Edgy and non-typically including herself in the good girl image, Katy Perry may be one great example of the future musician. Born on October 25, 1984 in a strict Christian family, Perry was later known for her song “Ur So Gay”. Her parents are two devoted pastors who directed their daughter into singing in churches or local restaurants. Perry said that her mother used to ban her from listening to what they call “secular music.” Thus, young Perry was apt in gospel music until one day during a slumber party she heard the voice of Freddie Mercury.
Inspired by the Queen front man’s style of singing, she was metaphorically ‘opened’ to another possible side of music, although it was not until much later that this side of her would come out as her main music style. At the age of 15 she moved from birth town Santa Barbara, Calif. to Nashville to work closely with songwriters. Steve Thomas and Jennifer Knapp of Red Hill Records signed her to the label to release her debut album which was self-titled while she used her name Katy Hudson. The album that contained Christian songs was released in 2001.
At 17, she met Glen Ballard …
who is responsible for the extreme success of Alanis Morissette in the album “Jagged Little Pill“. Citing Morissette as one of her influences, Perry found comfort in working with Ballard who then gave her necessary mentor. In 2004 she became the vocalist of The Matrix production team and recorded some songs with Ballard that made her dubbed “The Next Big Thing” by Blender magazine. Through her sessions with Ballard, Perry was heard by Capitol Music executive, Jason Flom who then agreed to sign her in Spring 2007.
By being in the club, Perry was introduced to a number of renowned musicians such as Greg Wells, Butch Walker, Dr. Luke and Max Martin. In November 2007 she offered free download of the song “Ur So Gay” on her MySpace account. It was an instant hit, but it was the second single “I Kissed a Girl” that propelled her to chart success. The latter song was used in an episode of teen drama series “Gossip Girl“, thus prompting it to climb up the Billboard Hot 100 chart at #2.
Perry constantly added her live experience by scoring the opening act slots for big singers like Mika and The Starting Line. Her full-length …
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Lopez’s musical career also began to take off, as she released her debut Latin pop album, On the 6 in June 1999. The album, fueled by the success of her hit single, “If You Had My Love,” went platinum within two weeks, making Lopez—along with Ricky Martin—one of the most influential examples of the growing Latin cultural influence in pop music.
Early in 2000, Lopez was nominated for Best Dance Performance for her second hit single “Waiting for Tonight,” but lost the award to veteran diva Cher. In the summer of 2000, she starred in the science fiction-thriller The Cell, in which she plays a child psychologist helping to track a terrifying serial killer. The same year, she starred in Enough, a portrayal of spousal abuse.
The popularity of the multi-talented Lopez reached new heights in early 2001, when her album, J. Lo debuted at No. 1 on the pop charts, while her film, the romantic comedy The Wedding Planner, shot to the top spot at the box office in its first week of release. In December 2002, she performed another one-two punch with the release of the record This Is Me … Then and a starring role in the comedy Maid in Manhattan, which was a box office hit, if not a critical one. In 2003, she co-starred with Ben Affleck in the box office bomb, Gigli. Other projects included Jersey Girl (also with Affleck) and An Unfinished Life, in which she played a single mom taken in by her father-in-law played by Robert Redford. She also starred opposite Richard Gere inShall We Dance?, a remake of the top-grossing Japanese flick.
Cornell Haynes, Jr. (born November 2, 1974), better known by his stage name Nelly, is an American rapper and singer.
A member of hip hop group St. Lunatics, Nelly was signed to Universal Records in 2000. Nelly’s debut album, “Country Grammar” was released that year, and explores the genres of Southern rap and Pop rap. “Country Grammar” was certified nine times platinum in the United States, and was a mainstream success, debuting at #3 on the Billboard 200 and went on to peak at #1. He released the single “Country Grammar (Hot Shit)” and it peaked at #7 on the Billboard Hot 100 Singles chart and #1 on the Hot Rap Tracks chart. Nelly also released the single “Ride wit Me,” featuring fellow St. Lunatic City Spud. The song peaked at #3 on the Billboard Hot 100 and became his highest charting single at that time.
