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A musical parodist in the broad, juvenile yet clever tradition of Mad magazine, “Weird Al” Yankovic is known for adding his own gently satirical lyrics to current hit songs. His shaggy, hangdog appearance, affection for slapstick, and amiable willingness to do seemingly anything for a laugh made him a natural for videos. His burlesques of the form and its artistes — especially of Michael Jackson in “Eat It” (from “Beat It”) (#12, 1983) and “Fat” (from “Bad”) (#99, 1988) — became MTV staples. His medleys of rock tunes given the polka treatment inspired rumors —untrue — that Yankovic was a member of the singing Yankovic family, who made polka and Western swing records in the 1940s. Regardless of his heritage, Yankovic is undoubtedly the most successful comedy recording artist, with more than 11 million albums sold.
Yankovic, a high school valedictorian and architecture student, got his start I 1979, when he sent his “My Bologna” — a parody of the Knack’s “My Sharona” — to Dr. Demento, a syndicated radio host specializing in novelty songs and curiosities. Recorded in a bathroom across the hall from his college radio station with only his accordion and vocal, the song was popular enough with Demento’s audience for Capitol (the Knack’s label) to release it as a single. His next parody, “Another One Rides the Bus” (based on Queen’s “Another One Bites the Dust”), became the most requested song in the first decade of the Dr. Demento show.
Yankovic signed with Rock ‘n’ Roll Records (a CBS subsidiary), which not only gave him access to better recording facilities and the production expertise of Rick Derringer but the financial backing for the video of “Ricky” (#63, 1983). A combination parody of Toni Basil’s hit single and video “Mickey” and homage to TV’s I Love Lucy, “Ricky” was the first of a string of videos that skewered the music, its creators, and its audience, not to mention pop culture in general. While often hilariously hamfisted, Yankovic’s takeoffs — such as “I Lost on Jeopardy” (#81, 1984) from “Weird Al” Yankovic in 3-D (#81, 1984), which rewrote Greg Kihn’s “Jeopardy”; “Like a Surgeon” (#47, 1985), which tackled Madonna’s “Like a Virgin,” from Dare to Be Stupid (#50, 1985) — made their creator and star as much a rock celebrity as his targets. In fact, the longevity of Yankovic’s career has surpassed several of the artists’ whose songs he has parodied. Nearly half the songs on any of his albums were comedic originals, although only his biggest fans seemed to be aware of “Weird Al” the songwriter. But his lyric rewriting earned him eight Grammy nominations, including two wins.
In 1985 Yankovic released a video collection of his parodies, The Compleat Al. That same year MTV produced an occasional series starring Yankovic as the host of Al TV, wherein he spoofed current videos. In 1989 he wrote and starred in the movie UHF; costarring a pre-Seinfeld Michael Richards, UHF did poorly in the theater but later found new life as a cultish video hit.
Polka Party! (#177, 1986), which relied more on music than on videos, stiffed. Even Worse (#27, 1988) marked Al’s return to rock video, and Michael Jackson. For “Fat,” a grossly, literally overinflated Yankovic donned a leather outfit that copied Jackson’s on the cover and video of Bad down to the last buckle. Jackson not only gave his approval for Yankovic’s versions, he lent the subway set used in “Bad” for the “Fat” video.
In 1988 Yankovic collaborated with avant-garde synthesizer artist Wendy Carlos on recorded versions of the classical pieces Peter and the Wolf and Carnival of the Animals Part II. In 1992 Yankovic turned his eye to another musical trend, grunge, specifically Nirvana. “Smells Like Nirvana” (#35, 1992) took on the Seattle band’s image and garbled lyrics, with the accompanying video again using the original set, this time adding cows and Dick Van Patten, wile the cover of Off the Deep End (#17, 1992) had Yankovic replacing the swimming baby picture on Nevermind, his gaze focused not on a dollar bill but a donut. He also mocked the traveling summer tour Lollapalooza with his 1993 album, Alapalooza (#46), which featured “Bedrock Anthem,” a combination takeoff of the Red Hot Chili Peppers’ “Under the Bridge” and “Give it Away” as well as the classical cartoon series The Flintstones. In 1996 he wrote the theme song for the movie satire Spy Hard, as well as designed the opening credits and appeared as himself in the film.
