Created by puppet pioneer Jim Henson and hosted by a showbiz-savvy frog named Kermit, The Muppet Show debuted on TV in September 1976 and was an instant hit with kids, college students, even grumpy old men. The weekly comedy-variety show featured Kermit, Miss Piggy, Fozzie, and their fellow Muppets rubbing elbows with special guests, including the biggest pop stars of the day.
At its peak, each episode of The Muppet Show went out to 235 million people in over 200 countries. The last of the original 120 shows aired in 1981, but by then The Muppets were already big-time movie stars, thanks to The Muppet Movie. Henson and company followed up with big-screen adventures like The Great Muppet Caper (1981), Muppets Take Manhattan (1984), Muppet Christmas Carol (1992), Muppet Beach Party (1993), Muppet Treasure Island (1996), and Muppets From Space (1999) — each with an accompanying soundtrack album. The Muppets’ most recent album, Kermit Unpigged, featured Kermie and friends riding the unplugged wave and singing duets with the likes of Ozzy Osbourneand Linda Ronstadt.
The first images and synopsis for Wolves are now available. David Hayter (X-Men, X2 writer) makes his directorial debut in this clash of werewolf clans starring Jason Momoa
(Game of Thrones) and Lucas Till (X-Men: First Class). Till stars as Cayden Richards, an 18-year-old who runs away from his perfect life when he turns into a werewolf and slaughters his family. Cayden makes it to the town of Lupine Ridge, where the alpha-wolf Connor and the aging John Tollerman vie for control.
Steve recently had the opportunity to interview make-up supervisor Dave Elsey (X-Men: First Class) who will also be working on Wolves; he calls it “very violent and bloody.”Wolves is currently filming. Hit the jump to see the images and read the synopsis.
Synopsis:
Cayden Richards, 18, has it all: Captain of the high school football team; straight-A student; gorgeous girlfriend. But when he wakes one dark night to find his parents brutally murdered, he is horrified to realize that he is turning into an animal: a wild, savage wolf.
Panicked, Cayden runs, determined to find out what is happening to him. His quest leads him to the strange, isolated town of Lupine Ridge, where two clans of wolves are on the brink of war.
The opposing clans are lead by Connor, the powerful, pure-blood alpha of a savage pack and John Tollerman, an old farmer, committed to protecting the human citizens of Lupine Ridge. But when Cayden falls for Angelina, the beautiful, young mate promised to Connor, a battle to the death is inevitable.
And as the past begins to reveal itself, Cayden’s place in the world becomes clearer – as does his power to put an end to the savage violence building up around and within him…
An engrossing amalgamation of such disparate musical styles as swing, jive, blues and hip-hop, Royal Crown Revue were one of the original instigators of the new swing revival of the mid-90s. Royal Crown Revue had come to prominence at ‘swing-dancing’ engagements in their native Los Angeles, California, USA, including a two-year weekly run at The Derby club, centre point of the whole scene. Their popularity eventually caught the attention of industry executives, with Warner Brothers Records winning the race to sign them.
Royal Crown Revue was formed in 1989 by Eddie Nichols (vocals), Mando Dorame (tenor saxophone), James Achor (guitar), Veikko Lepisto (bass), Daniel Glass (drums), Bill Ungerman (baritone saxophone) and Scott Steen (trumpet). They debuted in 1991 with Kings Of Gangster Bop, which sold strongly on the strength of their passionate, swinging and sharp-suited live performances. Their residency at The Derby, which began in 1993, attracted one particularly important admirer. The director Chuck Russell asked the band to recreate their stage show for his 1994 hit movie The Mask. Their performance of ‘Hey Pachuco!’ endeared them to a whole new audience, and the song was also reprised in front of millions of Americans when figure skater Kurt Browning used it as the musical accompaniment to his programme in 1996. Royal Crown Revue’s performance also served as an inspiration for the movie Swingers, helping popularise the new swing revival.
Their major label debut Mugzy’s Move, a Ted Templeman production, showcased the band’s intricate musicianship and seemingly limitless depth of energy. The set included revisions of Bobby Darin’s ‘Beyond The Sea’ and Willie Dixon’s ‘Honey Child’. Further evidence of the band’s potential for crossover appeal came later that year with the announcement of support dates for bills headed by Jerry Lee Lewis and Porno For Pyros. A compelling independent live recording preceded their second major label release, The Contender, considered by many critics to be the apogee of the new swing movement. Following the album’s release Royal Crown Revue left Warners to sign a new recording contract with punk imprint Side One Dummy. They debuted for the label with 1999’s Walk On Fire.
