Swedish House Mafia is a house music supergroup comprised of DJ/producers Axwell, Steve Angello, and Sebastian Ingrosso, each of whom is an accomplished DJ/producer and label owner in his own right. The members of the Swedish group initially teamed up in the mid-2000s, when they toured together as DJs and collaborated from time to time on one another’s productions. Eric Prydz was also a member of the group for a while. Axwell, Angello, and Ingrosso’s breakout performance as Swedish House Mafia came on August 12, 2008, when they played the Main Room at Cream Amnesia in Ibiza, Spain, as part of Radio 1’s Essential Mix Ibiza.
A couple years later the trio signed a major-label recording contract with EMI and made their commercial production debut with the summer 2010 anthem “One,” also known as “One (Your Name),” the latter version featuring Pharrell Williams of the Neptunes on vocals. The song was a Top Ten hit in the United Kingdom, Sweden, the Netherlands, and Belgium, and landed on the group’s debut album, 2010’s Until One. Two years later the group members announced they were breaking up and returning to their solo careers, although only after a farewell tour and the release of their second album, 2012’s Until Now. ~ Jason Birchmeier, Rovi
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Formed in 1978, this US group was centred on comedians John Belushi (24 January 1949, Chicago, Illinois, USA, d. 5 March 1982, Los Angeles, California, USA) and Dan Aykroyd (b. 1 July 1952, Ottawa, Ontario, Canada). Renowned for contributions to the satirical National Lampoon team and television’s Saturday Night Live, the duo formed this 60s-soul-styled revue as a riposte to disco.
Assuming the epithets Joliet ‘Jake’ Blues (Belushi) and Elwood Blues (Aykroyd), they embarked on live appearances with the assistance of a crack backing group, which included Steve Cropper (guitar), Donald ‘Duck’ Dunn (bass) and Tom Scott (saxophone). Briefcase Full Of Blues topped the US charts, a success that in turn inspired the movie The Blues Brothers (1980). Although reviled by several music critics, there was no denying the refreshing enthusiasm the participants brought to R&B and the venture has since acquired a cult status.
An affectionate, if anarchic, tribute to soul and R&B, it featured cameo appearances by Aretha Franklin, Ray Charles, John Lee Hooker and James Brown. Belushi’s death from a drug overdose in 1982 brought the original concept to a premature end, since which time Aykroyd has continued a successful acting career. However, several of the musicians, including Cropper and Dunn, later toured and recorded as the Blues Brothers Band.
The original Blues Brothers have also inspired numerous copy-cat/tribute groups who still attract sizeable audiences, over 20 years after the movie’s release. In August 1991, interest in the concept was again boosted with a revival theatre production in London’s West End. A critically slated sequel, Blues Brothers 2000, was released in 1998, with Belushi replaced by ex-Roseanne star John Goodman.
Havana Brown always planned on being a singer – it’s just becoming a world-famous DJ kind of got in the way.
The Melbourne glamour has just released her sizzling debut single ‘We Run The Night’, but she first started singing at the modest age of six. Admittedly though, her ‘performances’ back then were a little different…
“I’d put together shows at family dinners and drag along my poor cousins, who didn’t know how to dance or sing. I don’t know how entertained everyone was,” Brown recalls with a laugh. “I was really into R&B, like Janet Jackson’s Rhythm Nation and Bobby Brown.”
After countless years of singing lessons, performing in dance troupes and cheerleading for her hometown Aussie Rules and basketball teams, Brown got serious about making her own music right after leaving high school.
She started working with Panos Liassi, a Melbourne-based London DJ/producer and one half of R&B/reggae partystarters, Supafly Inc. Such was their musical connection, she ended up following him to the UK to form a Fugees-style group called Fishbowl with two other members. They got signed to the Polydor UK label almost instantly, but sadly, in-fighting saw the act split before they even got to release a single.
“When I look back, it was a pretty dark time,” says Brown. “Getting signed is a big deal for a new artist. You think, woah, this is it! But it wasn’t…”
Like anyone suffering a break up, Brown threw herself into the party scene and one night, she had a dancefloor epiphany of her own: the DJ had the best job in the room and she wanted in.
After learning the basics from Panos, she scraped together enough money from her four-quid-an-hour job to buy her first pair of decks and started hitting up bars with her demo.
Her persistence finally paid off when she scored her first residency at London’s exclusive Kabaret nightclub. “I told the promoters I’d play my first gig for free and they could throw me off after the first song. I don’t think they even thought I’d turn up the next night. When I did, they were like ‘oh, you were serious?’ I ended up playing for an hour and they loved it.”
Arriving back in Australia at the end of 2006, Brown – in her own words – “worked her little tush off” to keep her DJ dream alive. After working the club circuit, she became the first female DJ in Australia to sign a major label record deal with Universal Music in 2008, released her first mix CD, Crave, and topped the year off opening for the Pussycat Dolls on their promo tour.