The same year, Yankovic released Bad Hair Day, which rose to #14 thanks to the success of its first single and video, “Amish Paradise,” a takeoff on rapper Coolio’s Gangsta’s Paradise” (itself a rewrite of Stevie Wonder’s “Pastime Paradise”). The album cover even mimicked the rapper’s hairstyle. While Yankovic always prided himself on getting permission to parody, this time there was a miscommunication between the artists’ record companies’ Yankovic was told Coolio was fine with the idea, but when the album was released, Coolio claimed he never consented. Yankovic sent a letter of apology and vowed not to accept agreement from anyone but the artists themselves.
After being the subject of the Disney Channel mockumentary special “Weird Al” Yankovic: There’s No Going Home in 1996, the entertainer hosted the Pee-wee’s Playhouse-esque Weird Al Show on CBS’ Saturday-morning lineup in 1997 and 1998. He was frustrated by the network’s lack of support for his tongue-in-cheek humor, and the show was canceled after one season. Yankovic seemingly disappeared for a time in 1998; when he re-emerged without his trademark mustache and glasses — besides shaving, he’d gotten laser eye surgery — he was unrecognizable. His 1999 release, Running with Scissors, peaked at #16, due to the well-timed single “The Saga Begins,” a rundown of the current Star Wars movie The Phantom Menace sung to the tune of Don McLean’s “American Pie.” Even the official Star Wars Web site plugged Yankovic’s album, whose release was also timed to the premiere of his Behind the Music episode on VH1. In 2000 Yankovic contributed the original “Polkamon” to the soundtrack of the kids’ flick Pokémon 2000: The Movie.
While Yankovic and his band (bassist Steve Jay, drummer Jon “Bermuda” Schwartz, guitarist Jim West, and keyboardist Ruben Valtierra) are often not taken seriously, they are able to play the original songs they parody note-for-note, both in the studio and on tour, making them a great cover band, Yankovic has also tried his hand at directing music videos, both his own and for other artists, including country comedian Jeff Foxworthy, the Jon Spencer Blues Explosion, Hanson, and the Black Crowes.
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Meaning:
Accepting something difficult or unpleasant.
Most say it came from …
When engaged in war there are times when emergency surgery is needed: Legs have to come off or deeply-buried bullets need to come out. And sometimes, there’s no time for anesthesia when the Nazis are bearing down.
So, rather then stabbing a patient in the arm to distract him from the saw going through his foot, the surgeon would supposedly shove a bullet in his mouth and ask him to bite down. Of course, you could use a belt or shirt but even in the throes of death it’s important for a man to look like a badass. Thus, “Bite the bullet.”
So is that true?
All signs point to yes. And thank God for that, as we would hate to think that a soldier being operated on with no medication in the middle of a battle is some kind of cloth biter.
But, notice how we said “All signs point to yes” and not a definitive “yes.” Nailing down the origins of these sayings is an inexact science. The only other popular theory has to do with the preparation of bullet before firing (in old carbine rifles, you had to bite a paper cap off the cartridge so the spark could reach the gun powder).
That one would of course make no sense, since no one would equate that task with resolutely doing something unpleasant. You might as well say it’s about that dude who claimed to catch bullets out of the air in his teeth. In fact, let’s just go with that one.
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UB40 are a British reggae/pop band formed in 1978 in Birmingham, England. The band has placed more than 50 singles in the UK Singles Chart, and has also achieved considerable international success. The band has been nominated for the Grammy Award for Best Reggae Album four times, and in 1984, they were nominated for the Brit Award for Best British Group. One of the world’s best-selling music artists, UB40 have sold over 70 million records. Their hit singles include their debut “Food for Thought” and two U.S. Billboard Hot 100 number ones with “Red Red Wine” and “Can’t Help Falling in Love”. Both of these also topped the UK Singles Chart, as did the band’s version of “I Got You Babe”.
The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.
By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a “jazz-dub-reggae” band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned secondhand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.