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Actor, director, author, singer William Shatner was born on March 22, 1931, in Montreal, Canada. Best known for his roles on Boston Legal and Star Trek, Shatner is one of the most recognizable stars working today.
His distinctive voice and cadence have been the subject of many imitations, spoofs, and parodies—all contributing to his status as a pop icon and endearing him to his fans. In addition to being an Emmy Award-winning actor, he has also written numerous books, directed several projects, and even recorded a few albums.
Shatner started his career as a child performer in radio programs for the Canadian Broadcasting Corporation. As a student at McGill University, he continued to pursue acting. Shatner spent his summers performing with the Royal Mount Theater Company. He graduated from the university in 1952 and joined the National Repertory Theater of Ottawa. Working with Sir Tyrone Guthrie, Shatner also appeared in productions at the Stratford.
Rise to Fame
In 1956, Shatner made his Broadway debut in Tamburlaine the Great, which was directed by Guthrie. He also found work in the emerging medium of television, appearing on such shows as theGoodyear Television Playhouse, Studio One, and Playhouse 90. Playing one of the title characters, Shatner made his film debut in 1958’s The Brothers Karamazov with Yul Brynner. That same year, he returned to Broadway for a two-year run in The Secret Life of Suzie Wong. He won the 1959 Theatre World Award for his performance.
In 1961, Shatner had a small part in the Holocaust drama Judgment at Nuremberg (1961), playing an army captain. He had a lead part inThe Intruder (1962) as a racist who fought against school integration. On the small screen, Shatner had his first television series, For the People, in 1965. He starred on the short-lived drama as an assistant district attorney in New York City.
The following year, Shatner took on the role that made him famous around the world. As Captain James T. Kirk on Star Trek, he commanded the U.S.S. Enterprise, a starship traveling through space in the twenty-third century. Kirk encountered all sorts of unusual aliens and challenging situations during his journeys. Accompanying him on these adventures was his loyal crew, which included first officer Mr. Spock (Leonard Nimoy) and medical officer Dr. Leonard “Bones” McCoy (DeForest Kelley). The science fiction series created by Gene Roddenberry premiered on September 8, 1966, and lasted for three seasons.
Television Roles
During the run of the show, Shatner also made an unusual career move. He recorded an album, The Transformed Man (1968), which featured spoken word versions of contemporary pop hits.
When you acquire a photograph of the bulb with a more compact gentle resource, these as an LED or even a tiny flashlight, guiding it, the bulb will show up to be on even though it is unattached to any electrical power supply.
When the just about 300 pages of directions and rules current the several distinctive impact strategies in a pleasant method, the e-book is not normally “gentle” to go through. It is, even so, incredibly partaking, and the way in which the freeze movement photos and dynamic variety landscape pictures are introduced can make a long lasting effect on even some of the most experienced photographers.
If you pick out the shadow as a main element of the impression, the picture will get a experience of mysterious or puzzling, because the viewer is bound to be full of curiosity to the shadow and want to get the information you want to convey. Far too summary shadows will expire quickly, so it is not an ideal concept.
This has all the things you could possibly will need as a professional photographer or graphic artist. It sells for about $seven-hundred on their website, but it’s presented for half that by some suppliers and may possibly provide a no cost trial edition.
With all of the distinctive image editing software and programs conveniently available these days, it is easier than at any time to incorporate excellent distinctive results and Trick photography Tutorials illusions to your favored shots to give them an “otherworldly” charm.
By lessening the shutter pace on your digital camera and using it in a night setting alongside with a flashlight, you can make some seriously intriguing and interesting distinctive consequences.
There are endless variation you can consider to make intriguing images, these types of as making yourself appear taller than a making, holding up a man or woman with your bare palms, interact with an impossibly big object, and a lot more.
Te Runanga a Rangitane O Wairau was first established in 1861 by leading Rangitane of the time as a forum for representing the land issues arising from landlessness amongst the Maori of Marlborough. Since then Te Runanga a Rangitane O Wairau (referred to as The Runanga) has continued to provide representation for Rangitane Iwi members and advocate on a range of social and political issues affecting Maori – particularly Rangitane.
The main administrative base for the Runanga is located in the CBD of Blenheim on the fourth floor of what was formally the Blenheim Post Office. The Runanga is the mandated Iwi authority for the South Island section of Rangitane Iwi under an array of statutes and regulations, providing management services for the small parcel of commercial and customary fisheries and some lesser services under minor enactments, claims settlements and discrete social services .
