U2 – Where The Streets Have No Name

U2 – Where The Streets Have No Name

U2 - Where The Streets Have No Name

One of only a few bands to achieve consistent commercial and critical success across three decades, U2 has charted success on its own terms on both the artistic and business sides of the music industry. From the band’s earliest days in Dublin, Ireland, to the present, U2 has broken free from the traditional limitations of what a rock band — and rock music — could and couldn’t do. By combining an original sound with honest lyrics and a challenging social message, U2 has earned the respect of their peers and critics, and an almost fanatical following of fans around the world. This is their story.

U2 formed in Dublin in the fall of 1976 after 14-year-old Larry Mullen, Jr. posted a note on the bulletin board at his high school seeking musicians for a new band. From the group of hopefuls that showed up at Mullen’s home that first day, a five-piece known originally as “Feedback” formed with Mullen (born October 31, 1961) on drums, Adam Clayton (born March 13, 1960) on bass, Paul Hewson (later nicknamed “Bono Vox” and eventually just “Bono”, born May 10, 1960) on vocals, and Dave Evans (later nicknamed “The Edge”, born August 8, 1961) on guitar. Dave’s brother, Dick, also played guitar for a while, but left Feedback very early on to join another Dublin band, the Virgin Prunes.

Feedback quickly changed their name to “The Hype,” and began rehearsing on weekends and after school as often as possible, forming genuine friendships and developing an undeniable chemistry in the process. After nearly 18 months of rehearsing, the band’s big break came at a talent show in Limerick, Ireland, in March, 1978. With CBS Records’ Jackie Hayden judging, U2 (they had just changed their name again) won the contest, earning a £500 prize and studio time to record their first demo.

Bio source…..www.atu2.com

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Rock The Boat – The Hues Corporation

Rock The Boat – The Hues Corporation

Rock The Boat - The Hues Corporation

Formed in 1969 in Los Angeles, California, USA. Their name was taken as a pun on the Howard Hughes billion-dollar corporation. They had been performing for five years when their biggest hit, ‘Rock The Boat’, arrived.

The vocal trio consisted of Hubert Ann Kelly (24 April 1947, Fairchild, Alabama, USA; soprano), St. Clair Lee (b. Bernard St. Clair Lee Calhoun Henderson, 24 April 1944, San Francisco, California, USA; baritone) and Fleming Williams (b. Flint, Michigan, USA; tenor). Their first record, ‘Goodfootin’’, was recorded for Liberty Records in 1970 but failed to hit.

They signed with RCA Records in 1973 and made the charts with a song called ‘Freedom For The Stallion’. ‘Rock The Boat’, originally a forgotten album track, was released in 1974 as the next single and reached number 1 in the US pop charts and number 6 in the UK, becoming one of the first significant disco hits. Tommy Brown (b. Birmingham, Alabama, USA) replaced Williams after the single hit and their only other chart success came later that same year with ‘Rockin’ Soul’, which peaked at number 18 in the US chart and reached the Top 30 in the UK.

The group continued to record into the late 70s, but they were unable to repeat their earlier success. However, in 1983 ‘Rock The Boat’ made another chart appearance when Forrest took the single to the UK Top 5 position.

Bio source…..www.oldies.com

Picture source…..www.soulwalking.co.uk

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RUN-DMC – It’s Tricky

RUN-DMC – It’s Tricky

RUN-DMC vs Jason Nevins - It's Like That

Darryl McDaniels or “DMC” as most of the world knows him, first made his start in the music business as one third of the ground breaking rap group Run-DMC and quickly became the most popular in terms of fans and influence. He has been in the public eye for the past 20 years, since forming the now legendary, defunct group, RUN-D.M.C with Joseph (Rev. Run) Simmons and the late, great Jason (Jam Master Jay) Mizell. Also one of the founding members of this multi-platinum music group, selling over 30 million singles and albums worldwide, it would be hard to overstate his influence on popular culture. He helped transform Rap and Hip Hop into the most popular music in the world, while building a fan base that rivals the biggest acts in Rock ‘n’ Roll.

As the first and greatest of Hip Hop’s superstars, Run-DMC succeeded beyond anyone’s wildest dreams – their own included – by embodying for the world endlessly creative subculture of young black New York. They were the first rappers to earn a gold album, the first to earn a platinum album, the first to go multi-platinum, the first to have their videos played on MTV, the first to appear on American Bandstand and Saturday Night Live, and the first rap band to grace the cover of Rolling Stone and Spin.