The following year, St. Lunatics released their first album as a group, “Free City,” which received a platinum certification in the United States. Nelly released his second studio work, “Nellyville” in 2002. The album debuted at #1 on the Billboard 200 Albums chart. It was also nominated for “Album of the Year” at the 2003 Grammys. The album was certified 6× platinum by the RIAA. Its lead single “Hot in Herre” was a #1 hit. Other singles included “Dilemma” featuring Kelly Rowland of Destiny’s Child, “Work It” featuring Justin Timberlake, “Air Force Ones” featuring Murphy Lee and the St. Lunatics, “Pimp Juice”, and “#1.” The album was certified 6x multi-platinum. “Hot in Herre” won the Grammy Award for Best Male Rap Solo Performance in 2003.
Nelly released a remix album in 2003, titled “Da Derrty Versions: The Reinvention.”
In 2004, Nelly released two albums, “Sweat” and “Suit.” “Suit,” an R&B-oriented album, debuted at #1 on the Billboard albums chart, and “Sweat,” a rap-oriented album, debuted at #2. From “Suit,” the slow ballad “Over and Over,” an unlikely duet with country music star Tim McGraw, became a crossover hit.
In the winter of 2005 “Sweatsuit,” a compilation of tracks from “Sweat” and “Suit” with three new tracks was released. “Grillz,” produced by Jermaine Dupri, was a #1 hit. To date, both albums have sold over 5 million copies in the U.S.
“Brass Knuckles,” Nelly’s fifth studio album, was issued in 2008 and reached #3 on the Billboard 200 Albums chart. “Party People,” which features Fergie, was released as the first single from the album and peaked at #40 on the Billboard Hot 100 chart. “Stepped on My J’z” which features Ciara and Jermaine Dupri, was released as the second single peaking at #90 on the Billboard Hot 100 chart. “Body on Me” which features Akon and Ashanti, was released as the third single and peaked at #42 on the Billboard Hot 100 chart.
In 2010, Nelly released the album “5.0.” The lead single, “Just a Dream,” went to #3 on the Hot 100 chart and was certified platinum in the U.S. The second single, “Move That Body” featuring T-Pain and Akon. The third single “Gone” is the sequel to Nelly’s 2002 worldwide #1 hit “Dilemma,” and also featured Rowland.
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France’s David Guetta belongs to the sparkling wave of DJs who combine Daft Punk’s sleek house music with a pinch of electroclash’s punch. Guetta had been DJ’ing around France playing popular tunes, but his brain was particularly rewired in 1987 when he heard a Farley Jackmaster Funk track on French radio. He taped the track, brought a copy to a gig, and promptly cleared the floor with it during one of his own sets. Things loosened up a year later when acid house came to France and Guetta successfully promoted his own club nights. It was during one of those nights in 1992 that he met Robert Owens, a Chicago-based house legend who was touring across Europe at the time. Guetta played Owens some of his own tracks, and Owens picked one he liked enough to sing over. The result was “Up and Away,” a minor hit that lurked in garage DJ crates for the next four years.
Guetta’s carefree attitude — that he only produces good music while he’s having casual fun — kept the DJ from releasing anything until 2001’s “Just a Little More Love.” The track featured American gospel singer Chris Willis, who met Guetta while on vacation in France. Another slow burner, “Just a Little More Love,” kept popping up in sets for the next two years, first in an electro version and later in a pumped-up Wally Lopez remix. During this time, Guetta snuck out a bootleg remix of David Bowie’s “Heroes,” retitled “Just for One Day.” Bowie gave the go-ahead to release the track officially, and Guetta soon had a massive hit on his hands. Guetta featured the liberated boot on his first mix CD, Fuck Me I’m Famous, named after Guetta’s successful Ibiza-based party.
