This is important in providing the right emphasis, and it conveys the message clearly to the customer. This will work wonders in keeping the reader intrigued.

As you are utilizing engaging emails and targeting the right customers, make sure you are also soliciting feedback from them. Getting feedback from targeted customers is key to knowing what you can do to make your marketing strategies even better. This will help you be able to make your email signature Creator plan even more effective.

A big part of every good email signature Creator campaign is respect for your subscribers. One way you can demonstrate that respect is by making it as easy as possible for them to unsubscribe. You should, ideally, include an “unsubscribe” link with every message you send out. Losing a subscriber is a shame, but annoying one before they leave is downright dangerous!

You might want to consider following up to your clients by sending a follow-up email that includes a bad link correction. Attach a request on your email that says to read this. The ending postscript could inform them that they can get a sneak peak by clicking on the provided link.

Interacting with your customers and clients is the best way to get them to buy your products or services. A good email signature Creator plan can help you with that. Follow the tips in this article, and you will be able to convey information while building a relationship with your target market.

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Bob Marley and The Wailers – Could you be loved

Bob Marley and The Wailers – Could you be loved

Bob Marley and The Wailers - Could you be loved

As a poet, prophet and purveyor of Jamaican culture, he shattered musical boundaries around the world.

Bob Marley was born in a small village called Nine Miles in Jamaica. The son of British Naval Officer and Jamaican woman called Cedella, Marley rarely saw his father due to his mother’s family and their disapproval of his parents relationship.

By the time he had turned 16, Marley had recorded his first single ‘Judge Not’, and in 1963, he formed The Wailers with Peter Tosh, Bunny Livingstone, Junior Braithwaite, and Beverly Kelso. The band then scored their first number one in Jamaica with ‘Simmer Down’ on the Coxsone label.

When Braithwaite and Kelso left the group around 1965, the Wailers continued as a trio, Marley, Tosh, and Livingstone trading leads. In spite of the popularity of singles like ‘Rude Boy’, the artists received few or no royalties, and in 1966 they disbanded.

After marrying his girlfriend Rita Anderson, Marley spent most of the following year working in a factory in Newark in the United States, where his mother had moved in 1963. Upon his return to Jamaica, the Wailers reunited and recorded for Coxsone with little success. During this period, the Wailers devoted themselves to the religious sect of Rastafari.

In 1969, they began a three-year association with Lee “Scratch” Perry, who directed them to play their own instruments and expanded their line-up to include Aston and Carlton Barrett, formerly the rhythm section of Perry’s studio band, the Upsetters. Some of the records they made with Perry – like ‘Trenchtown Rock’ – were locally very popular, but so precarious was the Jamaican record industry that the group seemed no closer than before to establishing steady careers. It formed an independent record company, Tuff Gong, in 1971, but the venture foundered when Livingstone was jailed and Marley got caught in a contract commitment to American pop singer Johnny Nash, who took him to Sweden to write a film score.

Their breakthrough came in 1972 when Chris Blackwell – who had released ‘Judge Not’ in England in 1963 – signed the Wailers to Island Records and advanced them the money to record themselves in Jamaica. The first result of this new contract was 1973’s ‘Catch A Fire’, the breakthrough album that saw the band reach an international audience for the first time. It was followed a year later by Burnin’, which included the songs “Get Up, Stand Up” and “I Shot The Sheriff”.

The band toured heavily during this period, and Marley expanded the instrumental section of the group and bringing in a female vocal trio, the I-Threes, which included his wife, Rita. Now called Bob Marley and the Wailers, they toured Europe, Africa, and the Americas, building especially strong followings in the U.K., Scandinavia, and Africa. They had U.K. Top 40 hits with ‘No Woman No Cry’ (1975), ‘Exodus’ (1977), ‘Waiting in Vain’ (1977), and ‘Satisfy My Soul’ (1978).

In 1976, Marley was shot by gunmen during the Jamaican election campaign, but survived and continued to soar in popularity until his 1981 death due to brain, lung and stomach cancer. In 1987, both Peter Tosh and longtime Marley drummer Carlton Barrett were murdered in Jamaica during separate incidents. Rita Marley continues to tour, record, and run the Tuff Gong studios and record company.

Picture source…..foreverb.rxmedicalweb.netdna-cdn.com

Bio source……www.thebiographychannel.co.uk

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Dragon – Still In Love With You

Dragon – Still In Love With You

Dragon - Are You Old Enough

Dragon formed in Auckland, New Zealand, in 1972, with a line-up that featured Todd Hunter, guitarist Ray Goodwin, drummer Neil Reynolds and singer Graeme Collins; by 1974 several personnel changes had occurred including the introduction of Todd’s brother Marc Hunter on vocals and Neil Storey on drums.

The band recorded two progressive rock albums in New Zealand, Universal Radio and Scented Gardens for the Blind, the second with an added guitar element from Robert Taylor. Paul Hewson also joined the band on keyboards and from this point Dragon’s music took on a pop-flavoured AOR feel.

Dragon eventually landed a contract in Australia with CBS Records and relocated to Sydney in 1975.

Always a lightning rod for controversy, the band was rocked by the heroin overdose death of drummer Neil Storey only weeks after arriving in Australia and their original manager was also deported back to New Zealand on drugs charges. By then, founding member Ray Goodwin had left the group.

Storey was replaced by Kerry Jacobson and, between 1975 and 1979, Dragon scored a string of major hits on the Australasian pop charts with songs including “April Sun in Cuba,” “Are You Old Enough” and “Still in Love With You” and with the albums Sunshine and O Zambezi, making them one of the region’s most popular rock acts.

Marc Hunter left Dragon in 1979 due to health problems which were, by then, seriously affecting his performances. New singer Richard Lee was recruited and the group recorded the Powerplay LP before breaking up in 1979.

Dragon was forced to reform in 1982 to pay off outstanding debts, but they stayed together and decided to have another shot at success. The band’s second comeback single “Rain” proved to be a massive hit, but Kerry Jacobson left the band for health reasons and was replaced by British drummer Terry Chambers, formerly from the band XTC. American keyboard player and producer Alan Mansfield also joined the band at this point.

The group’s 1984 album Body and the Beat became one of the biggest-selling albums in Australia and New Zealand and the band was restored to something close to its late 70s glory. Their public profile was further raised at this time by the Marc Hunter solo album Communication. Its title track became a moderate hit in Australia.

Paul Hewson left Dragon and tragically died of a drug overdose in New Zealand in January 1985, with Terry Chambers and Robert Taylor leaving Dragon some time after. American drummer Doanne Perry replaced Chambers, and Taylor was eventually succeeded by local Sydney guitar ace Tommy Emmanuel.

This line-up recorded the Todd Rundgren-produced Dreams of Ordinary Men album and toured Europe under the name Hunter in 1987, where they were somewhat misrepresented as a heavy metal band in some markets.

Dragon again split up in 1988 although a year later Todd and Marc Hunter and Alan Mansfield reconvened once again with guitarist Randall Waller and drummer Barton Price (ex-Models and The Choirboys) for the 1989 Bondi Road album, which actually featured Tommy Emmanuel’s guitar playing.

Dragon continued to record and tour with varying line-ups centered around the Hunter brothers and Mansfield until 1997, although Todd Hunter had largely retired from the band to do soundtrack work.

In 1998, Marc Hunter was diagnosed with severe throat cancer and died later that year. The compilation CD Forever Young, released on Raven Records, captures many of the highlight tracks of his tumultuous career.

Bio source…..www.last.fm

Picture source…..www.thestarfish.com.au

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