Rangitane’s vision for the future is to be a dynamic, effective, successful and profitable organisation working proactively and collegially with Government, community agencies and other Iwi across the region and Te Waipounamu. Rangitane will be committed to the development and promotion of honesty, integrity, and within a Maori context aspire to be the Iwi of the first choice within Marlborough for those individuals and agencies seeking to engage with creditable and competent Maori cultural perspective.
Our ability to endure all manner of deprivation over the last century has been due to a strong belief in our identity as Rangitane. There are approximately 1400 members currently registered as members of Te Runanga a Rangitane O Wairau, and it is expected that this will increase by 45% over the next three years.
As a consequence of this the most precious asset that will require nurturing and development in the future is that of our membership.
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A musical parodist in the broad, juvenile yet clever tradition of Mad magazine, “Weird Al” Yankovic is known for adding his own gently satirical lyrics to current hit songs. His shaggy, hangdog appearance, affection for slapstick, and amiable willingness to do seemingly anything for a laugh made him a natural for videos. His burlesques of the form and its artistes — especially of Michael Jackson in “Eat It” (from “Beat It”) (#12, 1983) and “Fat” (from “Bad”) (#99, 1988) — became MTV staples. His medleys of rock tunes given the polka treatment inspired rumors —untrue — that Yankovic was a member of the singing Yankovic family, who made polka and Western swing records in the 1940s. Regardless of his heritage, Yankovic is undoubtedly the most successful comedy recording artist, with more than 11 million albums sold.
Yankovic, a high school valedictorian and architecture student, got his start I 1979, when he sent his “My Bologna” — a parody of the Knack’s “My Sharona” — to Dr. Demento, a syndicated radio host specializing in novelty songs and curiosities. Recorded in a bathroom across the hall from his college radio station with only his accordion and vocal, the song was popular enough with Demento’s audience for Capitol (the Knack’s label) to release it as a single. His next parody, “Another One Rides the Bus” (based on Queen’s “Another One Bites the Dust”), became the most requested song in the first decade of the Dr. Demento show.
Yankovic signed with Rock ‘n’ Roll Records (a CBS subsidiary), which not only gave him access to better recording facilities and the production expertise of Rick Derringer but the financial backing for the video of “Ricky” (#63, 1983). A combination parody of Toni Basil’s hit single and video “Mickey” and homage to TV’s I Love Lucy, “Ricky” was the first of a string of videos that skewered the music, its creators, and its audience, not to mention pop culture in general. While often hilariously hamfisted, Yankovic’s takeoffs — such as “I Lost on Jeopardy” (#81, 1984) from “Weird Al” Yankovic in 3-D (#81, 1984), which rewrote Greg Kihn’s “Jeopardy”; “Like a Surgeon” (#47, 1985), which tackled Madonna’s “Like a Virgin,” from Dare to Be Stupid (#50, 1985) — made their creator and star as much a rock celebrity as his targets. In fact, the longevity of Yankovic’s career has surpassed several of the artists’ whose songs he has parodied. Nearly half the songs on any of his albums were comedic originals, although only his biggest fans seemed to be aware of “Weird Al” the songwriter. But his lyric rewriting earned him eight Grammy nominations, including two wins.
In 1985 Yankovic released a video collection of his parodies, The Compleat Al. That same year MTV produced an occasional series starring Yankovic as the host of Al TV, wherein he spoofed current videos. In 1989 he wrote and starred in the movie UHF; costarring a pre-Seinfeld Michael Richards, UHF did poorly in the theater but later found new life as a cultish video hit.
Polka Party! (#177, 1986), which relied more on music than on videos, stiffed. Even Worse (#27, 1988) marked Al’s return to rock video, and Michael Jackson. For “Fat,” a grossly, literally overinflated Yankovic donned a leather outfit that copied Jackson’s on the cover and video of Bad down to the last buckle. Jackson not only gave his approval for Yankovic’s versions, he lent the subway set used in “Bad” for the “Fat” video.
