Culture Club – I’ll Tumble 4 Ya

Culture Club – I’ll Tumble 4 Ya

Culture Club - I'll Tumble 4 Ya

Born George Alan O’Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O’Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the “pink sheep” of the family.

To stand out in the male-dominated household, George created his own image on which he became dependent. “It didn’t bother me to walk down the street and to be stared at. I loved it,” he later reminisced.

George didn’t exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn’t long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.

Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.

Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.

The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn’t long before George was giving interviews based purely on his appearance.

Read More…..www.biography.com

Picture Source….. scrapetv.com

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Culture Club – Time

Culture Club – Time

Culture Club - Time
Born George Alan O’Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O’Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the “pink sheep” of the family.

To stand out in the male-dominated household, George created his own image on which he became dependent. “It didn’t bother me to walk down the street and to be stared at. I loved it,” he later reminisced.

George didn’t exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn’t long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.

Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.

Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.

The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn’t long before George was giving interviews based purely on his appearance.

Read More…..www.biography.com

Picture Source….. scrapetv.com

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.

Culture Club – Miss Me Blind

Culture Club – Miss Me Blind

Culture Club - Miss Me Blind

Born George Alan O’Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O’Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the “pink sheep” of the family.

To stand out in the male-dominated household, George created his own image on which he became dependent. “It didn’t bother me to walk down the street and to be stared at. I loved it,” he later reminisced.

George didn’t exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn’t long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.

Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.

Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.

The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn’t long before George was giving interviews based purely on his appearance.

Read More…..www.biography.com

Picture Source….. scrapetv.com

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.

Culture Club – Do You Really Want To Hurt Me

Culture Club – Do You Really Want To Hurt Me

Culture Club - Church Of The Poison Mind

Born George Alan O’Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O’Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the “pink sheep” of the family.

To stand out in the male-dominated household, George created his own image on which he became dependent. “It didn’t bother me to walk down the street and to be stared at. I loved it,” he later reminisced.

George didn’t exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn’t long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.

Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.

Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.

The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn’t long before George was giving interviews based purely on his appearance.

Read More…..www.biography.com

Picture Source….. scrapetv.com

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.

Culture Club – The War Song

Culture Club – The War Song

Culture Club - Church Of The Poison Mind

Born George Alan O’Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O’Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the “pink sheep” of the family.

To stand out in the male-dominated household, George created his own image on which he became dependent. “It didn’t bother me to walk down the street and to be stared at. I loved it,” he later reminisced.

George didn’t exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn’t long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.

Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.

Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.

The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn’t long before George was giving interviews based purely on his appearance.

Read More…..www.biography.com

Picture Source….. scrapetv.com

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.

Culture Club – Everything I Own

Culture Club – Everything I Own

Culture Club - Everything I Own
Born George Alan O’Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O’Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the “pink sheep” of the family.

To stand out in the male-dominated household, George created his own image on which he became dependent. “It didn’t bother me to walk down the street and to be stared at. I loved it,” he later reminisced.

George didn’t exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn’t long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.

Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.

Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.

The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn’t long before George was giving interviews based purely on his appearance.

Read More…..www.biography.com

Picture Source….. scrapetv.com

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.

Culture Club – Church Of The Poison Mind

Culture Club – Church Of The Poison Mind

Culture Club - Church Of The Poison Mind
Born George Alan O’Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O’Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the “pink sheep” of the family.

To stand out in the male-dominated household, George created his own image on which he became dependent. “It didn’t bother me to walk down the street and to be stared at. I loved it,” he later reminisced.

George didn’t exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn’t long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.

Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.

Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.

The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn’t long before George was giving interviews based purely on his appearance.

Read More…..www.biography.com

Picture Source….. scrapetv.com

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.

Breakfast Club – Right On Track

Breakfast Club – Right On Track

Breakfast_Club.jpg
Breakfast Club - Right On Track
Breakfast Club was an American pop group. Their biggest hit single was “Right on Track”, which went to No. 7 on the U.S. Billboard Hot 100 chart. The song was remixed for a commercial release in a 12″ version for dance/club play by John “Jellybean” Benitez and went top ten on the Billboard Magazine Hot Dance Club Play chart.

The group was formed in New York in the late 1970s, and went through several line-ups including one in which Madonna was the drummer. In the early 1980s, the band included Madonna, Angie Smit on bass, and the Gilroy brothers, Dan and Ed, both on guitar (Dan sang lead vocals as well). Dan Gilroy was also briefly Madonna’s boyfriend, and he eventually allowed her to sing some lead vocals. Madonna ultimately left to form a new band, Emmy.