DMC has recently added another list of firsts to his life – his first book entitled “King of Rock: Respect, Responsibility and My Life with Run-DMC” (St. Martins). The book, written by DMC with Bruce Haring with the forward by rapper/actor Will Smith, offers a flavored tale of his rise within the music business while stressing the importance of respect and responsibility in today’s society. It has received rave reviews nationwide. Entertainment weekly called it “strangely compelling, bravely honest… plenty of entertaining anecdotes about life back in the day to keep you turning the pages. Like Will Smith, McDaniels is a born charmer.” Publisher’s Weekly says the book is “hard hitting yet sensitive… he (McDaniiels) argues astutely that ‘very few of the rappers will admit they’re creating a fictional character,’ and thereby create problems for themselves.”
In addition to the new book, DMC released his own musical project entitled Checks, Thugs, Rock-N-Roll.

Bio and picture source…..rundmc.com

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Bob Marley and The Wailers – Buffalo Soldier

Bob Marley and The Wailers – Buffalo Soldier

Bob Marley and The Wailers - Buffalo Soldier

As a poet, prophet and purveyor of Jamaican culture, he shattered musical boundaries around the world.

Bob Marley was born in a small village called Nine Miles in Jamaica. The son of British Naval Officer and Jamaican woman called Cedella, Marley rarely saw his father due to his mother’s family and their disapproval of his parents relationship.

By the time he had turned 16, Marley had recorded his first single ‘Judge Not’, and in 1963, he formed The Wailers with Peter Tosh, Bunny Livingstone, Junior Braithwaite, and Beverly Kelso. The band then scored their first number one in Jamaica with ‘Simmer Down’ on the Coxsone label.

When Braithwaite and Kelso left the group around 1965, the Wailers continued as a trio, Marley, Tosh, and Livingstone trading leads. In spite of the popularity of singles like ‘Rude Boy’, the artists received few or no royalties, and in 1966 they disbanded.

After marrying his girlfriend Rita Anderson, Marley spent most of the following year working in a factory in Newark in the United States, where his mother had moved in 1963. Upon his return to Jamaica, the Wailers reunited and recorded for Coxsone with little success. During this period, the Wailers devoted themselves to the religious sect of Rastafari.

In 1969, they began a three-year association with Lee “Scratch” Perry, who directed them to play their own instruments and expanded their line-up to include Aston and Carlton Barrett, formerly the rhythm section of Perry’s studio band, the Upsetters. Some of the records they made with Perry – like ‘Trenchtown Rock’ – were locally very popular, but so precarious was the Jamaican record industry that the group seemed no closer than before to establishing steady careers. It formed an independent record company, Tuff Gong, in 1971, but the venture foundered when Livingstone was jailed and Marley got caught in a contract commitment to American pop singer Johnny Nash, who took him to Sweden to write a film score.

Their breakthrough came in 1972 when Chris Blackwell – who had released ‘Judge Not’ in England in 1963 – signed the Wailers to Island Records and advanced them the money to record themselves in Jamaica. The first result of this new contract was 1973’s ‘Catch A Fire’, the breakthrough album that saw the band reach an international audience for the first time. It was followed a year later by Burnin’, which included the songs “Get Up, Stand Up” and “I Shot The Sheriff”.

The band toured heavily during this period, and Marley expanded the instrumental section of the group and bringing in a female vocal trio, the I-Threes, which included his wife, Rita. Now called Bob Marley and the Wailers, they toured Europe, Africa, and the Americas, building especially strong followings in the U.K., Scandinavia, and Africa. They had U.K. Top 40 hits with ‘No Woman No Cry’ (1975), ‘Exodus’ (1977), ‘Waiting in Vain’ (1977), and ‘Satisfy My Soul’ (1978).

In 1976, Marley was shot by gunmen during the Jamaican election campaign, but survived and continued to soar in popularity until his 1981 death due to brain, lung and stomach cancer. In 1987, both Peter Tosh and longtime Marley drummer Carlton Barrett were murdered in Jamaica during separate incidents. Rita Marley continues to tour, record, and run the Tuff Gong studios and record company.

