Cher – If I Could Turn Back Time

Cher – If I Could Turn Back Time

Cher - If I Could Turn Back Time

If she could turn back time, what would the pop queen change? After decades of public heartbreak and career rebirths she’s still as youthful as the day she first serenaded Sonny.

Cher’s career has lasted over forty years, first as a singer, then as a TV comedian and, later, as a mature and talented actress.

The young Cherilyn Sarkisian LaPierre was dragged out of her job as a studio back-up singer by crooner and music promoter Sonny Bono when she was just seventeen. Failing to impact as double act Caesar and Cleo, the tall, deadpan girl and the diminutive Bono gained huge popularity as Sonny & Cher, though each continued to occasionally record on their own. They ended up marrying in 1964.

Musically, the husband-wife team grew ever more popular with hits such as ‘I Got You Babe’ and ‘The Beat Goes On’. Changing musical tastes at the turn of the decade and financing flop films led to the couple becoming seriously in debt. The humiliation of the Lounge circuit finally evolved into Las Vegas appearances. Their onstage banter and lavish Bob Mackie costumes formed the basis of their TV show. The couple started to work on comedy sketches and ‘The Sonny and Cher Comedy Hour’ debuted in 1971. It was a hit and ran for three years on US networks.

By 1974, Sonny and Cher split, both professionally and romantically. Cher returned to music and recorded a series of commercially successful pop albums. Sonny eased himself out of showbiz and into politics. Cher on the other hand remarried briefly, in 1975, to Greg Allman.

However, film was Cher’s passion of the 1980s and she worked hard on small parts, eventually winning Best Supporting Actress at the Academy Awards for her performance in ‘Silkwood’. Buoyed by her success, Cher was offered starring roles in ‘Mask’, ‘Suspect’ and ‘The Witches of Eastwick’. In 1988 she won the Academy Award’s Best Actress gong for her role in ‘Moonstruck’. At the same time, her ‘Heart of Stone’ album produced a sizeable hit ‘If I Could Turn Back Time’ and a memorably risqué outfit for the video.

She made her directing debut with ‘If These Walls Could Talk’ in 1996. Despite her reputation as supporter for gay rights and AIDS charities, Cher was initially less than delighted when her daughter was outted by the press. Their relationship mended in time for Chastity to break the news to her mother that Sonny had died while skiing. The eulogy to her former partner displayed Cher’s vulnerable side to the public. Chastity was later to rename herself Chaz, following her decision to change sex. A documentary which chart’s her gender reassignment, entitled ‘Becoming Chaz’, shows Cher explaining that “at some point, I’m going to have to start calling her him”. Read more…..thebiographychannel.co.uk

Picture source…..3.bp.blogspot.com

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If I Can’t Have You – Yvonne Elliman

If I Can’t Have You – Yvonne Elliman

If I Can't Have You - Yvonne Elliman

Yvonne Elliman had a brief moment in the spotlight during the middle of the ’70s, yet she appeared on many of the decade’s biggest hits as a backing singer. While she was in high school in Hawaii, Elliman sang in a group called We Folk. She moved to London in 1969 and began singing at the Pheasantry folk club, located on Kings Road in Chelsea. It was here that songwriters Andrew Lloyd Webber and Tim Rice discovered her.

The duo offered her the role of Mary Magdalene in their new rock opera, Jesus Christ Superstar; the role brought her instant fame. Elliman played the Magdalene character in the film version of Superstar, for which she won a Golden Globe award; it also gave her a hit with “I Don’t Know How to Love Him.” The hit single became the title of her debut album, which was released in 1972.

Pete Townshend helped Elliman prepare her second album, 1973’s Food of Love. During this time, she appeared in the American production of Jesus Christ Superstar on Broadway, where she met Bill Oakes, the president of RSO Records; the two married soon afterward. Oakes introduced her to Eric Clapton, inviting her to sing backup vocals on “I Shot the Sheriff.” Elliman became part of the guitarist’s band afterward; she stayed with him for five years.

She joined RSO’s roster in 1975, releasing the Steve Cropper-produced Rising Sun. Barry Gibb and Robin Gibb wrote the title song for Elliman’s next album, 1976’s Love Me; the song became a U.K. hit, paving the way for her greatest chart success, the Saturday Night Fever soundtrack. The Bee Gees wrote several songs on the soundtrack specifically for Elliman, including the number one single “If I Can’t Have You.” She never followed through on the song’s success — she released two more albums before becoming solely a session musician.

Biography source…..www.mtv.com

Picture source…..userserve-ak.last.fm

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