The fun-loving slacker DJ finally got around to releasing a collection of his own productions in 2004, Just a Little More Love on Astralwerks. Guetta Blaster arrived that same year, followed by Poplife in 2007. Chris Willis sang lead vocals on the latter album, which spun off multiple dance singles in multiple countries. Fuck Me I’m Famous: International, Vol. 2 was then released in July 2008, giving listeners a taste of the stylish sounds that orchestrated Guetta’s summer club events in Ibiza. A year later he released One Love, a platinum-selling album featuring the singles “When Love Takes Over” with Kelly Rowland, “Sexy Bitch” with Akon, and “Gettin’ Over” with Chris Willis.
In 2010 Guetta received five nominations at the 52nd Grammy Awards, two of them related to the One Love album and the other three for his work on the Black Eyed Peas’ massive worldwide hit “I Gotta Feeling.” That same year, One Love was reissued as One More Love, featuring a bonus disc of remixes and new tracks. A superstar guest list — featuring Akon, Lil Wayne, Flo Rida, Usher, Chris Brown, and others — would figure into his 2011 release Nothing But the Beat, but this time the DJ’s songwriting was inspired by dramatic rock bands like Coldplay. ~ David Jeffries, Rovi.
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Macklemore and Ryan Lewis Can’t Hold Us ft Ray Dalton
Macklemore and Ryan Lewis, a duo from Seattle, Washington, have emerged as a premier national hip-hop group known for their electrifying live shows, expertly crafted music, and innovative music videos and media.
After years of building momentum with impassioned support from their devoted fan base, 2012 has been a banner year for the group, kicked off by Macklemore’s feature in XXL’s Freshman Class. Most recently, they have broken new ground by independently releasing their debut full-length album, The Heist, which shot into the #1 spot on iTunes and debuted at #2 on the Billboard charts without the support of a traditional record label.
Their single “Thrift Shop” has top 40 on the Billboard Top 100 chart and is still climbing, with a wildly popular music video (20 million+ views on YouTube) on heavy rotation on BET and MTV2. “Same Love,” a song and video in support of marriage equality, galvanized young fans and voters and led to a live studio performance on The Ellen DeGeneres Show.
While on their 70-city, completely sold-out world tour supporting The Heist, they have garnered attention in Rolling Stone, Billboard, NPR, TIME and GQ, with live performances on VH1 and an upcoming feature on Late Night with Jimmy Fallon.
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Havana Brown always planned on being a singer – it’s just becoming a world-famous DJ kind of got in the way.
The Melbourne glamour has just released her sizzling debut single ‘We Run The Night’, but she first started singing at the modest age of six. Admittedly though, her ‘performances’ back then were a little different…
“I’d put together shows at family dinners and drag along my poor cousins, who didn’t know how to dance or sing. I don’t know how entertained everyone was,” Brown recalls with a laugh. “I was really into R&B, like Janet Jackson’s Rhythm Nation and Bobby Brown.”
After countless years of singing lessons, performing in dance troupes and cheerleading for her hometown Aussie Rules and basketball teams, Brown got serious about making her own music right after leaving high school.
She started working with Panos Liassi, a Melbourne-based London DJ/producer and one half of R&B/reggae partystarters, Supafly Inc. Such was their musical connection, she ended up following him to the UK to form a Fugees-style group called Fishbowl with two other members. They got signed to the Polydor UK label almost instantly, but sadly, in-fighting saw the act split before they even got to release a single.
“When I look back, it was a pretty dark time,” says Brown. “Getting signed is a big deal for a new artist. You think, woah, this is it! But it wasn’t…”
Like anyone suffering a break up, Brown threw herself into the party scene and one night, she had a dancefloor epiphany of her own: the DJ had the best job in the room and she wanted in.
After learning the basics from Panos, she scraped together enough money from her four-quid-an-hour job to buy her first pair of decks and started hitting up bars with her demo.
Her persistence finally paid off when she scored her first residency at London’s exclusive Kabaret nightclub. “I told the promoters I’d play my first gig for free and they could throw me off after the first song. I don’t think they even thought I’d turn up the next night. When I did, they were like ‘oh, you were serious?’ I ended up playing for an hour and they loved it.”