In 1988 Yankovic collaborated with avant-garde synthesizer artist Wendy Carlos on recorded versions of the classical pieces Peter and the Wolf and Carnival of the Animals Part II. In 1992 Yankovic turned his eye to another musical trend, grunge, specifically Nirvana. “Smells Like Nirvana” (#35, 1992) took on the Seattle band’s image and garbled lyrics, with the accompanying video again using the original set, this time adding cows and Dick Van Patten, wile the cover of Off the Deep End (#17, 1992) had Yankovic replacing the swimming baby picture on Nevermind, his gaze focused not on a dollar bill but a donut. He also mocked the traveling summer tour Lollapalooza with his 1993 album, Alapalooza (#46), which featured “Bedrock Anthem,” a combination takeoff of the Red Hot Chili Peppers’ “Under the Bridge” and “Give it Away” as well as the classical cartoon series The Flintstones. In 1996 he wrote the theme song for the movie satire Spy Hard, as well as designed the opening credits and appeared as himself in the film.
The same year, Yankovic released Bad Hair Day, which rose to #14 thanks to the success of its first single and video, “Amish Paradise,” a takeoff on rapper Coolio’s Gangsta’s Paradise” (itself a rewrite of Stevie Wonder’s “Pastime Paradise”). The album cover even mimicked the rapper’s hairstyle. While Yankovic always prided himself on getting permission to parody, this time there was a miscommunication between the artists’ record companies’ Yankovic was told Coolio was fine with the idea, but when the album was released, Coolio claimed he never consented. Yankovic sent a letter of apology and vowed not to accept agreement from anyone but the artists themselves.
After being the subject of the Disney Channel mockumentary special “Weird Al” Yankovic: There’s No Going Home in 1996, the entertainer hosted the Pee-wee’s Playhouse-esque Weird Al Show on CBS’ Saturday-morning lineup in 1997 and 1998. He was frustrated by the network’s lack of support for his tongue-in-cheek humor, and the show was canceled after one season. Yankovic seemingly disappeared for a time in 1998; when he re-emerged without his trademark mustache and glasses — besides shaving, he’d gotten laser eye surgery — he was unrecognizable. His 1999 release, Running with Scissors, peaked at #16, due to the well-timed single “The Saga Begins,” a rundown of the current Star Wars movie The Phantom Menace sung to the tune of Don McLean’s “American Pie.” Even the official Star Wars Web site plugged Yankovic’s album, whose release was also timed to the premiere of his Behind the Music episode on VH1. In 2000 Yankovic contributed the original “Polkamon” to the soundtrack of the kids’ flick Pokémon 2000: The Movie.
While Yankovic and his band (bassist Steve Jay, drummer Jon “Bermuda” Schwartz, guitarist Jim West, and keyboardist Ruben Valtierra) are often not taken seriously, they are able to play the original songs they parody note-for-note, both in the studio and on tour, making them a great cover band, Yankovic has also tried his hand at directing music videos, both his own and for other artists, including country comedian Jeff Foxworthy, the Jon Spencer Blues Explosion, Hanson, and the Black Crowes.
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The spoof by three Auckland University law students titled “Defined Lines” satirises Thicke’s song with a music video that uses bare-chested males in submissive poses, instead of the topless female models featured in the original version.
The clip posted by the Auckland Law Review has racked up almost 600,000 hits on YouTube and with reposts from other users is approaching the one million mark.
The number of views has almost doubled since the video was pulled from the website on Monday for “sexually inappropriate content”, then allowed back up less than 24 hours later after YouTube admitted it had made a mistake.
Thicke’s song contains the refrain “I hate these blurred lines/ I know you want it” and has been condemned by critics who say the lyrics refer to the issue of sexual consent.
It gained further notoriety when Miley Cyrus sang it with Thicke at last week’s MTV awards, accompanied by gyrating “twerking” dance moves from the former Disney child star.
The New Zealand parody takes aim at pop videos that objectify women, with students Zoe Ellwood, Olivia Lubbock and Adelaide Dunn singing: “What you see on TV/ Doesn’t speak equality/ It’s straight up misogyny.”
Rather than playing up to the air-headed female stereotypes often seen in music videos, the trio proudly declare “We are scholastic/ Smart and sarcastic” and urge listeners to “resist chauvinism”.
“The message really is just that we think that women should be treated equally, and as part of that, we’re trying to address the culture of objectifying women in music videos,” Lubbock told New Zealand Newswire.
She said she was surprised when the video was taken down.
Thicke’s video, complete with topless cavorting models, remains on the website and has more than 17 million hits, with users needing to sign in to verify their age before viewing it.
“It’s just funny that the response has been so negative when you flip it around and objectify males,” Lubbock said.
She was not the only one nonplussed at the decision to remove the video, with British author Caitlin Moran pointing out the inconsistency of banning it for alleged indecency while leaving Thicke’s video online.