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1 tsp chipotle paste or 1 tsp smoked hot paprika (pimentón)
1 tsp ground cumin
700ml chicken stock
250g chopped tomatoes, from a can
200g large peeled raw prawns
300g halibut or other firm white fish fillets, cut into 2½ cm pieces
300g clams
500g small new potatoes, halved and boiled
juice 2 limes
To serve
lime wedges
1 avocado, chopped
handful coriander leaves
1 small red onion, finely diced
corn tortillas, sliced and baked
Method
Toast the chillies in a hot dry frying pan for a few moments (they will puff up a bit), then remove. Deseed and stem chillies, and soak in boiling water for 15 mins.
Heat the olive oil in a large saucepan over a medium heat. Add the onion and garlic, season and cook for about 5 mins or until softened. Add the chipotle paste, reconstituted chillies, cumin, stock and tomatoes. Sauté for 5 mins, then purée until very fine in a blender. Pour back into the pan and bring to the boil. Reduce the heat and simmer for 10 mins. When close to eating, add the prawns, fish fillets, clams and potatoes. Place a lid on top and cook for 5 mins over a medium-high heat. Add the lime juice and serve with lime wedges, avocado, coriander, red onion and tortilla chips for sprinkling over.
Little Red Riding Hood – Sam the Sham and the Pharaohs
Sam the Sham and The Pharaohs were a 60s Tex-Mex rock ‘n’ roll band. The group was formed by lead singer Domingo “Sam” Samudio in 1961 in Dallas, Texas, USA. The other original members were Carl Medke, Russell Fowler, Omar “Big Man” Lopez, and Vincent Lopez. The original line-up only recorded one record which failed to sell. They broke up in late 1962. Samudio went on to become an organist for the rock group Andy and the Knight riders.
Samudio resurrected The Pharaohs in 1963. The new line-up was Samudio (vocals/organ), Dave Martin (bass), Ray Stinnet (guitar), Jerry Patterson (drums), and Butch Gibson (saxophone). They made their debut with the novelty number “Haunted House” and signed up with the MGM music label. The follow-up songs “Ju Ju Hand” and “Ring Dang Do” were minor chart successes. The band scored their greatest smash hit with the wonderfully raucous “Wooly Bully,” which sold over three million copies and stayed on the Billboard Top 40 charts for 18 weeks (the song peaked at #2 on the pop charts). “Wooly Bully” was named Record of the Year for 1965 by “Billboard” magazine. The bubbly “Li’l Red Riding Hood” likewise did very well; it peaked at #2 on the Billboard pop charts for two weeks straight. The group went on to record more enjoyably frothy novelty singles, but none of them were as successful as either “Wooly Bully” or “Li’l Red Riding Hood.” The band appear as themselves in the musical When the Boys Meet the Girls (1965). Sam the Sham and The Pharaohs disbanded in 1967.
A true rock ‘n’ roll classic, “Wooly Bully” was featured on the soundtracks to the films Wild Country (2005), Mistah (1994), Full Metal Jacket(1987), Baby It’s You (1983), and More American Graffiti (1979). Domingo Samudio went on to contribute two self-penned songs for the soundtrack to The Border (1982), starring Jack Nicholson. Samudio is now a motivational speaker who still makes occasional live concert appearances as well as continues to write both songs and poetry.
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375g pack ready rolled puff pastry, thawed if frozen
6 tbsp ready made pasta sauce (not too chunky)
100g wafer thin ham
100g mature cheddar, grated
1 egg, beaten
1 tsp dried oregano or mixed herbs
Method
Preheat oven to fan 180C/conventional 200C/gas 6. Unroll the pastry onto a lightly floured surface and roll it out to 40 x 32cm. Spread a layer of pasta sauce over it, leaving a 1cm border around the edges. Arrange the ham evenly on top, then scatter the grated cheese over.
Starting at one of the short ends, roll the pastry up as tightly as possible. Chill in the fridge for 10 minutes or so.
Take a very sharp knife and cut the roll into 12 equal slices, laying them flat on 2 non-stick baking trays as you go. Brush each pinwheel lightly with beaten egg and sprinkle over the herbs. Bake for 12-15 minutes until puffed and golden. Leave to stand for 5-10 minutes before serving.