Arriving back in Australia at the end of 2006, Brown – in her own words – “worked her little tush off” to keep her DJ dream alive. After working the club circuit, she became the first female DJ in Australia to sign a major label record deal with Universal Music in 2008, released her first mix CD, Crave, and topped the year off opening for the Pussycat Dolls on their promo tour.
The Dolls’ management were so impressed with her DJ-with-dancers show, they asked her back for their full tour in 2009. And as word spread, Brown found herself supporting the cream of the pop crop, including Rihanna, Chris Brown, Lady Gaga and Britney Spears, with the latter inviting her on her European tour a year later.
Since then, Brown’s star has only gotten brighter. These days, she boasts weekly radio mixup shows in Australia and abroad (on the popular Radio FG France dance network), has sold over 150,000 copies of her Crave series (now up to Volume 5) and played events as dazzling and diverse as the official Grammy’s After Party and the Singapore F1 Grand Prix alongside Beyonce and the Black Eyed Peas. Along the way, she’s also clocked up more than 100,000 loyal Facebook fans.
Now, twenty years since that first giddy singing lesson, she’s ready to retake the mic and launch that long-overdue singing career. And she’s not afraid to say she’s a little bit nervous…
“It’s exciting, nerve-wracking and intimidating all at the same time,” she says. “I’ve been working on this for a while and I didn’t want to release anything until I was completely satisfied with it. I can’t wait for people to hear this song.”
Written and produced by dance duo More Mega, first single ‘We Run The Night’ is the perfect introduction to the talents and tastes of Havana Brown. A certified dancefloor detonator, the song’s as epic as it is euphoric with an insanely infectious breakdown that’s guaranteed to throw the crowd into overdrive.
“It’s created for both the clubs and the radio,” she reveals. “That was really important for me and it was very difficult to pull off. As for the track, it’s about how music makes me feel.”
Brown says her vast experience as a DJ playing other people’s tunes has also had a huge impact on how she approaches her own.
“In the past, I wasn’t quite sure what type of artist I want to be. But now, after DJing and Fishbowl falling apart, which has been a blessing in disguise, now I’m very confident about what I want.”
At the same time, she realises that some people can be just as dismissive of female pop singers as they are of female DJs. But that, she says, only motivates her more.
“It actually drives me more when people say bad things,” she confesses. “It doesn’t make me angry, it’s more ‘I’m just going to annoy you even more by going out there even harder.’”
“I know I’m putting myself out there in a different way,” she adds. “Originally I was behind the console playing other people’s music but now I’m up front performing my own. I’m revealing myself – it’s like being naked.”
So far, Havana’s career as a jet-setting DJ has been nothing short of dazzling, but now she’s ready to shine in a whole new light. Ladies and gentlemen, introducing Havana Brown the artist.
Got a request?
Want a song dedicated to you?
PleaseContact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.
Havana Brown always planned on being a singer – it’s just becoming a world-famous DJ kind of got in the way.
The Melbourne glamour has just released her sizzling debut single ‘We Run The Night’, but she first started singing at the modest age of six. Admittedly though, her ‘performances’ back then were a little different…
“I’d put together shows at family dinners and drag along my poor cousins, who didn’t know how to dance or sing. I don’t know how entertained everyone was,” Brown recalls with a laugh. “I was really into R&B, like Janet Jackson’s Rhythm Nation and Bobby Brown.”
After countless years of singing lessons, performing in dance troupes and cheerleading for her hometown Aussie Rules and basketball teams, Brown got serious about making her own music right after leaving high school.
She started working with Panos Liassi, a Melbourne-based London DJ/producer and one half of R&B/reggae partystarters, Supafly Inc. Such was their musical connection, she ended up following him to the UK to form a Fugees-style group called Fishbowl with two other members. They got signed to the Polydor UK label almost instantly, but sadly, in-fighting saw the act split before they even got to release a single.