Picture source…..foreverb.rxmedicalweb.netdna-cdn.com

Bio source……www.thebiographychannel.co.uk

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Hollaback Girl – Gwen Stefani

Hollaback Girl – Gwen Stefani

Hollaback Girl - Gwen Stefani

Stefani’s family was instrumental to her music career, with her parents introducing her to music and brother Eric forming the band No Doubt, which would later make her famous. Stefani’s parents were folk-music fans and she was taken to Emmylou Harris concerts and introduced to the music of Bob Dylan as a child. Musicals such as ‘The Sound of Music’, ‘Annie’ and ‘Evita’ were also influences, with Stefani’s first foray into public performance being a rendition of the song ‘I Have Confidence’ from ‘The Sound of Music’ at her high school talent show.At Loara High School, Stefani was on the swimming team while working part-time jobs at Dairy Queen and on the make-up counter of a department store. After graduating, she attended California State University in Fullerton.

Older brother Eric introduced Stefani to two-tone Ska music while she was still at high school through bands such as Madness and The Selecter. When he formed his own Ska band in 1986 with friend John Spence, he asked his sister to join as co-lead singer. She became the sole lead singer of the fledgling band after Spence committed suicide in 1987, with the other band members later crediting her as the glue that held the band together through the difficult time.

In 1987, Stefani also began a relationship with bass-player Kanal. She had had a crush on him since he joined the band, but he initially rejected her to promote band-harmony. Stefani persisted and the pair’s relationship eventually lasted for seven years. Stefani admitted to interviewers that her role in the band was passive to begin with. “My brother did everything. I was like, ‘I’m just the sister.’ And then after that I was ‘Tony’s girlfriend.’ And that was good enough for me. I never really had any ambitions or goals or dreams.”
The band had limited success to start with and remained little more than a garage band until the early 1990s.

Grunge was growing in popularity at the time and No Doubt’s ska-pop sound did not fit in with the movement. Stefani opted for sexiness instead of the aggressive grunge female lead typified by singers like Hole’s Courtney Love. The band continued playing though, touring with ska punk band Reel Big Fish and gathering a loyal following in Southern California, and in 1990 it was signed to Interscope Record.

Bio and picture source…..www.lifetimetv.co.uk

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Wasted – Angus and Julia Stone

Wasted – Angus and Julia Stone

Wasted - Angus and Julia Stone

We argue about a lot of things, but never about music, says Julia about the relationship she has with her brother Angus. We don’t get on a lot of the time but when it comes to making music it’s always pretty simple for us.

It’s this language of music that forms the basis of Angus & Julia’s debut album A Book Like This a collection of thirteen heartfelt and organic songs that share their experiences and observations with listeners. Together, and with respective singer/songwriter talents, Angus & Julia Stone form two halves of a musical act whose words and music reveal a pure and genuine love of music, and a talent for telling beautiful and beguiling stories.

Raised in the northern beaches of Sydney, Australia, Angus & Julia’s love of music was inextricably intertwined with their experiences of growing up in their musical family. Music was an integral aspect of family life, with music as the bloodline through both their mother and father’s families. A long line of musicians made for an environment that encouraged the duo to express themselves using their voice and any of the many instruments lying around the house.

Mum listened to Janis Ian a lot, but a big part of our childhood was listening to dad’s covers band it was music from the 60’s, 70’s and 80’s, says Julia of their early influences. It was everything from Van Morrison to The Eagles and The Beatles. We didn’t know any of those bands, we just knew the songs as dad had sung them. It was only a couple of years ago that we listened to The White Album, and thought to ourselves, oh right, these guys are a band – dad didn’t write these songs! ‘

Music continued to play a role in their lives throughout their teenage years. Living at their dad’s place and being unemployed’ish ‘ a state that saw Angus working at odd-jobs as a labourer, and Julia teaching-trumpet the two musicians treated their music as a personal discovery and outlet for their thoughts and observations. When Julia returned home after a year of travelling she encouraged Angus to play his music at some local open-mic nights, and not long after, having helped him out with some backing harmonies, she joined him on stage to play some of her own compositions. That was a mere three years ago. Eventually it worked out that we were doing a split-set, says Julia. It seemed very normal for us and there was no reason not to record together also. It was just easy. Natural, I suppose.
Read more…..take40.com

Picture source…..hangout.altsounds.com

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Bobby McFerrin – Don’t Worry Be Happy

Bobby McFerrin – Don’t Worry Be Happy

Bobby McFerrin - Don't Worry Be Happy
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On the 11th of March, 1950, Bobby McFerrin was born. His parents were classical singers and he began to study music theory early on in his life. His family then moved to Los Angeles. During high school and then in College, UCSC, he focused on the piano. Once he finished college, Bobby McFerrin toured with numerous bands including the Ice Follies.

