You To Me Are Everything – The Real Thing
You To Me Are Everything – The Real Thing
Pitbull (whose given name is Armando Christian Pérez) launched his own Polo Grounds Music/J Records imprint (Mr. 305 Records), introduced his specialty vodka Voli, partnered with Sheets, the dissolvable energy strip, inked major sponsorship deals with blue-chip brands Kodak, Dr. Pepper, Bud Light and capitalized on his enormous popularity in the community by releasing his first Spanish-language album, Armando, which features the Top 5 Latin Billboard pop single “Bon Bon.”
To top it all off, the Miami native was awarded his hometown’s Key to the City as a thank-you for the positive PR he has brought Florida’s nightlife capitol. So when Pitbull explains that he’s titled his new album Planet Pit because he feels as if the world is his right now, he’s not just blowing smoke. “I’m not suggesting I run the world, I just feel like I’ve built my own planet,” he says. “I’m catching a lot of people’s ears, whether it’s with my music or appearing on someone else’s track.
When ‘I Know You Want Me [Calle Ocho]’ took off, I started traveling the world, and I saw the impact that a global hit can have — the way it brings people together. So now I’ve set my goals even higher. Going in to make Planet Pit, I said, ‘Okay, Pitbull was cool, Mr. 305 was great — now it’s time for Mr. Worldwide.You need to generate a lot of heat if you want to be Mr. Worldwide, but if there’s one thing Pitbull has — besides a way with rapid-fire rhymes, billion-dollar beats, and globally infectious hooks — it’s charm by the boatload. Always impeccably dressed in a sharp suit and shades, Pit enters a room trailed by his pals happily bantering away in Spanish, a gorgeous girl, and members of his management team.
Even while juggling a constant stream of incoming texts and emails on his two smartphones, Pit has the ability to make everyone he meets feel at home, addressing them as “Mama” or “Papo,” and asking if they need anything.
He’s the consummate professional: confident and charismatic — a true star.Pit’s magnetic personality electrifies Planet Pit — a spicy, stylish stew of raps, beats, and hooks influenced by the music Pit has absorbed growing up and living in Miami, which claims a wide range of dance-driven sounds thanks to the Cuban, Dominican, Colombian, and Caribbean people who make it their home.
“I grew up with salsa, merengue, bachata, booty-shaking music, freestyle music, then came hip hop for me. So you throw all that in a pot, which we call a paella in Spanish — that’s what I’m trying to do with this album,” says Pit, who performed in such far-flung locales as France, Indonesia, South Africa, Brazil, and Singapore, among others, while promoting Rebelution. “It embodies a bit of everywhere I’ve been. For example, ‘Shake Señora’ has got T-Pain, who’s from Tallahassee and Sean Paul who brings the Jamaican feel. I’m trying to be the ambassador; the bridge builder who brings elements from all over the world and puts it all together so it sounds like nothing you’ve ever heard before.” Read more…..mtv.com
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Born George Alan O’Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O’Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the “pink sheep” of the family.
To stand out in the male-dominated household, George created his own image on which he became dependent. “It didn’t bother me to walk down the street and to be stared at. I loved it,” he later reminisced.
George didn’t exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn’t long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.
Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.
Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.
The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn’t long before George was giving interviews based purely on his appearance.
Picture Source….. scrapetv.com
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The Real Thing, a Liverpool based vocal group, had its origins in the Merseybeat boom of the 1960s. Lead Singer Eddie Amoo was a former band member of The Chants, whose beat singles gathered considerable critical acclaim, although they failed to chart. After continuing to record for various record labels, the band name was eventually dropped.
Re-labelled as The Real Thing, and with brother Chris Amoo, Ray Lake and Dave Smith on board, they got their big break following an appearance on the “Opportunity Knocks” ITV talent show. Spotted by an ex-Radio Luxembourg DJ, Tony Hall, he played a significant part in their early career development. Even so, success was not immediate, and contracts they signed with a couple of major record labels came to nothing, before signing to Pye Records in 1975. A spell acting as backing singers on tour with David Essex, also helped to increase their profile.
With a song written and produced by Ken Gold and Mick Denne, The Real Thing finally emerged in 1976 when “You To Me Are Everything” sailed up to the Number One slot in the UK singles chart.
It led off a list of nine hits on Pye over a three year period, which included “Can’t Get By Without You”, and “Can You Feel The Force”, both of which were top five success stories.
Their brand of commercial sweet soul music, mixed with disco influences, established their popularity with the British audience. They were the UK’s best selling black group of the late 1970s, but a switch to the Calibre record label in 1980 slowed the momentum. Subsequent material fared less well, although remixes of their first two hits charted some 10 years after their original release.
The group, with three of the founder members still on board, continue to perform and record to this day
Chris Amoo is also a regular on the Dog Show circuit, the highlight coming in 1987, when his Afghan Hound, Champion Viscount Grant, was crowned Supreme Champion at Crufts.
Eddie Amoo’s early career, in the chants, was supported by a backing band called ‘Vince & the Volcanoes’, led by Vinnie Tow/Ismail, who was managed and promoted by Mr George Roberts at Liverpool 8, Stanley House, before the chants were, temporarily, backed by the Beatles at the Original Cavern Club.
Biography source…..www.last.fm
Picture source…..userserve-ak.last.fm
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