“When I look back, it was a pretty dark time,” says Brown. “Getting signed is a big deal for a new artist. You think, woah, this is it! But it wasn’t…”
Like anyone suffering a break up, Brown threw herself into the party scene and one night, she had a dancefloor epiphany of her own: the DJ had the best job in the room and she wanted in.
After learning the basics from Panos, she scraped together enough money from her four-quid-an-hour job to buy her first pair of decks and started hitting up bars with her demo.
Her persistence finally paid off when she scored her first residency at London’s exclusive Kabaret nightclub. “I told the promoters I’d play my first gig for free and they could throw me off after the first song. I don’t think they even thought I’d turn up the next night. When I did, they were like ‘oh, you were serious?’ I ended up playing for an hour and they loved it.”
Arriving back in Australia at the end of 2006, Brown – in her own words – “worked her little tush off” to keep her DJ dream alive. After working the club circuit, she became the first female DJ in Australia to sign a major label record deal with Universal Music in 2008, released her first mix CD, Crave, and topped the year off opening for the Pussycat Dolls on their promo tour.
The Dolls’ management were so impressed with her DJ-with-dancers show, they asked her back for their full tour in 2009. And as word spread, Brown found herself supporting the cream of the pop crop, including Rihanna, Chris Brown, Lady Gaga and Britney Spears, with the latter inviting her on her European tour a year later.
Since then, Brown’s star has only gotten brighter. These days, she boasts weekly radio mixup shows in Australia and abroad (on the popular Radio FG France dance network), has sold over 150,000 copies of her Crave series (now up to Volume 5) and played events as dazzling and diverse as the official Grammy’s After Party and the Singapore F1 Grand Prix alongside Beyonce and the Black Eyed Peas. Along the way, she’s also clocked up more than 100,000 loyal Facebook fans.
Now, twenty years since that first giddy singing lesson, she’s ready to retake the mic and launch that long-overdue singing career. And she’s not afraid to say she’s a little bit nervous…
“It’s exciting, nerve-wracking and intimidating all at the same time,” she says. “I’ve been working on this for a while and I didn’t want to release anything until I was completely satisfied with it. I can’t wait for people to hear this song.”
Written and produced by dance duo More Mega, first single ‘We Run The Night’ is the perfect introduction to the talents and tastes of Havana Brown. A certified dancefloor detonator, the song’s as epic as it is euphoric with an insanely infectious breakdown that’s guaranteed to throw the crowd into overdrive.
“It’s created for both the clubs and the radio,” she reveals. “That was really important for me and it was very difficult to pull off. As for the track, it’s about how music makes me feel.”
Brown says her vast experience as a DJ playing other people’s tunes has also had a huge impact on how she approaches her own.
“In the past, I wasn’t quite sure what type of artist I want to be. But now, after DJing and Fishbowl falling apart, which has been a blessing in disguise, now I’m very confident about what I want.”
At the same time, she realises that some people can be just as dismissive of female pop singers as they are of female DJs. But that, she says, only motivates her more.
“It actually drives me more when people say bad things,” she confesses. “It doesn’t make me angry, it’s more ‘I’m just going to annoy you even more by going out there even harder.’”
“I know I’m putting myself out there in a different way,” she adds. “Originally I was behind the console playing other people’s music but now I’m up front performing my own. I’m revealing myself – it’s like being naked.”
So far, Havana’s career as a jet-setting DJ has been nothing short of dazzling, but now she’s ready to shine in a whole new light. Ladies and gentlemen, introducing Havana Brown the artist.
Got a request? Want a song dedicated to you? PleaseContact Us with the song and artist you like, the name you want published and we will do our best to find it. Nicknames are fine but nothing rude, please.
France’s David Guetta belongs to the sparkling wave of DJs who combine Daft Punk’s sleek house music with a pinch of electroclash’s punch. Guetta had been DJ’ing around France playing popular tunes, but his brain was particularly rewired in 1987 when he heard a Farley Jackmaster Funk track on French radio. He taped the track, brought a copy to a gig, and promptly cleared the floor with it during one of his own sets. Things loosened up a year later when acid house came to France and Guetta successfully promoted his own club nights. It was during one of those nights in 1992 that he met Robert Owens, a Chicago-based house legend who was touring across Europe at the time. Guetta played Owens some of his own tracks, and Owens picked one he liked enough to sing over. The result was “Up and Away,” a minor hit that lurked in garage DJ crates for the next four years.