In the mid 1980s, the band consisted of the Gilroy’s (with Dan now concentrating exclusively on vocals, while Ed provided all guitars), Gary Burke (bass), Paul Karuk (keyboards), and Stephen Bray (drums). Both Bray and Burke had previously been Madonna’s bandmates in Emmy. Bray had also dated Madonna for a while, and reportedly, Madonna had initially suggested him as her replacement in Breakfast Club.

They signed with ZE Records and released their eponymous album in 1987 on MCA Records, which spawned the U.S. Top Ten hit “Right On Track”. Later, Randy Jackson (bass) and E. Doctor Smith (The Drumstick, percussion) joined the band.

A second album was recorded but never released. Their last single was a cover version of The Beatles’ song “Drive My Car”, from the 1988 film License to Drive. Shortly afterwards the band broke up. Bray later co-wrote several big hits with Madonna. They were nominated in the category of Best New Artist at the Grammy Awards in 1988, losing out to Jody Watley. A majority of their music videos, including “Right on Track,” were filmed by Jeff Stein, director of The Who documentary, The Kids Are Alright.

Dan Gilroy later went on to star in Mother Goose Rock ‘n’ Rhyme as Gordon Goose and in Mrs. Piggle-Wiggle as Pete the Postman. Source….en.wikipedia.org

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Moto Guzzi National Owners Club

Moto Guzzi National Owners Club

500cc V8 at factory

How It all Started

Very late in the year of 1970 a motorcycle magazine by the name of Motorcycle World (now defunct), printed a letter written by a fellow who was about to take delivery on a brand new 1970 750cc Moto Guzzi Ambassador. moto guzzi ambassador

The new motorcycle owner – Dennis Sterlace, had written the magazine asking for people about their experience and what they considered the pros and cons of the Moto Guzzi Ambassador.

Frank Wedge  wrote to Dennis and they began exchanging letters. After corresponding for a month or more, Frank and Dennis decided to try to get a Moto Guzzi correspondence club going. Dennis lived in Lackawanna, New York, and Frank lived in the tiny town of to Sylvan Grove, Kansas.

Frank wrote a letter to Road Rider magazine. Road Rider printed his letter, which asked for interested Moto Guzzi owners to contact either Dennis or Frank . Letters (although small in numbers at first) began coming in from all parts of the United States and a couple from Canada.

The MGNOC (Moto Guzzi National Owners Club)  is now an international club for the Moto Guzzi  owner and enthusiast.  Membership totals around 3200 people. All 50 states are represented, also several provinces in Canada and 16 or 17 other countries.

The MGNOC  is a small club, compared to some, but the members are very devoted to the marque, and most are active motorcyclists who probably ride more miles in an average year than many motorcyclists.

FrankMaryJoSidecar1995

Now, 25 years later, Frank sometimes thinks back at how everything fell into place so that Dennis and himself were able to start up the Moto Guzzi National Owners Club . They are friendly group and  welcome any and all to attend their rallies or join the club.

Club Meetings and Rides Information

People who ride other brands of motorcycles often comment on how much they enjoy attending the rallies, and so the MGNOC  invite others to visit them at their various activities throughout the United States.

Moto Guzzi powered in Texas

In Italy, there is one motorcycle marque that stands above all others when it comes to history and tradition: Moto Guzzi. Today Guzzi is seen very much as a traditionalist, but this was not always so. From its inception shortly after the first Great War, its initial efforts remain shining examples of vision and achievement – and this would continue until the end of the 1950’s, some four decades later. From its Mandelo del Lario factory came a constant stream of mould-breaking designs which were to achieve glory on both road and track.

Visit the Moto Guzzi Museum

Motorbike Boots all worn out? Check These out

Culture Club – Karma Chameleon

Culture Club – Karma Chameleon

Culture Club - Karma Chameleon

Karma Chameleon” is a song by British New Wave band Culture Club, featured on the group’s 1983 album Colour by Numbers. The song spent three weeks at #1 on the US Billboard Hot 100 starting on 4 February 1984, becoming the group’s biggest hit and only US #1 among their many top ten hits. “Karma Chameleon” was also a huge global hit, hitting #1 in sixteen countries worldwide, and the top ten in several more.

Born George Alan O’Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O’Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the “pink sheep” of the family.

To stand out in the male-dominated household, George created his own image on which he became dependent. “It didn’t bother me to walk down the street and to be stared at. I loved it,” he later reminisced.

George didn’t exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn’t long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.

Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.

Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.

The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn’t long before George was giving interviews based purely on his appearance.

Read More…..www.biography.com

Picture Source….. scrapetv.com

Got a request?
Want a song dedicated to you?
Please Contact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.