However, it was only in 1977 that Bobby McFerrin decide to become a singer. At one point he met Bill Cosby who arranged for him take part in the 1980 Playboy Jazz Festival. It was only two years later where he released his firm album called “Bobby McFerrin” in 1982. It was in 1983, that Bobby McFerrin started converting without a band. This eventually led him to make a solo tour in Germany. It was in Germany that he recorded his album “The Voice”. From that point on, he continued to make solo tours in the most prestigious locations. It is also important to realize that Bobby McFerrin worked with several important people like Garrison Keillor, Jack Nicholson, and Joe Zawinul. On “Another Night in Tunisia”, Bobby McFerrin won two Grammies.

McFerrin was also featured in TV commercials for Levi’s and Ocean Spray and also ended up singing the theme song for the Cosby Show and the movie Round Midnight by Bertrand Tavernier which got hum another Grammy. By now, Bobby McFerrin had achieved a great deal of success as a vocal and had released his platinum album Simple Pleasures which included the hit “Don’t Worry be Happy”.

As an Orchestrator, Bobby McFerrin demonstrated his skills in 1990 when he released Medicine Music. He appeared on Arsenio Hall, Today and Evening at Pops. Beyond that, he recorded Hush with Yo-Yo Ma in 1992. The Hush album stayed on the Billboard Classical Crossover Chart for two years until he went gold in 1996. In 1992, Bobby McFerrin also released a new Jazz album called Play which earned him his 10th Grammy award. He is without a doubt one of the greatest Jazz Artists of all time.

McFerrin also worked with classical music. In fact, his first classical album named Paper Music was recorded with the Saint Paul Chamber Orchestra. His symphonic conducting included the convert-length version of Porgy and Bess. This very album remains on the Billboard chart of classical bestsellers. Read More…

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Katy Perry – Last Friday Night

Katy Perry – Last Friday Night

Katy Perry - Last Friday Night

Edgy and non-typically including herself in the good girl image, Katy Perry may be one great example of the future musician. Born on October 25, 1984 in a strict Christian family, Perry was later known for her song “Ur So Gay”. Her parents are two devoted pastors who directed their daughter into singing in churches or local restaurants. Perry said that her mother used to ban her from listening to what they call “secular music.” Thus, young Perry was apt in gospel music until one day during a slumber party she heard the voice of Freddie Mercury.

Inspired by the Queen front man’s style of singing, she was metaphorically ‘opened’ to another possible side of music, although it was not until much later that this side of her would come out as her main music style. At the age of 15 she moved from birth town Santa Barbara, Calif. to Nashville to work closely with songwriters. Steve Thomas and Jennifer Knapp of Red Hill Records signed her to the label to release her debut album which was self-titled while she used her name Katy Hudson. The album that contained Christian songs was released in 2001.

At 17, she met Glen Ballard …

who is responsible for the extreme success of Alanis Morissette in the album “Jagged Little Pill“. Citing Morissette as one of her influences, Perry found comfort in working with Ballard who then gave her necessary mentor. In 2004 she became the vocalist of The Matrix production team and recorded some songs with Ballard that made her dubbed “The Next Big Thing” by Blender magazine. Through her sessions with Ballard, Perry was heard by Capitol Music executive, Jason Flom who then agreed to sign her in Spring 2007.

By being in the club, Perry was introduced to a number of renowned musicians such as Greg Wells, Butch Walker, Dr. Luke and Max Martin. In November 2007 she offered free download of the song “Ur So Gay” on her MySpace account. It was an instant hit, but it was the second single “I Kissed a Girl” that propelled her to chart success. The latter song was used in an episode of teen drama series “Gossip Girl“, thus prompting it to climb up the Billboard Hot 100 chart at #2.

Perry constantly added her live experience by scoring the opening act slots for big singers like Mika and The Starting Line. Her full-length …

Picture and Bio source…..www.aceshowbiz.com

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