Guetta’s carefree attitude — that he only produces good music while he’s having casual fun — kept the DJ from releasing anything until 2001’s “Just a Little More Love.” The track featured American gospel singer Chris Willis, who met Guetta while on vacation in France. Another slow burner, “Just a Little More Love,” kept popping up in sets for the next two years, first in an electro version and later in a pumped-up Wally Lopez remix. During this time, Guetta snuck out a bootleg remix of David Bowie’s “Heroes,” retitled “Just for One Day.” Bowie gave the go-ahead to release the track officially, and Guetta soon had a massive hit on his hands. Guetta featured the liberated boot on his first mix CD, Fuck Me I’m Famous, named after Guetta’s successful Ibiza-based party.
The fun-loving slacker DJ finally got around to releasing a collection of his own productions in 2004, Just a Little More Love on Astralwerks. Guetta Blaster arrived that same year, followed by Poplife in 2007. Chris Willis sang lead vocals on the latter album, which spun off multiple dance singles in multiple countries. Fuck Me I’m Famous: International, Vol. 2 was then released in July 2008, giving listeners a taste of the stylish sounds that orchestrated Guetta’s summer club events in Ibiza. A year later he released One Love, a platinum-selling album featuring the singles “When Love Takes Over” with Kelly Rowland, “Sexy Bitch” with Akon, and “Gettin’ Over” with Chris Willis.
In 2010 Guetta received five nominations at the 52nd Grammy Awards, two of them related to the One Love album and the other three for his work on the Black Eyed Peas’ massive worldwide hit “I Gotta Feeling.” That same year, One Love was reissued as One More Love, featuring a bonus disc of remixes and new tracks. A superstar guest list — featuring Akon, Lil Wayne, Flo Rida, Usher, Chris Brown, and others — would figure into his 2011 release Nothing But the Beat, but this time the DJ’s songwriting was inspired by dramatic rock bands like Coldplay. ~ David Jeffries, Rovi.
Got a request?
Want a song dedicated to you?
PleaseContact Us with the song and artist you like, the name you want published and we will do our best to find it.
Nicknames are fine but nothing rude, please.
France’s David Guetta belongs to the sparkling wave of DJs who combine Daft Punk’s sleek house music with a pinch of electroclash’s punch. Guetta had been DJ’ing around France playing popular tunes, but his brain was particularly rewired in 1987 when he heard a Farley Jackmaster Funk track on French radio. He taped the track, brought a copy to a gig, and promptly cleared the floor with it during one of his own sets. Things loosened up a year later when acid house came to France and Guetta successfully promoted his own club nights. It was during one of those nights in 1992 that he met Robert Owens, a Chicago-based house legend who was touring across Europe at the time. Guetta played Owens some of his own tracks, and Owens picked one he liked enough to sing over. The result was “Up and Away,” a minor hit that lurked in garage DJ crates for the next four years.
Guetta’s carefree attitude — that he only produces good music while he’s having casual fun — kept the DJ from releasing anything until 2001’s “Just a Little More Love.” The track featured American gospel singer Chris Willis, who met Guetta while on vacation in France. Another slow burner, “Just a Little More Love,” kept popping up in sets for the next two years, first in an electro version and later in a pumped-up Wally Lopez remix. During this time, Guetta snuck out a bootleg remix of David Bowie’s “Heroes,” retitled “Just for One Day.” Bowie gave the go-ahead to release the track officially, and Guetta soon had a massive hit on his hands. Guetta featured the liberated boot on his first mix CD, Fuck Me I’m Famous, named after Guetta’s successful Ibiza-based party.