The Dolls’ management were so impressed with her DJ-with-dancers show, they asked her back for their full tour in 2009. And as word spread, Brown found herself supporting the cream of the pop crop, including Rihanna, Chris Brown, Lady Gaga and Britney Spears, with the latter inviting her on her European tour a year later.
Since then, Brown’s star has only gotten brighter. These days, she boasts weekly radio mixup shows in Australia and abroad (on the popular Radio FG France dance network), has sold over 150,000 copies of her Crave series (now up to Volume 5) and played events as dazzling and diverse as the official Grammy’s After Party and the Singapore F1 Grand Prix alongside Beyonce and the Black Eyed Peas. Along the way, she’s also clocked up more than 100,000 loyal Facebook fans.
Now, twenty years since that first giddy singing lesson, she’s ready to retake the mic and launch that long-overdue singing career. And she’s not afraid to say she’s a little bit nervous…
“It’s exciting, nerve-wracking and intimidating all at the same time,” she says. “I’ve been working on this for a while and I didn’t want to release anything until I was completely satisfied with it. I can’t wait for people to hear this song.”
Written and produced by dance duo More Mega, first single ‘We Run The Night’ is the perfect introduction to the talents and tastes of Havana Brown. A certified dancefloor detonator, the song’s as epic as it is euphoric with an insanely infectious breakdown that’s guaranteed to throw the crowd into overdrive.
“It’s created for both the clubs and the radio,” she reveals. “That was really important for me and it was very difficult to pull off. As for the track, it’s about how music makes me feel.”
Brown says her vast experience as a DJ playing other people’s tunes has also had a huge impact on how she approaches her own.
“In the past, I wasn’t quite sure what type of artist I want to be. But now, after DJing and Fishbowl falling apart, which has been a blessing in disguise, now I’m very confident about what I want.”
At the same time, she realises that some people can be just as dismissive of female pop singers as they are of female DJs. But that, she says, only motivates her more.
“It actually drives me more when people say bad things,” she confesses. “It doesn’t make me angry, it’s more ‘I’m just going to annoy you even more by going out there even harder.’”
“I know I’m putting myself out there in a different way,” she adds. “Originally I was behind the console playing other people’s music but now I’m up front performing my own. I’m revealing myself – it’s like being naked.”
So far, Havana’s career as a jet-setting DJ has been nothing short of dazzling, but now she’s ready to shine in a whole new light. Ladies and gentlemen, introducing Havana Brown the artist.
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The Snowdroppers are an Australian punk and rock band with Johnny Wishbone on lead vocals and banjo, Pauly K on guitar, Nick London on bass guitar and Cougar Jones on drums. Their debut album, Too Late to Pray, was released in 2009. The band toured the United States in March 2011.
The band have played at Australian festivals including Big Day Out, East Coast Blues & Roots Music Festival, Come Together Music Festival, Village Fair, Peats Ridge, and Gympie Muster. In October 2010, they toured New Zealand supporting Gin Wigmore. During early 2011, the group played six gigs across the United States including The Viper Room in Los Angeles and SXSW festival in Austin, Texas in March.
The Snowdroppers are an old style good time family fun band, whose feel good tunes harken from a more innocent era. From the days when jitterbugging, speak easys and contracting cholera was all the rage. They tackle issues such as substance dependancy, spousal abuse, homocide and good old fashioned misogyny.
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The way to Plan any Bikram Yoga and fitness Course
Photograph Credit ratings Matt Cardy/Getty Graphics News/Getty Pictures Bikram or perhaps “hot” yoga exercises is completed in a very room warmed up for you to regarding 105 certifications Fahrenheit and forty five % moisture.
According for the Bikram principles, heat relaxes your muscles and joints, helping you to sink more deeply in the flexibility-building postures having decreased threat connected with harm. In addition, it brings out a number of complications that you should come ready pertaining to — as well as copious sweat in which, using the principles connected with Bikram, aids eliminate toxins through your entire body.
Want to get in good form? Read more about LIVESTRONG. COM’s nourishment as well as exercise program! 1 Drink a minimum of 1 oz . associated with h2o for every 2 kilos of body volume daily, since proposed by Bikram Pilates Seacoast. Which helps you remain hydrated over a ongoing basis.
Drink an additional liter associated with mineral water for the day time involving category, however taper your water ingestion around three a long time just before course. That produces you not as likely to possess in order to urinate during category.
Step two Stop eating heavy foodstuff at least three to four hrs previous to school will start. If you eat anything in this period, reduce you to ultimately an extremely light snack within the time or a couple previous to course. Tips about exactly any time to avoid ingesting differ, but the general opinion is that you simply visit class by using an bare stomach.
Step 3 Dress in form-fitting, mild outfits. Bikram Yoga Falls Church suggests outfitting almost like you’re going to be the seashore. Opt for shorts above jeans. Men may perhaps get shirtless; girls normally don either a reservoir prime or maybe sports bra. The actual form-fitting clothing help it become simpler for your tutor to spot and also accurate any kind of errors within your poses.
Step several Bunch a big hand towel, some sort of dry alter involving clothing for following school, a new tote to carry your sweat-soaked apparel with along with a water package. Provide them along with you to be able to class. Ideally you should have your individual yoga sleeping pad way too, but some galleries lend or even hire some sort of sleeping pad the very first few instances a person enroll in.
Step 5 Get to very least 20 minutes ahead of category occasion. Generally, the actual doorways towards scorching room in close proximity a short while just before class legally commences in addition to latecomers are not admitted. The complete cutoff time period differs among yoga galleries, even so the 20-minute concept generally is a safe and sound guide.
Step 6 Register while using facility workers if this really is your top class. The trainer might advocate getting a place behind the bedroom. All people in course encounters frontward, therefore you’ll find a chance to take notice of the more experienced college students, along with the freedom involving comparative comfort.
Tips along with Dire warnings Reducing our the usage of caffeinated products within the days to weeks leading up to school makes it possible to be hydrated.
Bikram yoga and fitness could be challenging; you most likely will not find every present just suitable in the beginning. But when you commit to doing your very best, regardless of what which seems as if, you are going to discover swift progress.
Things You may need Shorts
Tank prime or activities bra
Large towel
Dry clothes
Mesh tote or even gym bag
Water container.
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Australian musicians Terry Dean and Rod De Clerk met in Tasmania in 1965. They then met Laurie Arthur, a member of The Strangers, and the three decided to form a band together after a jam session. They quickly signed to EMI that same year and released three singles. They went through several line-up changes over the following few years, then signed to CBS Records in 1969. A few further singles followed before transferring to Fable Records in 1970.
The Mixtures recorded a cover of Mungo Jerry’s “In the Summertime” and—as a result of the 1970 radio ban, during which many Australian radio stations refused to play Australian and British music released by major labels—received much more airplay than had initially been expected for a group on a small record label. The single went to #1 in Australia for six weeks. They followed up with “The Pushbike Song” (produced by David Mackay), which went to #1 in Australia for two weeks, hit #2 in the UK Singles Chart, and went to #44 on the Billboard Hot 100 in the U.S. after being released on Sire Records.
The next single, “Henry Ford”, peaked at #43 in Australia. Further line-up changes ensued before “Captain Zero” went to #6 in Australia in 1971, their last big hit. The group underwent some more line-up changes including Brenton Fosdike (Guitar, vocals), John Petcovich (Drums, Vocals) and the last member to join was Keyboard Player Rob Scott. In 1978 the band travelled to Perth to do some recording and put together a new show. During this time Bass Player Chris Spooner died in a fishing accident at Trigg Beach. The band only carried on for a further three months as a four piece before breaking up in early 1979. The remaining four members, Brenton, John, Rob and Peter Williams, then formed a new band with two other Australians, (Dennis Broad and Paul Reynolds) and the band was named BRIX.
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Ihaia Kaikoura’s original signature on the Treaty of Waitangi.
Rangitane have resided in the northern South Island since the migration from the Wairarapa in the sixteenth century under the Chiefs Te Huataki, Te Whakamana and Tukanae. The Iwi gradually occupied a territory stretching from the Waiau-toa (Clarence) River in the south to the Wairau (Marlborough), including the Nelson Lakes, and north to Kaituna and the Marlborough Sounds and west into the Whakatu (Nelson) area. Rangitane customary rights often overlapped and intersected with other Iwi, especially in the Waiau-toa, Nelson Lakes, Marlborough Sounds and Whakatu districts. Non-exclusive and shared occupation and use rights in these areas were governed by whakapapa connections and customary protocols between the Iwi. Between 1827 and the mid-1830’s an alliance of musket-armed North Island Iwi invaded the northern South Island. Rangitane (and the other northern South Island Iwi) were defeated in a series of battles. However Rangitane continued to live on the land, and maintained ancestral connections with the whenua.
The Treaty of Waitangi
The Rangatira Ihaia Kaikoura signed the Treaty of Waitangi on Horahora-Kakahu Island (Port Underwood), on June 17, 1840. He is frequently referred to as the leader of the Wairau community and he was invariably consulted by Crown officials on land and other important matters. In 1856 the Crown Purchase agent Donald McLean concluded two deeds or sales with Rangitane, one at the Wairau Bar and the other at Havelock. Rangitane were to have received an extensive reserve on the northern side of the Wairau River, but this was never delivered.
The Rangitane Claim (WAI 44)
Rangitane filed a claim with the Waitangi Tribunal in 1987 alleging that the Crown committed a number of breaches of the Treaty of Waitangi. That claim was finally heard in 2003, and the Tribunal Report was released in 2008. The recommendations of the report can be found on the Waitangi Tribunal website www.waitangitribunal.govt.nz