The fun-loving slacker DJ finally got around to releasing a collection of his own productions in 2004, Just a Little More Love on Astralwerks. Guetta Blaster arrived that same year, followed by Poplife in 2007. Chris Willis sang lead vocals on the latter album, which spun off multiple dance singles in multiple countries. Fuck Me I’m Famous: International, Vol. 2 was then released in July 2008, giving listeners a taste of the stylish sounds that orchestrated Guetta’s summer club events in Ibiza. A year later he released One Love, a platinum-selling album featuring the singles “When Love Takes Over” with Kelly Rowland, “Sexy Bitch” with Akon, and “Gettin’ Over” with Chris Willis.
In 2010 Guetta received five nominations at the 52nd Grammy Awards, two of them related to the One Love album and the other three for his work on the Black Eyed Peas’ massive worldwide hit “I Gotta Feeling.” That same year, One Love was reissued as One More Love, featuring a bonus disc of remixes and new tracks. A superstar guest list — featuring Akon, Lil Wayne, Flo Rida, Usher, Chris Brown, and others — would figure into his 2011 release Nothing But the Beat, but this time the DJ’s songwriting was inspired by dramatic rock bands like Coldplay. ~ David Jeffries, Rovi.
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Little Bad Girl – David Guetta ft.Taio Cruz, Ludacris
France’s David Guetta belongs to the sparkling wave of DJs who combine Daft Punk’s sleek house music with a pinch of electroclash’s punch. Guetta had been DJ’ing around France playing popular tunes, but his brain was particularly rewired in 1987 when he heard a Farley Jackmaster Funk track on French radio. He taped the track, brought a copy to a gig, and promptly cleared the floor with it during one of his own sets. Things loosened up a year later when acid house came to France and Guetta successfully promoted his own club nights. It was during one of those nights in 1992 that he met Robert Owens, a Chicago-based house legend who was touring across Europe at the time. Guetta played Owens some of his own tracks, and Owens picked one he liked enough to sing over. The result was “Up and Away,” a minor hit that lurked in garage DJ crates for the next four years.
Guetta’s carefree attitude — that he only produces good music while he’s having casual fun — kept the DJ from releasing anything until 2001’s “Just a Little More Love.” The track featured American gospel singer Chris Willis, who met Guetta while on vacation in France. Another slow burner, “Just a Little More Love,” kept popping up in sets for the next two years, first in an electro version and later in a pumped-up Wally Lopez remix. During this time, Guetta snuck out a bootleg remix of David Bowie’s “Heroes,” retitled “Just for One Day.” Bowie gave the go-ahead to release the track officially, and Guetta soon had a massive hit on his hands. Guetta featured the liberated boot on his first mix CD, Fuck Me I’m Famous, named after Guetta’s successful Ibiza-based party.
The fun-loving slacker DJ finally got around to releasing a collection of his own productions in 2004, Just a Little More Love on Astralwerks. Guetta Blaster arrived that same year, followed by Poplife in 2007. Chris Willis sang lead vocals on the latter album, which spun off multiple dance singles in multiple countries. Fuck Me I’m Famous: International, Vol. 2 was then released in July 2008, giving listeners a taste of the stylish sounds that orchestrated Guetta’s summer club events in Ibiza. A year later he released One Love, a platinum-selling album featuring the singles “When Love Takes Over” with Kelly Rowland, “Sexy Bitch” with Akon, and “Gettin’ Over” with Chris Willis.
In 2010 Guetta received five nominations at the 52nd Grammy Awards, two of them related to the One Love album and the other three for his work on the Black Eyed Peas’ massive worldwide hit “I Gotta Feeling.” That same year, One Love was reissued as One More Love, featuring a bonus disc of remixes and new tracks. A superstar guest list — featuring Akon, Lil Wayne, Flo Rida, Usher, Chris Brown, and others — would figure into his 2011 release Nothing But the Beat, but this time the DJ’s songwriting was inspired by dramatic rock bands like Coldplay. ~ David Jeffries, Rovi.
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Want a song dedicated to you?
PleaseContact Us with the song and artist you like, the name you want published and we will do our best to find it.
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